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Archive for September, 2012

Sunday Read: The Guardian Books Podcast – From Agatha Christie to Attica Locke

A forgotten Agatha Christie essay prompted the Guardian to talk about crime fiction in their latest Books podcast. Christie apparently reveals “her disdain both for her own characters and those of her crime-writing contemporaries” in the never-before-published preface to ‘Detective Writers in England’, in which she discusses her fellow writers in the Detection Club. The podcast also includes a look at the work of Attica Locke, a rising star in American crime writing.

Ask a PolicemanMurder on the Orient ExpressAnd Then There Were NoneDeath on the NileThe Cutting Season

Listen to the podcast:

agatha christie

As a forgotten essay from Agatha Christie reveals her disdain both for her own characters and those of her crime-writing contemporaries, we look at the diverging history of detective fiction on opposite sides of the Atlantic, from the cosy crime of Miss Marple to the hardboiled fiction of Chandler and Hammett.

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@BooksLIVESA Weekly Tweets 2012-09-30

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  • @jameswhyle That's fantastic and so very Amis in reply to jameswhyle #
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  • @GuardianBooks looks at the best books about the Beatles http://t.co/FQnt56pj #
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  • Squeezing the Lemon: A Review of Trampled Under Foot: The Power and Excess of Led Zeppelin http://t.co/sZ3xOrlm #
  • Andrew Donaldson Highlights Philip Hoare's Moby Dick Big Read http://t.co/DkOsdfxd #
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  • Michele van Eck Reviews Guide to Night Skies of Southern Africa by Peter Mack http://t.co/9VV2PbYS #
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  • Programme Released for First Big Big Brightwater Commons Book Fair (28-30 September) http://t.co/6XIiU2lT #
  • Bestselling Author Gareth Crocker Returns with Journey from Darkness http://t.co/urdIqw8O #
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  • RT @proteaboekhuis: Alina Preis Reviews Roger Ballen's Die Antwoord Exhibition http://t.co/GY0G17ix #
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  • What I'm Reading: Sarah Wild http://t.co/eJsV9oPF #
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  • Sloman and Crace issue their thanks. An incredible second #openbook festival concludes! #
  • @konstantinsays mentions @digestedread of Death in Venice- "and then he dies crushed by the weight of his own symbolism" #openbook #
  • Crace- Unless it's a first novel by Russel Brand – that would be fair game #openbook #
  • Crace- first time authors are always ruled out of being digested- it's just not fair #openbook #
  • Crace- writers generally seem to be a lot nicer to me than I am to them #openbook #
  • Crace- parody opens up bits of the text that people may have missed along the way #openbook #
  • Sloman asks if Bridehead Abbreviated would make a good study guide for students #openbook #
  • He says that considering they are only about 500 words, it's pretty slow going. #openbook #
  • Crace writes his digested reads between 7 and 12 on a Friday morning #openbook #
  • Crace- I can't tell you the excitement when I find that the book is quite short #openbook #
  • Crace- people don't tend to talk in long paragraphs, except at book festivals #openbook #
  • Crace- very few writers get dialogue right #openbook #
  • Writing process is enormously technical for Crace #openbook #
  • Crace- you need to mix things up, not just literary fiction but non-fiction, biography, genre fiction #openbook #
  • Sloman to Crace- what makes something digestible? #openbook #
  • Crace has just digested So Much for That by Lionel Shriver #openbook #
  • Crace- Lionel feels the need to talk about Lionel! #openbook #
  • Sloman- We need to talk about Lionel #openbook #
  • Sloman says feedback on events has generally been positive #openbook #
  • Next provocative question from Crace- which event would you leave out? #openbook #
  • Sloman describes getting abuse because there wasn't a smoking section in the middle of the Fugard Theatre #openbook #
  • Crace puts Sloman on the spot – who was the most difficult author at the festival? #openbook #
  • Crace reveals that @digestedread wasn't his idea – he was asked to do it by "an exceptionally scary woman" #openbook #
  • But Crace describes himself as a mouse #openbook #
  • Sloman asks Crace if he's fearless #openbook #
  • Crace has just digested The Stranger's Child by Alan Hollinghurst #openbook #
  • Crace apologised to Hollinghurst but Hollinghurst said he loved it, would have been offended if not digested by Crace #openbook #
  • Authors now treat being digested as a badge of honour #openbook #
  • Crace has just digested Joanne Harris' Peaches for Monsieur le Curé for us #openbook #
  • @digestedread could be the longest running column in @GuardianBooks #openbook #
  • Crace has been doing @digestedread for about 13 years now #openbook #
  • Crace had heard that Harris wasn't very happy with her Digested Read and was nervous to meet her #openbook #
  • Crace is going to digest the work of Joanne Harris first #openbook #
  • Sloman- @digestedread column allows people to have opinions about books they haven't read #openbook #
  • Sloman introduces @digestedread's John Crace #openbook http://t.co/39LOrsBc #
  • This session replaces last year's feedback session #openbook #
  • Sloman welcomes us to the final time slot #openbook #
  • This is the final event of this year's #openbook festival #
  • Mervyn Sloman with John Crace who is about to digest #openbook for us http://t.co/ylUlreT0 #
  • @paperight is a library that any photocopying shop with a license can use to download and print books #openbook #
  • @nickbarleyedin asks @arthurattwell about @paperight #openbook #
  • @arthurattwell predicts blurring between books and gaming – rise of interactivity #openbook #
  • Panelists mention importance of Project Gutenberg #openbook #
  • Johnson quotes Umberto Eco- "The book is like the spoon: once invented, it cannot be bettered." #openbook #
  • Printer was labelled as a heretic for distributing a Bible! #openbook #
  • The book has the inscription, in Dutch, "If you can read this, you do not need to go to church" #openbook #
  • Shathley Q mentions 16th C bible in UCT special collection whose printer was burned at the stake for being a heretic #openbook #
  • #openbook Shathley Q- books are in libraries because of a compromise between politics and economics #
  • Shathley Q – the future looks like Facebook #openbook #
  • Information age is a networked set of communities #openbook #
  • And on that note, conversation for the launch of Diane Awerbuck's Home Remedies concludes #openbook #
  • @MargieOrford in the audience quotes Pieter-Dirk Uys – the problem with the past is it's so unpredictable #openbook #
  • In this month's edition of @VISI_Mag, DA writes about going back to Kimberly for her high school reunion #openbook #
  • But DA won't spell it out for you #openbook #
  • Title Home Remedies? #openbook DA- it has multiple meanings #
  • DA- writing is an art but it's not a martial art #openbook #
  • DA- its cruel to portray people on paper #openbook If you need to tell them something, tell them #
  • Donnelly asks about self-censorship #openbook #
  • DA- jokes follow the narrative structure of a novel just more condensed #openbook #
  • DA- Ironically enough there was a lot of Palestinian humour during the Israeli bombings #openbook #
  • DA- it is your right to laugh at things that have happened #openbook #
  • DA- it's that not understanding that is so dangerous #openbook #
  • DA describes perpetrators posing with "smirk of self-defence" had not understood how they had changed things by their actions #openbook #
  • Pictures reminded DA of a concentration camp – living under threat of rape is terrifying #openbook #
  • #openbook DA- The trauma became her life – to talk to people about what happened to her #
  • Donnelly- why did you have to take us back to the story of Alison Botha? #openbook #
  • DA gives a shout out to @HenriettaRI in the audience whose work deals with setting in a new way #openbook #
  • DA- escaping what Antjie Krog calls "the curse of farm novel" #openbook #
  • DA- Fish Hoek is a proper town, everybody knows everyone else's business #openbook #
  • DA wants to build up a literary Fish Hoek and a literary Kimberley #openbook #
  • Donnelly describes how Fish Hoek is an entire character in the book #openbook #
  • DA- we're children! #openbook #
  • DA – writers are more conscious of their subconscious #openbook #
  • DA says that no one has yet told her that they have found her strange #openbook #
  • Book features an entirely separate character called Doctor Renfield who is inside Joanna's head #openbook #
  • DA says that audience participation is half or the process – "My work here is done!" #openbook #
  • DA- but that's a matter of audience projection #openbook #
  • DA- there's a person who I don't know at all who is apparently quite similar to Viola #openbook #
  • Donnelly – is Viola based on one particular person? #openbook #
  • #openbook DA says this could turn into a bun fight – who's the most disrespectful of Saartjie Baartman #
  • DA clarifies this- I'm not against the ANC, I am against kleptocracy #openbook #
  • #openbook DA- there are very specific things that you can throw 8 mil rand at rather than a party for the dead Saartjie Baartman #
  • DA- Baartman's grave site, her memorial site was robbed! #openbook #
  • DA- what happened when she came back to SA was even worse #openbook #
  • DA mentions background as history teacher and teaching "grand narrative" of Saartjie Baartman #openbook #
  • DA- short stories are far harder to write than novels, they are like haikus #openbook #
  • DA jokes- "I'm against aspiring writers, we don't need any more competition!" #openbook #
  • DA- but it also involves a degree of acquiescence #openbook #
  • DA says having children requires enormous strength – best advice she received was "you need to be a warrior" #openbook #
  • DA- after I had had children, everything paled in comparison in terms of pressure #openbook #
  • Donnelly asks about the curse of the second novel #openbook #
  • DA- I had two months to get the novel down in terms or my freelance schedule #openbook #
  • DA- This book was actually written very quickly #openbook #
  • DA- Having someone walk through your body is not at all like writing a book #openbook #
  • But there is something in the divide between the romanticism and eerie medical way or speaking about childbirth #openbook #
  • DA had said she would never write about having children because it bores the pants off her when other people do #openbook #
  • Like "I've just given birth to a book" #openbook Really? says DA, that must have been awful! #
  • DA hates metaphors associated with childbirth #openbook #
  • DA emphasises the importance of telling stories #openbook #
  • DA- and some of these people are in government! #openbook #
  • DA- This marks the step between child and adult but some people never make this step #openbook #
  • DA talks about crime and punishment – doing things because you can and not thinking about the consequences #openbook #
  • Ferris poem is seen as turning point for French government returning Saartjie Baartman's remains #openbook #
  • DA- South Africa especially has just produced beautiful, powerful poetry #openbook #
  • #openbook Donnelly asks about the power of poetry, two are quoted in the text #
  • #openbook DA- and it's exciting! #
  • …Dracula is a book that keeps giving – can be an AIDS metaphor #openbook #
  • DA- Dracula is a fundamental book to read as a teenager but might seem silly now #openbook #
  • #openbook Donnelly asks about the influence of Dracula – which crops up again in her books #
  • DD- Home Remedies drawns you in so completely then hits you with such a force #openbook #
  • DD says she found a list she had written in 2010 of authors she must read – Awerbuck's name was on the top #openbook #
  • Donnelly says the combination might seem odd – Donnelly is from O Magazine and Awerbuck has "dark themes" #openbook #
  • Deidre Donnelly and Diane Awerbuck at the launch of Home Remedies #openbook http://t.co/422GstOi #
  • Open Book Festival: Day Five – Follow These Twitter Threads http://t.co/vYiwuR6o #
  • Open Book Festival: Day Four, Digested – Gleick, Rose-Innes, Desai and More! http://t.co/LQwKzFCM #
  • Join us tomorrow for the final day of #openbook ! #
  • Orford concludes the discussion, describing history as "nothing more than the accumulation of ordinary people living their lives" #openbook #
  • But you'll have to read the book to find out exactly why #openbook #
  • Orford says the Mandela of Khalil's Journey reminds her of batman #openbook #
  • Orford- novel can be a great source of emotional information, experience things you haven't before #openbook #
  • Kagee says that writing about a particular cultural experience creates experiential familiarity #openbook #
  • Kagee describes cinemas of Cape Town like The Place and The Gem that played double features and had their heyday in the '50s #openbook #
  • Kagee- I wouldn't have minded being a gentleman in the 1920s wearing a fedora and a three-piece suit #openbook #
  • Kagee- corner shops were hubs of activity, of social interaction #openbook #
  • Kagee describes "corner shop culture" that fades with end of 20th century #openbook #
  • Audience member asks about the general dealer in Woodstock #openbook #
  • Kagee- story ends up contradicting Khalil's initial thesis that Cape Town is not the place for an epic #openbook #
  • Kagee- There was a sense that another place is always better, that interesting things happen elsewhere #openbook #
  • Orford- what do you mean when you say Cape Town is not the place for a epic? #openbook #
  • Kagee finishes reading an extract from the prologue of Khalil's Journey #openbook #
  • Kagee- I didn't want this to be another apartheid book but the story needed to be contextualised in some way #openbook #
  • @DrLiezille It's called Khalil's Journey and should be available from @exclusivescoza and @book_lounge in reply to DrLiezille #
  • Orford describes how Kagee deals with history- We get the Titanic (without Celine Dion) which is a relief #openbook #
  • Orford mentions Vikram Seth's A Suitable Boy in response to Kagee's commentary within the book on "fairness" #openbook #
  • Kagee gives example of "can you borrow me your pen?" #openbook #
  • Orford asks Kagee about his use of language and Cape Town's own kind of creole #openbook #
  • Kagee set the story up in such a way that Khalil's identity in very much South African #openbook #
  • Kagee- place of origin generally never leaves one, there's always a yearning #openbook #
  • Book encompasses dual identity that South Africans experience – being South African and Malaya, for example #openbook #
  • The book is divided into 3 parts, starting in 1903 #openbook #
  • Kagee- However, this is an Eriksonian story structured by life stages #openbook #
  • Kagee- I didn't specifically wear the hat of a psychologist in writing the book #openbook #
  • #openbook miraculous birth of main character reminds Orford of @SalmanRushdie's Midnight's Children #
  • Orford prefers to think of it as "distilling several truths into a greater truth" rather than making stuff up #openbook #
  • Can't do the same within the world of social sciences #openbook #
  • Kagee describes freedom of being able to kill of characters without any remorse #openbook #
  • Kagee- I made a lot of stuff up because it was liberating to be able to make stuff up #openbook #
  • Kagee- the book is set in a fictitious area which has some resonance with areas like the Bo-kaap #openbook #
  • Kagee describes childhood spent in District 6 #openbook mosques are part of the local community #
  • Orford recalls going to Jakarta and hearing some or the same sounds that describe Cape Town #openbook #
  • Orford quotes Isobel Hofmeyr review – book is a fascinating portrait of Cape Town as an Indian Ocean city #openbook #
  • Orford mentions sense of closure created by call to prayer in Cape Town – holds city together #openbook #
  • Orford- He's a nice character, I could also live with him for ten years #openbook #
  • Kagee- Khalil's been living with me for more or less ten years #openbook #
  • Started more for himself – as a form of relaxation – but morphed into something else #openbook #
  • Kagee describes dabbling in creative writing but putting it aside to write academic articles #openbook #
  • Orford- How long had Khalil's story been there? #openbook #
  • Orford says the book has a structure similar to Heart of Darkness, starts at the end #openbook #
  • Kagee – I was trying desperately to not write a political book but struggled #openbook #
  • Kagee- A nostalgic, wistful, harkening back to the days of yore #openbook #
  • Nostalgia for the 20th C led Kagee to write this story, imagining what it would be like to live in that time #openbook #
  • @MargieOrford compares the story to that of The Good Soldier Svejk #openbook #
  • Orford- Story provides wonderful arc of history of the last century #openbook #
  • Orford describes reading Khalil's Journey at high speed with a massive hangover having gone clubbing in Long Street last night #openbook #
  • Kagee teaches at Stellenbosch University- he has a doctorate in Councilling Psychology #openbook #
  • Ashraf Kagee and @MargieOrford #openbook http://t.co/AkyXhWfV #
  • Kagee won the 2012 EU Literary Award for Khalil's Journey, his debut #openbook #
  • @MargieOrford is replacing Zubeida Jaffer #openbook #
  • Back at Fugard Studio to listen to Ashraf Kagee and @MargieOrford discuss Khalil's Journey #openbook #
  • And the session concludes – huge round of applause #openbook #
  • Desai read old Indian civil service diaries for her latest book #openbook #
  • AH prefers little details that trigger the imagination and get him thinking rather than overwhelming period signifiers #openbook #
  • Hollinghurst- I don't like research much #openbook #
  • Richards asks one last question – it's about research #openbook #
  • Hollinghurst keeps quiet about work – fear that in telling someone about the book he has told the story #openbook #
  • Hollinghurst- It's probably arrogance of my part, but I've never had acknowledgements in my novels #openbook #
  • Shriver would like other writers to have experience of being accepted and loved that self-publishing doesn't offer #openbook #
  • Shriver- as a reader I am grateful for traditional publishers' vetting of manuscripts #openbook #
  • Shriver is quoted on the back of Inheritance of Loss #openbook #
  • Shriver- it was like I had won the @ManBookerPrize, I discovered her! #openbook #
  • Shriver- And it turns out that the book I pick out of this pile wins the @ManBookerPrize #openbook #
  • Shriver to Desai- I am your Economist reviewer #openbook #
  • Picked Inheritance of Loss out of sea of hundreds of books for review #openbook #
  • Shriver tells story about reviewing Desai's book #openbook #
  • Shriver says the movie of We Need to Talk About Kevin is "pretty good" #openbook #
  • Anita Desai is Kiran Desai's first reader #openbook #
  • Desai says there is none – they became close in journey from India to England and the US #openbook #
  • Richards asks Desai about possible conflict between her and her mother Anita #openbook #
  • Richards asks Hollinghurst how he copes with fame. He responds with "I like it!" #openbook #
  • Shriver recalls depth of emotion associated with failure – revenge, fury, despair #openbook #
  • Shriver describes success as "that's nice, can I have another glass of Chardonnay?" #openbook #
  • Shriver- that's the hard part of this occupation, it involves a lot of rejection #openbook #
  • Shriver reckons she's famous for being obscure #openbook #
  • Desai- it was very hard for me to find a publisher for Inheritance of Loss #openbook #
  • Richards – I'm very conscious of the fact that we need to talk about Kevin #openbook #
  • Hollinghurst – novelists are in the business of recording, listening, memorizing #openbook #
  • Hollinghurst wrote other "transgressive" subjects as a way of finally dealing with homosexuality #openbook #
  • Shriver is speaking about her book A Perfectly Good Family #openbook #
  • Shriver- I had a very religious family so maybe in the Shriver family you did get excommunicated #openbook #
  • Both Shriver and Desai did MFAs at Columbia #openbook #
  • Shriver tells story about her first book which no one has ever seen – it's called Early Retirement #openbook #
  • She thinks the book probably did some damage, hurt some family members #openbook #
  • Desai- I'm the product of creative writing courses #openbook #
  • She was working on a paper on cannibalism in the common house cricket before she realised that it was more fiction. #openbook #
  • Desai began as a science student before switching to literature #openbook #
  • Richards – what do you write? How do you choose your subject matter? #openbook #
  • Hollinghurst mentions comfort of write among ones own things but also benefit of writers' colonies #openbook #
  • #openbook Richards- does it matter where and when you write? #
  • Hollinghurst also has an ex-government issue desk #openbook #
  • Hollinghurst mentions that Virginia Woolf wrote most of her novels standing up #openbook #
  • Shriver now writes standing up #openbook #
  • Shriver- I realised that by my age I had actually sat for as long as I was allowed #openbook #
  • Shriver works at a large scarred desk from the Belfast war department, comes from WW2 #openbook #
  • Richards to Desai – it's for people like you that laptops were invented #openbook #
  • Desai- Somehow I have never settled – there is safety in movement #openbook #
  • Desai- I wrote Inheritance of Loss living in several different countries #openbook #
  • Desai- question immediately makes me terrified – I have no good answer #openbook #
  • First question is geographic – where do you write? #openbook #
  • Panel will cover 3 continents says Richards #openbook #
  • Her latest, The New Republic, was written in 1998 #openbook #
  • Shriver describes We Need to Talk About Kevin as a "make or break novel" #openbook #
  • Nancy Richards introduces Desai, Lionel Shriver, Alan Hollinghurst to packed #openbook session #
  • Kiran is the daughter of Anita Desai describes her childhood as busy but silent #openbook #
  • Rahimi likes sentences that appear awkward or incorrect, allow for hesitation #openbook #
  • Rahimi applies the rhetorics of Persian in French and visa versa – he likes the fragility of the language #openbook #
  • Rahimi- French, like Italian and Dari Persian, is rhetorical. Even if you master the grammar, something else escapes you #openbook #
  • Rahimi- English is a functional language because the words have functions #openbook #
  • Rahimi- German is a grammatical language because once you've mastered the grammar, you can speak the language #openbook #
  • Asks about the role of the editor and addresses Magona as "mhlobo wam" #openbook #
  • Audience member takes us back to panel's original title – writing in a foreign language #openbook #
  • Discussion opens to the floor #openbook #
  • Gursel tells anecdote of mistranslation – "ruin" in Turkish was translated into English as "urinate" #openbook #
  • Rahimi likes to hear how the language sounds – is the sound of the translation true to the sound of the original? #openbook #
  • When Rahimi's books are translated into languages that he doesn't read/understand like Korean, he still asks for copy of the text #openbook #
  • @Eusebius Glad to hear it was accurate – so easy to misrepresent people in 140 characters :) in reply to Eusebius #
  • Chairperson speaks about importance of remaining true to "the spirit of the author" in translation #openbook #
  • @nathi_myeni I think we need to present it in a way that's relevant to them – @FunDzaClub is doing a great job on this in reply to nathi_myeni #
  • Gursel- the one who speaks holds the power #openbook #
  • Gursel- idea of saying or not saying is something you also find in the Ottoman world #openbook #
  • Chairperson asks about the extent to which words embody the truth #openbook is the object the word? #
  • @sam4wong His response was therefore that there isn't a nice way of talking about it – tweet was a question & should be read in context in reply to sam4wong #
  • @sam4wong IC is Imraan Coovadia, read further down for the rest – he was asked about why he was so vicious towards Shrien Dewani in reply to sam4wong #
  • Rahimi's The Patience Stone deals with the same distance between man and woman that comes up in Magona's work #openbook #
  • But it also needs to be read, which is why it was written and published in English – no market for mother tongue literature #openbook #
  • Magona says Beauty's Gift should have been written in Xhosa #openbook #
  • You write two books but still only end up with one book! #openbook #
  • Magona translated To My Children's Children into Xhosa herself and says "never again" #openbook #
  • Magona gives the example of "effort" which in the townships is used in the context of "a great shoplifter"- he has effort #openbook #
  • Words can look like English words but have totally different meaning in "township English" #openbook #
  • Magona- South African English as handled by people who are not mother tongue speakers is a strange creature #openbook #
  • Chairperson asks about code-switching in African languages #openbook #
  • Convo turns back to Magona, the Xhosa phrases in Beauty's Gift #openbook #
  • Words are central in Rahimi's work – not only as vehicles but also as characters themselves #openbook #
  • Issue is about separating language, country and love #openbook #
  • Going back to 13th C – Rumi was Turkish but born in Afghanistan and wrote in Persian and Greek #openbook #
  • Debate breaks out regarding mystic and polyglot Rumi #openbook #
  • Rahimi ate a lot of bread when he got to France, he couldn't decide whether it had feminine or masculine article – ordered both #openbook #
  • Rahimi- Because the language is so ambiguous you have to write with a very clear structure #openbook #
  • A poem can be either erotic or a love poem depending on the meaning of a word #openbook #
  • Rahimi likes the possibility for ambiguity in Dari #openbook #
  • Rahimi's mother tongue is Dari Persian #openbook #
  • …"the frenzied enthusiasm of making love in the same language"… #openbook #
  • Chairperson reads a passage from one of Gursel's books in which love, physicl movement becomes a mother tongue #openbook #
  • Gursel could easily have spoken only French but likes to keep Turkish alive as a retreat/exile #openbook #
  • For Gursel Turkish becomes a kind of exile living in a Fracophone context #openbook #
  • Gursel (translated from French) – I don't believe a writer inhabits a country or a city but he inhabits language #openbook #
  • Gursel- Turkish is my legitimate wife and the French language is my mistress #openbook #
  • Gursel likes the Turkish word for liberty – özgürlük #openbook #
  • Magona- English is a strange language, I don't find it as specific/as precise #openbook #
  • Magona – in Xhosa it's "uxolo" – I'm sorry – it takes great courage to admit you were wrong #openbook #
  • First question is what are panelists favourite words in their mother tongue? #openbook #
  • Sindiwe Magona, Nedim Gursel and Atiq Rahimi w/translator #openbook http://t.co/SBBQ6Prx #
  • Though there are chairs for five, so it looks like some other writers may be joining #openbook #
  • Panel consists of Atiq Rahimi, Nedim Gursel and Sindiwe Magona #openbook #
  • Now on at Fugard First #openbook Writing in a Foreign Language #
  • Nope, that's not it…. #openbook #
  • Now at Fugard First #openbook – Storytellers and Travel Writers #
  • Open Book Festival: Day Four – Follow These Twitter Threads http://t.co/yquHcRAE #
  • Open Book Festival: Day Three, Digested – Shriver, Stephenson, Saro-Wiwa and More! http://t.co/KYxrkpWd #

» read article

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  • Writing process is enormously technical for Crace #openbook #
  • Crace- you need to mix things up, not just literary fiction but non-fiction, biography, genre fiction #openbook #
  • Sloman to Crace- what makes something digestible? #openbook #
  • Crace has just digested So Much for That by Lionel Shriver #openbook #
  • Crace- Lionel feels the need to talk about Lionel! #openbook #
  • Sloman- We need to talk about Lionel #openbook #
  • Sloman says feedback on events has generally been positive #openbook #
  • Next provocative question from Crace- which event would you leave out? #openbook #
  • Sloman describes getting abuse because there wasn't a smoking section in the middle of the Fugard Theatre #openbook #
  • Crace puts Sloman on the spot – who was the most difficult author at the festival? #openbook #
  • Crace reveals that @digestedread wasn't his idea – he was asked to do it by "an exceptionally scary woman" #openbook #
  • But Crace describes himself as a mouse #openbook #
  • Sloman asks Crace if he's fearless #openbook #
  • Crace has just digested The Stranger's Child by Alan Hollinghurst #openbook #
  • Crace apologised to Hollinghurst but Hollinghurst said he loved it, would have been offended if not digested by Crace #openbook #
  • Authors now treat being digested as a badge of honour #openbook #
  • Crace has just digested Joanne Harris' Peaches for Monsieur le Curé for us #openbook #
  • @digestedread could be the longest running column in @GuardianBooks #openbook #
  • Crace has been doing @digestedread for about 13 years now #openbook #
  • Crace had heard that Harris wasn't very happy with her Digested Read and was nervous to meet her #openbook #
  • Crace is going to digest the work of Joanne Harris first #openbook #
  • Sloman- @digestedread column allows people to have opinions about books they haven't read #openbook #
  • Sloman introduces @digestedread's John Crace #openbook http://t.co/39LOrsBc #
  • This session replaces last year's feedback session #openbook #
  • Sloman welcomes us to the final time slot #openbook #
  • This is the final event of this year's #openbook festival #
  • Mervyn Sloman with John Crace who is about to digest #openbook for us http://t.co/ylUlreT0 #
  • @paperight is a library that any photocopying shop with a license can use to download and print books #openbook #
  • @nickbarleyedin asks @arthurattwell about @paperight #openbook #
  • @arthurattwell predicts blurring between books and gaming – rise of interactivity #openbook #
  • Panelists mention importance of Project Gutenberg #openbook #
  • Johnson quotes Umberto Eco- "The book is like the spoon: once invented, it cannot be bettered." #openbook #
  • Printer was labelled as a heretic for distributing a Bible! #openbook #
  • The book has the inscription, in Dutch, "If you can read this, you do not need to go to church" #openbook #
  • Shathley Q mentions 16th C bible in UCT special collection whose printer was burned at the stake for being a heretic #openbook #
  • #openbook Shathley Q- books are in libraries because of a compromise between politics and economics #
  • Shathley Q – the future looks like Facebook #openbook #
  • Information age is a networked set of communities #openbook #
  • And on that note, conversation for the launch of Diane Awerbuck's Home Remedies concludes #openbook #
  • @MargieOrford in the audience quotes Pieter-Dirk Uys – the problem with the past is it's so unpredictable #openbook #
  • In this month's edition of @VISI_Mag, DA writes about going back to Kimberly for her high school reunion #openbook #
  • But DA won't spell it out for you #openbook #
  • Title Home Remedies? #openbook DA- it has multiple meanings #
  • DA- writing is an art but it's not a martial art #openbook #
  • DA- its cruel to portray people on paper #openbook If you need to tell them something, tell them #
  • Donnelly asks about self-censorship #openbook #
  • DA- jokes follow the narrative structure of a novel just more condensed #openbook #
  • DA- Ironically enough there was a lot of Palestinian humour during the Israeli bombings #openbook #
  • DA- it is your right to laugh at things that have happened #openbook #
  • DA- it's that not understanding that is so dangerous #openbook #
  • DA describes perpetrators posing with "smirk of self-defence" had not understood how they had changed things by their actions #openbook #
  • Pictures reminded DA of a concentration camp – living under threat of rape is terrifying #openbook #
  • #openbook DA- The trauma became her life – to talk to people about what happened to her #
  • Donnelly- why did you have to take us back to the story of Alison Botha? #openbook #
  • DA gives a shout out to @HenriettaRI in the audience whose work deals with setting in a new way #openbook #
  • DA- escaping what Antjie Krog calls "the curse of farm novel" #openbook #
  • DA- Fish Hoek is a proper town, everybody knows everyone else's business #openbook #
  • DA wants to build up a literary Fish Hoek and a literary Kimberley #openbook #
  • Donnelly describes how Fish Hoek is an entire character in the book #openbook #
  • DA- we're children! #openbook #
  • DA – writers are more conscious of their subconscious #openbook #
  • DA says that no one has yet told her that they have found her strange #openbook #
  • Book features an entirely separate character called Doctor Renfield who is inside Joanna's head #openbook #
  • DA says that audience participation is half or the process – "My work here is done!" #openbook #
  • DA- but that's a matter of audience projection #openbook #
  • DA- there's a person who I don't know at all who is apparently quite similar to Viola #openbook #
  • Donnelly – is Viola based on one particular person? #openbook #
  • #openbook DA says this could turn into a bun fight – who's the most disrespectful of Saartjie Baartman #
  • DA clarifies this- I'm not against the ANC, I am against kleptocracy #openbook #
  • #openbook DA- there are very specific things that you can throw 8 mil rand at rather than a party for the dead Saartjie Baartman #
  • DA- Baartman's grave site, her memorial site was robbed! #openbook #
  • DA- what happened when she came back to SA was even worse #openbook #
  • DA mentions background as history teacher and teaching "grand narrative" of Saartjie Baartman #openbook #
  • DA- short stories are far harder to write than novels, they are like haikus #openbook #
  • DA jokes- "I'm against aspiring writers, we don't need any more competition!" #openbook #
  • DA- but it also involves a degree of acquiescence #openbook #
  • DA says having children requires enormous strength – best advice she received was "you need to be a warrior" #openbook #
  • DA- after I had had children, everything paled in comparison in terms of pressure #openbook #
  • Donnelly asks about the curse of the second novel #openbook #
  • DA- I had two months to get the novel down in terms or my freelance schedule #openbook #
  • DA- This book was actually written very quickly #openbook #
  • DA- Having someone walk through your body is not at all like writing a book #openbook #
  • But there is something in the divide between the romanticism and eerie medical way or speaking about childbirth #openbook #
  • DA had said she would never write about having children because it bores the pants off her when other people do #openbook #
  • Like "I've just given birth to a book" #openbook Really? says DA, that must have been awful! #
  • DA hates metaphors associated with childbirth #openbook #
  • DA emphasises the importance of telling stories #openbook #
  • DA- and some of these people are in government! #openbook #
  • DA- This marks the step between child and adult but some people never make this step #openbook #
  • DA talks about crime and punishment – doing things because you can and not thinking about the consequences #openbook #
  • Ferris poem is seen as turning point for French government returning Saartjie Baartman's remains #openbook #
  • DA- South Africa especially has just produced beautiful, powerful poetry #openbook #
  • #openbook Donnelly asks about the power of poetry, two are quoted in the text #
  • #openbook DA- and it's exciting! #
  • …Dracula is a book that keeps giving – can be an AIDS metaphor #openbook #
  • DA- Dracula is a fundamental book to read as a teenager but might seem silly now #openbook #
  • #openbook Donnelly asks about the influence of Dracula – which crops up again in her books #
  • DD- Home Remedies drawns you in so completely then hits you with such a force #openbook #
  • DD says she found a list she had written in 2010 of authors she must read – Awerbuck's name was on the top #openbook #
  • Donnelly says the combination might seem odd – Donnelly is from O Magazine and Awerbuck has "dark themes" #openbook #
  • Deidre Donnelly and Diane Awerbuck at the launch of Home Remedies #openbook http://t.co/422GstOi #
  • Open Book Festival: Day Five – Follow These Twitter Threads http://t.co/vYiwuR6o #
  • Open Book Festival: Day Four, Digested – Gleick, Rose-Innes, Desai and More! http://t.co/LQwKzFCM #
  • Join us tomorrow for the final day of #openbook ! #
  • Orford concludes the discussion, describing history as "nothing more than the accumulation of ordinary people living their lives" #openbook #
  • But you'll have to read the book to find out exactly why #openbook #
  • Orford says the Mandela of Khalil's Journey reminds her of batman #openbook #
  • Orford- novel can be a great source of emotional information, experience things you haven't before #openbook #
  • Kagee says that writing about a particular cultural experience creates experiential familiarity #openbook #
  • Kagee describes cinemas of Cape Town like The Place and The Gem that played double features and had their heyday in the '50s #openbook #
  • Kagee- I wouldn't have minded being a gentleman in the 1920s wearing a fedora and a three-piece suit #openbook #
  • Kagee- corner shops were hubs of activity, of social interaction #openbook #
  • Kagee describes "corner shop culture" that fades with end of 20th century #openbook #
  • Audience member asks about the general dealer in Woodstock #openbook #
  • Kagee- story ends up contradicting Khalil's initial thesis that Cape Town is not the place for an epic #openbook #
  • Kagee- There was a sense that another place is always better, that interesting things happen elsewhere #openbook #
  • Orford- what do you mean when you say Cape Town is not the place for a epic? #openbook #
  • Kagee finishes reading an extract from the prologue of Khalil's Journey #openbook #
  • Kagee- I didn't want this to be another apartheid book but the story needed to be contextualised in some way #openbook #
  • @DrLiezille It's called Khalil's Journey and should be available from @exclusivescoza and @book_lounge in reply to DrLiezille #
  • Orford describes how Kagee deals with history- We get the Titanic (without Celine Dion) which is a relief #openbook #
  • Orford mentions Vikram Seth's A Suitable Boy in response to Kagee's commentary within the book on "fairness" #openbook #
  • Kagee gives example of "can you borrow me your pen?" #openbook #
  • Orford asks Kagee about his use of language and Cape Town's own kind of creole #openbook #
  • Kagee set the story up in such a way that Khalil's identity in very much South African #openbook #
  • Kagee- place of origin generally never leaves one, there's always a yearning #openbook #
  • Book encompasses dual identity that South Africans experience – being South African and Malaya, for example #openbook #
  • The book is divided into 3 parts, starting in 1903 #openbook #
  • Kagee- However, this is an Eriksonian story structured by life stages #openbook #
  • Kagee- I didn't specifically wear the hat of a psychologist in writing the book #openbook #
  • #openbook miraculous birth of main character reminds Orford of @SalmanRushdie's Midnight's Children #
  • Orford prefers to think of it as "distilling several truths into a greater truth" rather than making stuff up #openbook #
  • Can't do the same within the world of social sciences #openbook #
  • Kagee describes freedom of being able to kill of characters without any remorse #openbook #
  • Kagee- I made a lot of stuff up because it was liberating to be able to make stuff up #openbook #
  • Kagee- the book is set in a fictitious area which has some resonance with areas like the Bo-kaap #openbook #
  • Kagee describes childhood spent in District 6 #openbook mosques are part of the local community #
  • Orford recalls going to Jakarta and hearing some or the same sounds that describe Cape Town #openbook #
  • Orford quotes Isobel Hofmeyr review – book is a fascinating portrait of Cape Town as an Indian Ocean city #openbook #
  • Orford mentions sense of closure created by call to prayer in Cape Town – holds city together #openbook #
  • Orford- He's a nice character, I could also live with him for ten years #openbook #
  • Kagee- Khalil's been living with me for more or less ten years #openbook #
  • Started more for himself – as a form of relaxation – but morphed into something else #openbook #
  • Kagee describes dabbling in creative writing but putting it aside to write academic articles #openbook #
  • Orford- How long had Khalil's story been there? #openbook #
  • Orford says the book has a structure similar to Heart of Darkness, starts at the end #openbook #
  • Kagee – I was trying desperately to not write a political book but struggled #openbook #
  • Kagee- A nostalgic, wistful, harkening back to the days of yore #openbook #
  • Nostalgia for the 20th C led Kagee to write this story, imagining what it would be like to live in that time #openbook #
  • @MargieOrford compares the story to that of The Good Soldier Svejk #openbook #
  • Orford- Story provides wonderful arc of history of the last century #openbook #
  • Orford describes reading Khalil's Journey at high speed with a massive hangover having gone clubbing in Long Street last night #openbook #
  • Kagee teaches at Stellenbosch University- he has a doctorate in Councilling Psychology #openbook #
  • Ashraf Kagee and @MargieOrford #openbook http://t.co/AkyXhWfV #
  • Kagee won the 2012 EU Literary Award for Khalil's Journey, his debut #openbook #
  • @MargieOrford is replacing Zubeida Jaffer #openbook #
  • Back at Fugard Studio to listen to Ashraf Kagee and @MargieOrford discuss Khalil's Journey #openbook #
  • And the session concludes – huge round of applause #openbook #
  • Desai read old Indian civil service diaries for her latest book #openbook #
  • AH prefers little details that trigger the imagination and get him thinking rather than overwhelming period signifiers #openbook #
  • Hollinghurst- I don't like research much #openbook #
  • Richards asks one last question – it's about research #openbook #
  • Hollinghurst keeps quiet about work – fear that in telling someone about the book he has told the story #openbook #
  • Hollinghurst- It's probably arrogance of my part, but I've never had acknowledgements in my novels #openbook #
  • Shriver would like other writers to have experience of being accepted and loved that self-publishing doesn't offer #openbook #
  • Shriver- as a reader I am grateful for traditional publishers' vetting of manuscripts #openbook #
  • Shriver is quoted on the back of Inheritance of Loss #openbook #
  • Shriver- it was like I had won the @ManBookerPrize, I discovered her! #openbook #
  • Shriver- And it turns out that the book I pick out of this pile wins the @ManBookerPrize #openbook #
  • Shriver to Desai- I am your Economist reviewer #openbook #
  • Picked Inheritance of Loss out of sea of hundreds of books for review #openbook #
  • Shriver tells story about reviewing Desai's book #openbook #
  • Shriver says the movie of We Need to Talk About Kevin is "pretty good" #openbook #
  • Anita Desai is Kiran Desai's first reader #openbook #
  • Desai says there is none – they became close in journey from India to England and the US #openbook #
  • Richards asks Desai about possible conflict between her and her mother Anita #openbook #
  • Richards asks Hollinghurst how he copes with fame. He responds with "I like it!" #openbook #
  • Shriver recalls depth of emotion associated with failure – revenge, fury, despair #openbook #
  • Shriver describes success as "that's nice, can I have another glass of Chardonnay?" #openbook #
  • Shriver- that's the hard part of this occupation, it involves a lot of rejection #openbook #
  • Shriver reckons she's famous for being obscure #openbook #
  • Desai- it was very hard for me to find a publisher for Inheritance of Loss #openbook #
  • Richards – I'm very conscious of the fact that we need to talk about Kevin #openbook #
  • Hollinghurst – novelists are in the business of recording, listening, memorizing #openbook #
  • Hollinghurst wrote other "transgressive" subjects as a way of finally dealing with homosexuality #openbook #
  • Shriver is speaking about her book A Perfectly Good Family #openbook #
  • Shriver- I had a very religious family so maybe in the Shriver family you did get excommunicated #openbook #
  • Both Shriver and Desai did MFAs at Columbia #openbook #
  • Shriver tells story about her first book which no one has ever seen – it's called Early Retirement #openbook #
  • She thinks the book probably did some damage, hurt some family members #openbook #
  • Desai- I'm the product of creative writing courses #openbook #
  • She was working on a paper on cannibalism in the common house cricket before she realised that it was more fiction. #openbook #
  • Desai began as a science student before switching to literature #openbook #
  • Richards – what do you write? How do you choose your subject matter? #openbook #
  • Hollinghurst mentions comfort of write among ones own things but also benefit of writers' colonies #openbook #
  • #openbook Richards- does it matter where and when you write? #
  • Hollinghurst also has an ex-government issue desk #openbook #
  • Hollinghurst mentions that Virginia Woolf wrote most of her novels standing up #openbook #
  • Shriver now writes standing up #openbook #
  • Shriver- I realised that by my age I had actually sat for as long as I was allowed #openbook #
  • Shriver works at a large scarred desk from the Belfast war department, comes from WW2 #openbook #
  • Richards to Desai – it's for people like you that laptops were invented #openbook #
  • Desai- Somehow I have never settled – there is safety in movement #openbook #
  • Desai- I wrote Inheritance of Loss living in several different countries #openbook #
  • Desai- question immediately makes me terrified – I have no good answer #openbook #
  • First question is geographic – where do you write? #openbook #
  • Panel will cover 3 continents says Richards #openbook #
  • Her latest, The New Republic, was written in 1998 #openbook #
  • Shriver describes We Need to Talk About Kevin as a "make or break novel" #openbook #
  • Nancy Richards introduces Desai, Lionel Shriver, Alan Hollinghurst to packed #openbook session #
  • Kiran is the daughter of Anita Desai describes her childhood as busy but silent #openbook #
  • Rahimi likes sentences that appear awkward or incorrect, allow for hesitation #openbook #
  • Rahimi applies the rhetorics of Persian in French and visa versa – he likes the fragility of the language #openbook #
  • Rahimi- French, like Italian and Dari Persian, is rhetorical. Even if you master the grammar, something else escapes you #openbook #
  • Rahimi- English is a functional language because the words have functions #openbook #
  • Rahimi- German is a grammatical language because once you've mastered the grammar, you can speak the language #openbook #
  • Asks about the role of the editor and addresses Magona as "mhlobo wam" #openbook #
  • Audience member takes us back to panel's original title – writing in a foreign language #openbook #
  • Discussion opens to the floor #openbook #
  • Gursel tells anecdote of mistranslation – "ruin" in Turkish was translated into English as "urinate" #openbook #
  • Rahimi likes to hear how the language sounds – is the sound of the translation true to the sound of the original? #openbook #
  • When Rahimi's books are translated into languages that he doesn't read/understand like Korean, he still asks for copy of the text #openbook #
  • @Eusebius Glad to hear it was accurate – so easy to misrepresent people in 140 characters :) in reply to Eusebius #
  • Chairperson speaks about importance of remaining true to "the spirit of the author" in translation #openbook #
  • @nathi_myeni I think we need to present it in a way that's relevant to them – @FunDzaClub is doing a great job on this in reply to nathi_myeni #
  • Gursel- the one who speaks holds the power #openbook #
  • Gursel- idea of saying or not saying is something you also find in the Ottoman world #openbook #
  • Chairperson asks about the extent to which words embody the truth #openbook is the object the word? #
  • @sam4wong His response was therefore that there isn't a nice way of talking about it – tweet was a question & should be read in context in reply to sam4wong #
  • @sam4wong IC is Imraan Coovadia, read further down for the rest – he was asked about why he was so vicious towards Shrien Dewani in reply to sam4wong #
  • Rahimi's The Patience Stone deals with the same distance between man and woman that comes up in Magona's work #openbook #
  • But it also needs to be read, which is why it was written and published in English – no market for mother tongue literature #openbook #
  • Magona says Beauty's Gift should have been written in Xhosa #openbook #
  • You write two books but still only end up with one book! #openbook #
  • Magona translated To My Children's Children into Xhosa herself and says "never again" #openbook #
  • Magona gives the example of "effort" which in the townships is used in the context of "a great shoplifter"- he has effort #openbook #
  • Words can look like English words but have totally different meaning in "township English" #openbook #
  • Magona- South African English as handled by people who are not mother tongue speakers is a strange creature #openbook #
  • Chairperson asks about code-switching in African languages #openbook #
  • Convo turns back to Magona, the Xhosa phrases in Beauty's Gift #openbook #
  • Words are central in Rahimi's work – not only as vehicles but also as characters themselves #openbook #
  • Issue is about separating language, country and love #openbook #
  • Going back to 13th C – Rumi was Turkish but born in Afghanistan and wrote in Persian and Greek #openbook #
  • Debate breaks out regarding mystic and polyglot Rumi #openbook #
  • Rahimi ate a lot of bread when he got to France, he couldn't decide whether it had feminine or masculine article – ordered both #openbook #
  • Rahimi- Because the language is so ambiguous you have to write with a very clear structure #openbook #
  • A poem can be either erotic or a love poem depending on the meaning of a word #openbook #
  • Rahimi likes the possibility for ambiguity in Dari #openbook #
  • Rahimi's mother tongue is Dari Persian #openbook #
  • …"the frenzied enthusiasm of making love in the same language"… #openbook #
  • Chairperson reads a passage from one of Gursel's books in which love, physicl movement becomes a mother tongue #openbook #
  • Gursel could easily have spoken only French but likes to keep Turkish alive as a retreat/exile #openbook #
  • For Gursel Turkish becomes a kind of exile living in a Fracophone context #openbook #
  • Gursel (translated from French) – I don't believe a writer inhabits a country or a city but he inhabits language #openbook #
  • Gursel- Turkish is my legitimate wife and the French language is my mistress #openbook #
  • Gursel likes the Turkish word for liberty – özgürlük #openbook #
  • Magona- English is a strange language, I don't find it as specific/as precise #openbook #
  • Magona – in Xhosa it's "uxolo" – I'm sorry – it takes great courage to admit you were wrong #openbook #
  • First question is what are panelists favourite words in their mother tongue? #openbook #
  • Sindiwe Magona, Nedim Gursel and Atiq Rahimi w/translator #openbook http://t.co/SBBQ6Prx #
  • Though there are chairs for five, so it looks like some other writers may be joining #openbook #
  • Panel consists of Atiq Rahimi, Nedim Gursel and Sindiwe Magona #openbook #
  • Now on at Fugard First #openbook Writing in a Foreign Language #
  • Nope, that's not it…. #openbook #
  • Now at Fugard First #openbook – Storytellers and Travel Writers #
  • Open Book Festival: Day Four – Follow These Twitter Threads http://t.co/yquHcRAE #
  • Open Book Festival: Day Three, Digested – Shriver, Stephenson, Saro-Wiwa and More! http://t.co/KYxrkpWd #

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@BooksLIVESA Weekly Tweets 2012-09-30

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  • Maya Jaggi Speaks to Nuruddin Farah About His Writing and His Thoughts on Somalia http://t.co/mnQMb0lR #
  • RT @randomstruik: New and Updated Edition of Els Dorrat-Haaksma and Peter Linder's Restios of the Fynbos http://t.co/7qJN8K41 #
  • RT @jacanamedia: Margaret von Klemperer to Sign Copies of Just a Dead Man at Bargain Books Ballito http://t.co/iguKWiCZ #
  • Xhanti Payi Reviews A Bantu in My Bathroom by Eusebius McKaiser http://t.co/0bTxfsxE #
  • Are these the 30 most evil lines from books? (via @flavorpill) http://t.co/WViCvkrP #
  • RT @ProteaBoekhuis Myra Scheepers vertel Zoeloe-verhale by die bekendstelling van Om die Nguni-vure http://t.co/I1OkVpeE #
  • Antjie Krog's Edinburgh World Writers' Conference Speech: The Place of Literature in South African Politics http://t.co/ye1KferX #
  • Author Line-up for Jenny Crwys-Williams' In Conversation Series 2012 http://t.co/C4o0tjV6 #
  • RT @UCTPress Video: Mark Swilling Explains the Ideas Behind the iShack on Expresso http://t.co/Ng9MdeEi #
  • RT @PanMacmillanSA Launch of Marlene van der Westhuizen's Abundance Tonight at Exclusive Books Hyde Park http://t.co/z4pkFibk #
  • Dianah Ninsiima Reviews Akhenaten: Dweller in Truth by Naguib Mahfouz http://t.co/Tabkyn7U #
  • Andries Visagie resenseer Amper elders deur Louis Esterhuizen http://t.co/lE56IEYs #
  • Do book titles translated into different languages mean the same thing? Take the quiz http://t.co/278LTumZ #
  • RT @RandomStruik Vintage Podcast: Reading from Philida by Author Andre Brink and Discussion with His Editor http://t.co/GUNAk1r4 #
  • RT @HSRCPress Adam Haupt to Deliver GIPCA Great Texts / Big Questions Lecture at UCT http://t.co/71cnzHbI #
  • RT @NBPublishers Harry Kalmer se gewilde Vlieger-verhale nou in bundel versamel http://t.co/uQqLQHdZ #
  • Launch of The Land Within by Alistair Morgan at Kalk Bay Books http://t.co/HCfdJ3NT #
  • RT @UKZNPress Denis Hurley: Truth to Power by Paddy Kearney, Abridged Version of Guardian of the Light http://t.co/t9d4Lms4 #
  • The @GuardianBooks review of JK Rowling's The Casual Vacancy is less than glowing http://t.co/zgKnBFg3 #
  • RT @sophycola Question – how do you enter one-syllable words "painstakingly" into a search box? #TheCasualVacancy #
  • RT @sophycola She "dropped into her favourite medical website, where she painstakingly entered the words 'brain' and 'death'"… #
  • Don't forget to tweet us with #booksliverushdie before midnight on 30 Sept to win a copy of Joseph Anton by Salman Rushdie #
  • Zoe Wicomb and the Translocal: Colloquium Attended by JM Coetzee and Others http://t.co/Llxchykr #
  • @laurenbeukes We promise we won't give anything major away : ) Perhaps mute the hashtag #TheCasualVacancy #
  • RT @sophycola Don't worry, promise I won't give away any big spoilers #TheCasualVacancy #
  • RT @sophycola Rowling doesn't start off slowly – opening chapter ends with a bit of medical drama…where to next? #TheCasualVacancy #
  • RT @sophycola Opening page of #TheCasualVacancy reminds me of scene from Dursley household, only less sadistic – is that a cruel comparison? #
  • The Man Booker International Prize finalists will be announced at the Jaipur Literature Festival in 2013 http://t.co/Kpax7oTo #
  • RT @sophycola #TheCasualVacancy came packed with Red Bull and Cadbury's Bubbly – time to get tucked in to all three #
  • RT @sophycola A copy of #TheCasualVacancy has been delivered to my door by @PenguinBooksSA – I'll be tweeting about the book today as I read #
  • Ben Okri Shares His Thoughts on Writing and the State of Nigeria with Percy Zvomuya http://t.co/oJLHGLjE #
  • Read F Scott Fitzgerald's response to hate mail in 1920 (via @TheAtlantic) http://t.co/HwaFS5qt #
  • RT @WitsPress Zakes Mda Muses on the Inspiration Behind Our Lady of Benoni http://t.co/KHLnnTvM #
  • RT @NBPublishers Lessons with Liam: Learn the Kitchen Basics with Chef Liam Tomlin http://t.co/DYBiw3gX #
  • RT @LAPAUitgewers Carla van der Spuy ondersoek die redes waarom mense misdaad pleeg in Mens of monster http://t.co/rVNxNaBS #
  • RT @RandomStruik Launch of Philida by Andre Brink at the Solms-Delta Wine Estate http://t.co/kL6Wqih8 #
  • Carl Peters Reviews Thieves at the Dinner Table by David Lewis http://t.co/Yr0cku5X #
  • Now on 10 October: Launch of The Forgotten People by Saleem Badat at Freedom Park, Pretoria http://t.co/troHMELO #
  • RT @nbpublishers: Nederlandse skrywer Tommy Wieringa gesels oor Joe Speedboot, skryfkuns en Afrikaans http://t.co/IkuEGrar #
  • ANC Ward 117 to Host Tribute to Eleanor Kasrils in Saxonwold http://t.co/hgT3dhyC #
  • Sandile Memela Stands Up for Andre Brink Against Criticism from Other Afrikaners http://t.co/giw32L17 #
  • RT @unisapress: Imraan Coovadia, Lesley Marx and Others Contribute to 'We Remember Differently' http://t.co/muQr5CUf #
  • Launch of Sharp Sharp, South Africa by Ed Suter at Love Books http://t.co/2YsD6ZXJ #
  • RT @proteaboekhuis: Job Opportunity: Senior Bookseller at Protea Bookshop in Rondebosch http://t.co/M835TIOY #
  • Siddhartha Mitter Reviews My First Coup D'Etat by John Dramani Mahama http://t.co/hfsZyiiy #
  • Jonathan Amid resenseer Die neus deur Deborah Steinmair http://t.co/sY0cAQVB #
  • @jameswhyle That's fantastic and so very Amis in reply to jameswhyle #
  • JK Rowling's The Casual Vacancy is leaked ahead of tomorrow's official release date http://t.co/gZrRSe5L #
  • Tweet at us with #booksliverushdie before midnight on 30 Sept to win a copy of Joseph Anton #
  • @GuardianBooks looks at the best books about the Beatles http://t.co/FQnt56pj #
  • We have two copies of Joseph Anton by @SalmanRushdie to give away. Tweet us with #booksliverushdie before midnight on 30 September to win. #
  • RT @ccartsfest: 16th POETRY AFRICA International Poetry Festival http://t.co/VipqwqQ5 #
  • Squeezing the Lemon: A Review of Trampled Under Foot: The Power and Excess of Led Zeppelin http://t.co/sZ3xOrlm #
  • Andrew Donaldson Highlights Philip Hoare's Moby Dick Big Read http://t.co/DkOsdfxd #
  • Quick Review: Criminal by Karin Slaughter http://t.co/f0DrwAv5 #
  • Sunday Times Recommends: Sweet Tooth by Ian McEwan http://t.co/P38LcOCt #
  • Michele van Eck Reviews Guide to Night Skies of Southern Africa by Peter Mack http://t.co/9VV2PbYS #
  • Larger Than Life: Andrew Donaldson Speaks to Lee Child About A Wanted Man http://t.co/VtyCmyZt #
  • Don Pinnock Speaks to Martinique Stilwell at the Launch of Thinking Up a Hurricane http://t.co/CD8Mq1UR #
  • RT @proteaboekhuis: Nuwe digbundel deur Hennie Aucamp: Teen die lig http://t.co/iVujftrd #
  • Recipe from Alida Ryder's Simple & Delicious: Caramelised Onion and Goat's Cheese Tarts http://t.co/TTSIFDp5 #
  • RT @nbpublishers: Xolela Mangcu to Discuss Biko: A Biography at HUMA http://t.co/zVsCqFv4 #
  • Beyond Belief, a controversial memoir on Scientology, will be published early in 2013 http://t.co/6FLKSBGQ #
  • RT @jonathanballpub: Max Alexander Delivers an Inspiring Account of Travelling in Ghana in Bright Lights, No City http://t.co/wjFMCwqf #
  • @pageturner looks at the films of Norman Mailer http://t.co/kySXRccT #
  • Programme Released for First Big Big Brightwater Commons Book Fair (28-30 September) http://t.co/6XIiU2lT #
  • Bestselling Author Gareth Crocker Returns with Journey from Darkness http://t.co/urdIqw8O #
  • Let's work towards a group discount on Diane Awerbuck's Home Remedies with @Exclusivescoza and Stickers! http://t.co/1pepLaRC #
  • RT @paperight: Shameless plug: @paperight wants to make sure that all South Africans have proper access to books. Please RT and help us… #
  • 100 thousand Poets For Change takes place on Saturday 29 October at 70 Bree Street, Cape Town http://t.co/jbKz68SJ #
  • RT @proteaboekhuis: Alina Preis Reviews Roger Ballen's Die Antwoord Exhibition http://t.co/GY0G17ix #
  • RT @hsrcpress: Adam Haupt Explores Race and Representation in Music, Media and Film in Static http://t.co/kkLbKQ4m #
  • RT @lapauitgewers: Bekendstelling van Dans met die rooi rok deur Woutrine Theron by Alkantrant-biblioteek http://t.co/ETQq7i4W #
  • RT @jacanamedia: Launch of Dear Edward: Family Footprints by Paul Weinberg at Adams Bookshop http://t.co/z3bk35FW #
  • Emmet O'Cuana Reviews The Mall by SL Grey http://t.co/iFvLyg2V #
  • Tymon Smith: Parents to Blame for Love of Books http://t.co/MDHgJ55c #
  • Siyathemba Ben Reviews Bitch, Please! I'm Khanyi Mbau by Lesley Mofokeng http://t.co/21UYKlvx #
  • What I'm Reading: Sarah Wild http://t.co/eJsV9oPF #
  • Open Book Festival: Day Five, Digested – Awerbuck, Mangcu, Crace and More! http://t.co/PP54L5Le #
  • Sloman and Crace issue their thanks. An incredible second #openbook festival concludes! #
  • @konstantinsays mentions @digestedread of Death in Venice- "and then he dies crushed by the weight of his own symbolism" #openbook #
  • Crace- Unless it's a first novel by Russel Brand – that would be fair game #openbook #
  • Crace- first time authors are always ruled out of being digested- it's just not fair #openbook #
  • Crace- writers generally seem to be a lot nicer to me than I am to them #openbook #
  • Crace- parody opens up bits of the text that people may have missed along the way #openbook #
  • Sloman asks if Bridehead Abbreviated would make a good study guide for students #openbook #
  • He says that considering they are only about 500 words, it's pretty slow going. #openbook #
  • Crace writes his digested reads between 7 and 12 on a Friday morning #openbook #
  • Crace- I can't tell you the excitement when I find that the book is quite short #openbook #
  • Crace- people don't tend to talk in long paragraphs, except at book festivals #openbook #
  • Crace- very few writers get dialogue right #openbook #
  • Writing process is enormously technical for Crace #openbook #
  • Crace- you need to mix things up, not just literary fiction but non-fiction, biography, genre fiction #openbook #
  • Sloman to Crace- what makes something digestible? #openbook #
  • Crace has just digested So Much for That by Lionel Shriver #openbook #
  • Crace- Lionel feels the need to talk about Lionel! #openbook #
  • Sloman- We need to talk about Lionel #openbook #
  • Sloman says feedback on events has generally been positive #openbook #
  • Next provocative question from Crace- which event would you leave out? #openbook #
  • Sloman describes getting abuse because there wasn't a smoking section in the middle of the Fugard Theatre #openbook #
  • Crace puts Sloman on the spot – who was the most difficult author at the festival? #openbook #
  • Crace reveals that @digestedread wasn't his idea – he was asked to do it by "an exceptionally scary woman" #openbook #
  • But Crace describes himself as a mouse #openbook #
  • Sloman asks Crace if he's fearless #openbook #
  • Crace has just digested The Stranger's Child by Alan Hollinghurst #openbook #
  • Crace apologised to Hollinghurst but Hollinghurst said he loved it, would have been offended if not digested by Crace #openbook #
  • Authors now treat being digested as a badge of honour #openbook #
  • Crace has just digested Joanne Harris' Peaches for Monsieur le Curé for us #openbook #
  • @digestedread could be the longest running column in @GuardianBooks #openbook #
  • Crace has been doing @digestedread for about 13 years now #openbook #
  • Crace had heard that Harris wasn't very happy with her Digested Read and was nervous to meet her #openbook #
  • Crace is going to digest the work of Joanne Harris first #openbook #
  • Sloman- @digestedread column allows people to have opinions about books they haven't read #openbook #
  • Sloman introduces @digestedread's John Crace #openbook http://t.co/39LOrsBc #
  • This session replaces last year's feedback session #openbook #
  • Sloman welcomes us to the final time slot #openbook #
  • This is the final event of this year's #openbook festival #
  • Mervyn Sloman with John Crace who is about to digest #openbook for us http://t.co/ylUlreT0 #
  • @paperight is a library that any photocopying shop with a license can use to download and print books #openbook #
  • @nickbarleyedin asks @arthurattwell about @paperight #openbook #
  • @arthurattwell predicts blurring between books and gaming – rise of interactivity #openbook #
  • Panelists mention importance of Project Gutenberg #openbook #
  • Johnson quotes Umberto Eco- "The book is like the spoon: once invented, it cannot be bettered." #openbook #
  • Printer was labelled as a heretic for distributing a Bible! #openbook #
  • The book has the inscription, in Dutch, "If you can read this, you do not need to go to church" #openbook #
  • Shathley Q mentions 16th C bible in UCT special collection whose printer was burned at the stake for being a heretic #openbook #
  • #openbook Shathley Q- books are in libraries because of a compromise between politics and economics #
  • Shathley Q – the future looks like Facebook #openbook #
  • Information age is a networked set of communities #openbook #
  • And on that note, conversation for the launch of Diane Awerbuck's Home Remedies concludes #openbook #
  • @MargieOrford in the audience quotes Pieter-Dirk Uys – the problem with the past is it's so unpredictable #openbook #
  • In this month's edition of @VISI_Mag, DA writes about going back to Kimberly for her high school reunion #openbook #
  • But DA won't spell it out for you #openbook #
  • Title Home Remedies? #openbook DA- it has multiple meanings #
  • DA- writing is an art but it's not a martial art #openbook #
  • DA- its cruel to portray people on paper #openbook If you need to tell them something, tell them #
  • Donnelly asks about self-censorship #openbook #
  • DA- jokes follow the narrative structure of a novel just more condensed #openbook #
  • DA- Ironically enough there was a lot of Palestinian humour during the Israeli bombings #openbook #
  • DA- it is your right to laugh at things that have happened #openbook #
  • DA- it's that not understanding that is so dangerous #openbook #
  • DA describes perpetrators posing with "smirk of self-defence" had not understood how they had changed things by their actions #openbook #
  • Pictures reminded DA of a concentration camp – living under threat of rape is terrifying #openbook #
  • #openbook DA- The trauma became her life – to talk to people about what happened to her #
  • Donnelly- why did you have to take us back to the story of Alison Botha? #openbook #
  • DA gives a shout out to @HenriettaRI in the audience whose work deals with setting in a new way #openbook #
  • DA- escaping what Antjie Krog calls "the curse of farm novel" #openbook #
  • DA- Fish Hoek is a proper town, everybody knows everyone else's business #openbook #
  • DA wants to build up a literary Fish Hoek and a literary Kimberley #openbook #
  • Donnelly describes how Fish Hoek is an entire character in the book #openbook #
  • DA- we're children! #openbook #
  • DA – writers are more conscious of their subconscious #openbook #
  • DA says that no one has yet told her that they have found her strange #openbook #
  • Book features an entirely separate character called Doctor Renfield who is inside Joanna's head #openbook #
  • DA says that audience participation is half or the process – "My work here is done!" #openbook #
  • DA- but that's a matter of audience projection #openbook #
  • DA- there's a person who I don't know at all who is apparently quite similar to Viola #openbook #
  • Donnelly – is Viola based on one particular person? #openbook #
  • #openbook DA says this could turn into a bun fight – who's the most disrespectful of Saartjie Baartman #
  • DA clarifies this- I'm not against the ANC, I am against kleptocracy #openbook #
  • #openbook DA- there are very specific things that you can throw 8 mil rand at rather than a party for the dead Saartjie Baartman #
  • DA- Baartman's grave site, her memorial site was robbed! #openbook #
  • DA- what happened when she came back to SA was even worse #openbook #
  • DA mentions background as history teacher and teaching "grand narrative" of Saartjie Baartman #openbook #
  • DA- short stories are far harder to write than novels, they are like haikus #openbook #
  • DA jokes- "I'm against aspiring writers, we don't need any more competition!" #openbook #
  • DA- but it also involves a degree of acquiescence #openbook #
  • DA says having children requires enormous strength – best advice she received was "you need to be a warrior" #openbook #
  • DA- after I had had children, everything paled in comparison in terms of pressure #openbook #
  • Donnelly asks about the curse of the second novel #openbook #
  • DA- I had two months to get the novel down in terms or my freelance schedule #openbook #
  • DA- This book was actually written very quickly #openbook #
  • DA- Having someone walk through your body is not at all like writing a book #openbook #
  • But there is something in the divide between the romanticism and eerie medical way or speaking about childbirth #openbook #
  • DA had said she would never write about having children because it bores the pants off her when other people do #openbook #
  • Like "I've just given birth to a book" #openbook Really? says DA, that must have been awful! #
  • DA hates metaphors associated with childbirth #openbook #
  • DA emphasises the importance of telling stories #openbook #
  • DA- and some of these people are in government! #openbook #
  • DA- This marks the step between child and adult but some people never make this step #openbook #
  • DA talks about crime and punishment – doing things because you can and not thinking about the consequences #openbook #
  • Ferris poem is seen as turning point for French government returning Saartjie Baartman's remains #openbook #
  • DA- South Africa especially has just produced beautiful, powerful poetry #openbook #
  • #openbook Donnelly asks about the power of poetry, two are quoted in the text #
  • #openbook DA- and it's exciting! #
  • …Dracula is a book that keeps giving – can be an AIDS metaphor #openbook #
  • DA- Dracula is a fundamental book to read as a teenager but might seem silly now #openbook #
  • #openbook Donnelly asks about the influence of Dracula – which crops up again in her books #
  • DD- Home Remedies drawns you in so completely then hits you with such a force #openbook #
  • DD says she found a list she had written in 2010 of authors she must read – Awerbuck's name was on the top #openbook #
  • Donnelly says the combination might seem odd – Donnelly is from O Magazine and Awerbuck has "dark themes" #openbook #
  • Deidre Donnelly and Diane Awerbuck at the launch of Home Remedies #openbook http://t.co/422GstOi #
  • Open Book Festival: Day Five – Follow These Twitter Threads http://t.co/vYiwuR6o #
  • Open Book Festival: Day Four, Digested – Gleick, Rose-Innes, Desai and More! http://t.co/LQwKzFCM #
  • Join us tomorrow for the final day of #openbook ! #
  • Orford concludes the discussion, describing history as "nothing more than the accumulation of ordinary people living their lives" #openbook #
  • But you'll have to read the book to find out exactly why #openbook #
  • Orford says the Mandela of Khalil's Journey reminds her of batman #openbook #
  • Orford- novel can be a great source of emotional information, experience things you haven't before #openbook #
  • Kagee says that writing about a particular cultural experience creates experiential familiarity #openbook #
  • Kagee describes cinemas of Cape Town like The Place and The Gem that played double features and had their heyday in the '50s #openbook #
  • Kagee- I wouldn't have minded being a gentleman in the 1920s wearing a fedora and a three-piece suit #openbook #
  • Kagee- corner shops were hubs of activity, of social interaction #openbook #
  • Kagee describes "corner shop culture" that fades with end of 20th century #openbook #
  • Audience member asks about the general dealer in Woodstock #openbook #
  • Kagee- story ends up contradicting Khalil's initial thesis that Cape Town is not the place for an epic #openbook #
  • Kagee- There was a sense that another place is always better, that interesting things happen elsewhere #openbook #
  • Orford- what do you mean when you say Cape Town is not the place for a epic? #openbook #
  • Kagee finishes reading an extract from the prologue of Khalil's Journey #openbook #
  • Kagee- I didn't want this to be another apartheid book but the story needed to be contextualised in some way #openbook #
  • @DrLiezille It's called Khalil's Journey and should be available from @exclusivescoza and @book_lounge in reply to DrLiezille #
  • Orford describes how Kagee deals with history- We get the Titanic (without Celine Dion) which is a relief #openbook #
  • Orford mentions Vikram Seth's A Suitable Boy in response to Kagee's commentary within the book on "fairness" #openbook #
  • Kagee gives example of "can you borrow me your pen?" #openbook #
  • Orford asks Kagee about his use of language and Cape Town's own kind of creole #openbook #
  • Kagee set the story up in such a way that Khalil's identity in very much South African #openbook #
  • Kagee- place of origin generally never leaves one, there's always a yearning #openbook #
  • Book encompasses dual identity that South Africans experience – being South African and Malaya, for example #openbook #
  • The book is divided into 3 parts, starting in 1903 #openbook #
  • Kagee- However, this is an Eriksonian story structured by life stages #openbook #
  • Kagee- I didn't specifically wear the hat of a psychologist in writing the book #openbook #
  • #openbook miraculous birth of main character reminds Orford of @SalmanRushdie's Midnight's Children #
  • Orford prefers to think of it as "distilling several truths into a greater truth" rather than making stuff up #openbook #
  • Can't do the same within the world of social sciences #openbook #
  • Kagee describes freedom of being able to kill of characters without any remorse #openbook #
  • Kagee- I made a lot of stuff up because it was liberating to be able to make stuff up #openbook #
  • Kagee- the book is set in a fictitious area which has some resonance with areas like the Bo-kaap #openbook #
  • Kagee describes childhood spent in District 6 #openbook mosques are part of the local community #
  • Orford recalls going to Jakarta and hearing some or the same sounds that describe Cape Town #openbook #
  • Orford quotes Isobel Hofmeyr review – book is a fascinating portrait of Cape Town as an Indian Ocean city #openbook #
  • Orford mentions sense of closure created by call to prayer in Cape Town – holds city together #openbook #
  • Orford- He's a nice character, I could also live with him for ten years #openbook #
  • Kagee- Khalil's been living with me for more or less ten years #openbook #
  • Started more for himself – as a form of relaxation – but morphed into something else #openbook #
  • Kagee describes dabbling in creative writing but putting it aside to write academic articles #openbook #
  • Orford- How long had Khalil's story been there? #openbook #
  • Orford says the book has a structure similar to Heart of Darkness, starts at the end #openbook #
  • Kagee – I was trying desperately to not write a political book but struggled #openbook #
  • Kagee- A nostalgic, wistful, harkening back to the days of yore #openbook #
  • Nostalgia for the 20th C led Kagee to write this story, imagining what it would be like to live in that time #openbook #
  • @MargieOrford compares the story to that of The Good Soldier Svejk #openbook #
  • Orford- Story provides wonderful arc of history of the last century #openbook #
  • Orford describes reading Khalil's Journey at high speed with a massive hangover having gone clubbing in Long Street last night #openbook #
  • Kagee teaches at Stellenbosch University- he has a doctorate in Councilling Psychology #openbook #
  • Ashraf Kagee and @MargieOrford #openbook http://t.co/AkyXhWfV #
  • Kagee won the 2012 EU Literary Award for Khalil's Journey, his debut #openbook #
  • @MargieOrford is replacing Zubeida Jaffer #openbook #
  • Back at Fugard Studio to listen to Ashraf Kagee and @MargieOrford discuss Khalil's Journey #openbook #
  • And the session concludes – huge round of applause #openbook #
  • Desai read old Indian civil service diaries for her latest book #openbook #
  • AH prefers little details that trigger the imagination and get him thinking rather than overwhelming period signifiers #openbook #
  • Hollinghurst- I don't like research much #openbook #
  • Richards asks one last question – it's about research #openbook #
  • Hollinghurst keeps quiet about work – fear that in telling someone about the book he has told the story #openbook #
  • Hollinghurst- It's probably arrogance of my part, but I've never had acknowledgements in my novels #openbook #
  • Shriver would like other writers to have experience of being accepted and loved that self-publishing doesn't offer #openbook #
  • Shriver- as a reader I am grateful for traditional publishers' vetting of manuscripts #openbook #
  • Shriver is quoted on the back of Inheritance of Loss #openbook #
  • Shriver- it was like I had won the @ManBookerPrize, I discovered her! #openbook #
  • Shriver- And it turns out that the book I pick out of this pile wins the @ManBookerPrize #openbook #
  • Shriver to Desai- I am your Economist reviewer #openbook #
  • Picked Inheritance of Loss out of sea of hundreds of books for review #openbook #
  • Shriver tells story about reviewing Desai's book #openbook #
  • Shriver says the movie of We Need to Talk About Kevin is "pretty good" #openbook #
  • Anita Desai is Kiran Desai's first reader #openbook #
  • Desai says there is none – they became close in journey from India to England and the US #openbook #
  • Richards asks Desai about possible conflict between her and her mother Anita #openbook #
  • Richards asks Hollinghurst how he copes with fame. He responds with "I like it!" #openbook #
  • Shriver recalls depth of emotion associated with failure – revenge, fury, despair #openbook #
  • Shriver describes success as "that's nice, can I have another glass of Chardonnay?" #openbook #
  • Shriver- that's the hard part of this occupation, it involves a lot of rejection #openbook #
  • Shriver reckons she's famous for being obscure #openbook #
  • Desai- it was very hard for me to find a publisher for Inheritance of Loss #openbook #
  • Richards – I'm very conscious of the fact that we need to talk about Kevin #openbook #
  • Hollinghurst – novelists are in the business of recording, listening, memorizing #openbook #
  • Hollinghurst wrote other "transgressive" subjects as a way of finally dealing with homosexuality #openbook #
  • Shriver is speaking about her book A Perfectly Good Family #openbook #
  • Shriver- I had a very religious family so maybe in the Shriver family you did get excommunicated #openbook #
  • Both Shriver and Desai did MFAs at Columbia #openbook #
  • Shriver tells story about her first book which no one has ever seen – it's called Early Retirement #openbook #
  • She thinks the book probably did some damage, hurt some family members #openbook #
  • Desai- I'm the product of creative writing courses #openbook #
  • She was working on a paper on cannibalism in the common house cricket before she realised that it was more fiction. #openbook #
  • Desai began as a science student before switching to literature #openbook #
  • Richards – what do you write? How do you choose your subject matter? #openbook #
  • Hollinghurst mentions comfort of write among ones own things but also benefit of writers' colonies #openbook #
  • #openbook Richards- does it matter where and when you write? #
  • Hollinghurst also has an ex-government issue desk #openbook #
  • Hollinghurst mentions that Virginia Woolf wrote most of her novels standing up #openbook #
  • Shriver now writes standing up #openbook #
  • Shriver- I realised that by my age I had actually sat for as long as I was allowed #openbook #
  • Shriver works at a large scarred desk from the Belfast war department, comes from WW2 #openbook #
  • Richards to Desai – it's for people like you that laptops were invented #openbook #
  • Desai- Somehow I have never settled – there is safety in movement #openbook #
  • Desai- I wrote Inheritance of Loss living in several different countries #openbook #
  • Desai- question immediately makes me terrified – I have no good answer #openbook #
  • First question is geographic – where do you write? #openbook #
  • Panel will cover 3 continents says Richards #openbook #
  • Her latest, The New Republic, was written in 1998 #openbook #
  • Shriver describes We Need to Talk About Kevin as a "make or break novel" #openbook #
  • Nancy Richards introduces Desai, Lionel Shriver, Alan Hollinghurst to packed #openbook session #
  • Kiran is the daughter of Anita Desai describes her childhood as busy but silent #openbook #
  • Rahimi likes sentences that appear awkward or incorrect, allow for hesitation #openbook #
  • Rahimi applies the rhetorics of Persian in French and visa versa – he likes the fragility of the language #openbook #
  • Rahimi- French, like Italian and Dari Persian, is rhetorical. Even if you master the grammar, something else escapes you #openbook #
  • Rahimi- English is a functional language because the words have functions #openbook #
  • Rahimi- German is a grammatical language because once you've mastered the grammar, you can speak the language #openbook #
  • Asks about the role of the editor and addresses Magona as "mhlobo wam" #openbook #
  • Audience member takes us back to panel's original title – writing in a foreign language #openbook #
  • Discussion opens to the floor #openbook #
  • Gursel tells anecdote of mistranslation – "ruin" in Turkish was translated into English as "urinate" #openbook #
  • Rahimi likes to hear how the language sounds – is the sound of the translation true to the sound of the original? #openbook #
  • When Rahimi's books are translated into languages that he doesn't read/understand like Korean, he still asks for copy of the text #openbook #
  • @Eusebius Glad to hear it was accurate – so easy to misrepresent people in 140 characters :) in reply to Eusebius #
  • Chairperson speaks about importance of remaining true to "the spirit of the author" in translation #openbook #
  • @nathi_myeni I think we need to present it in a way that's relevant to them – @FunDzaClub is doing a great job on this in reply to nathi_myeni #
  • Gursel- the one who speaks holds the power #openbook #
  • Gursel- idea of saying or not saying is something you also find in the Ottoman world #openbook #
  • Chairperson asks about the extent to which words embody the truth #openbook is the object the word? #
  • @sam4wong His response was therefore that there isn't a nice way of talking about it – tweet was a question & should be read in context in reply to sam4wong #
  • @sam4wong IC is Imraan Coovadia, read further down for the rest – he was asked about why he was so vicious towards Shrien Dewani in reply to sam4wong #
  • Rahimi's The Patience Stone deals with the same distance between man and woman that comes up in Magona's work #openbook #
  • But it also needs to be read, which is why it was written and published in English – no market for mother tongue literature #openbook #
  • Magona says Beauty's Gift should have been written in Xhosa #openbook #
  • You write two books but still only end up with one book! #openbook #
  • Magona translated To My Children's Children into Xhosa herself and says "never again" #openbook #
  • Magona gives the example of "effort" which in the townships is used in the context of "a great shoplifter"- he has effort #openbook #
  • Words can look like English words but have totally different meaning in "township English" #openbook #
  • Magona- South African English as handled by people who are not mother tongue speakers is a strange creature #openbook #
  • Chairperson asks about code-switching in African languages #openbook #
  • Convo turns back to Magona, the Xhosa phrases in Beauty's Gift #openbook #
  • Words are central in Rahimi's work – not only as vehicles but also as characters themselves #openbook #
  • Issue is about separating language, country and love #openbook #
  • Going back to 13th C – Rumi was Turkish but born in Afghanistan and wrote in Persian and Greek #openbook #
  • Debate breaks out regarding mystic and polyglot Rumi #openbook #
  • Rahimi ate a lot of bread when he got to France, he couldn't decide whether it had feminine or masculine article – ordered both #openbook #
  • Rahimi- Because the language is so ambiguous you have to write with a very clear structure #openbook #
  • A poem can be either erotic or a love poem depending on the meaning of a word #openbook #
  • Rahimi likes the possibility for ambiguity in Dari #openbook #
  • Rahimi's mother tongue is Dari Persian #openbook #
  • …"the frenzied enthusiasm of making love in the same language"… #openbook #
  • Chairperson reads a passage from one of Gursel's books in which love, physicl movement becomes a mother tongue #openbook #
  • Gursel could easily have spoken only French but likes to keep Turkish alive as a retreat/exile #openbook #
  • For Gursel Turkish becomes a kind of exile living in a Fracophone context #openbook #
  • Gursel (translated from French) – I don't believe a writer inhabits a country or a city but he inhabits language #openbook #
  • Gursel- Turkish is my legitimate wife and the French language is my mistress #openbook #
  • Gursel likes the Turkish word for liberty – özgürlük #openbook #
  • Magona- English is a strange language, I don't find it as specific/as precise #openbook #
  • Magona – in Xhosa it's "uxolo" – I'm sorry – it takes great courage to admit you were wrong #openbook #
  • First question is what are panelists favourite words in their mother tongue? #openbook #
  • Sindiwe Magona, Nedim Gursel and Atiq Rahimi w/translator #openbook http://t.co/SBBQ6Prx #
  • Though there are chairs for five, so it looks like some other writers may be joining #openbook #
  • Panel consists of Atiq Rahimi, Nedim Gursel and Sindiwe Magona #openbook #
  • Now on at Fugard First #openbook Writing in a Foreign Language #
  • Nope, that's not it…. #openbook #
  • Now at Fugard First #openbook – Storytellers and Travel Writers #
  • Open Book Festival: Day Four – Follow These Twitter Threads http://t.co/yquHcRAE #
  • Open Book Festival: Day Three, Digested – Shriver, Stephenson, Saro-Wiwa and More! http://t.co/KYxrkpWd #

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Fiction Friday: “Our First American” by EC Osondu

Voice of AmericaUntitled Books have published one of EC Osondu’s short stories, “Our First American”, on their website.

The story is part of Osondu’s collection, Voice of America, which also includes the short piece “Debriefing” previously published in our Fiction Friday section.

In “Our First American”, Osondu, winner of the 2009 Caine Prize for African Writing, tells the story of a Nigerian prostitute called Beauty who is dating an American man and giving her neighbours plenty to gossip about:

The first American we really got to know up close was a guy called Mark. He lived on our street with a prostitute named Beauty. She was what we called a club girl. She visited various Lagos nightclubs to drink and dance with men and would go home with any who offered her enough money. Sometimes the men would drop her off in the mornings. On other occasions a motorcycle taxi would drop her off at the street entrance. She would enter the street through the smaller pedestrian entrance, clutching her bag in one hand and her high-heeled shoes in the other. She would stop over at the neighbourhood corner shop to buy cigarettes. You could tell from the way she walked into the street whether she had had a successful night or not. She either walked in with a swagger, her buttocks swishing, or on bad days came in with drooping shoulders. On days that her night had not been good, she tore into Mark as soon as he opened the door of their one-room apartment.

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Tade Ipadeola Reviews African Delights by Siphiwo Mahala

African DelightsVerdict: carrot

On the cover of his collection of short stories, African Delights, is a beaming picture of Masoja Msiza in a suit and a bowler hat. Do not be deceived. Siphiwo Mahala explores the human condition of South Africa through stories from Sophiatown. He starts subtly enough and his subject inspissates as he approaches the end. The book is divided into four parts: The Suit of Stories, White Encounters, The Truth, and, finally, African Delights.

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Jaco Fouche en Tom Gouws resenseer Tik deur Piet Steyn

TikUitspraak: Jaco Fouché gee dit ‘n wortel, maar Tom Gouws neig na ‘n stokkie

Dalk verdien ’n hardekwasboek ’n hardekwasresensie, ek weet nie.

Maar eers ’n bekentenis: Tik is my eerste Piet Steyn en ek is aangenaam verras.

Ek het vaagweg in my agterkop die idee gehad dat ’n mens ’n boek vol dikvuis Afrikanermans gaan aantref waarin die mans- outeur by implikasie en via sy karakters die held van sy eie verslag gaan wees.

In Suid-Afrika is tik deesdae die drug of choice.

Nog onbekend in 2003, maar vandag is die gebruik daarvan verreweg groter as die misbruik van alkohol.

Tik is die onsigbare handelsmerk van die nuwe generasie.

Boekbesonderhede


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Jennifer de Klerk Reviews Navigating Your Career and Raising Talent

Navigating Your Career: 5 Steps to Success in the New World of WorkRaising TalentVerdict: carrots!

Do you know where you will be, and what you will be doing in five years’ time?

Do you know where you want to be? Are you thrilled every morning to go to work, excited about the day and what you will be achieving?

Or, like so many of us, is work something you have to do to survive – so you plod along day after day, wishing things could be better, but not knowing how to go about changing the scenario?

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Exclusive Books Boeke Prize Recognises Gone Girl and The Unlikely Pilgrimage of Harold Fry


 
Alert! The winners of the Exclusive Books Boeke Prize Judges’ Choice Award and Readers’ Choice Award were announced this morning at a breakfast in Johannesburg. The Judges’ Choice Award was won by Gillian Flynn for Gone Girl while the Readers’ Choice Award was awarded to Rachel Joyce’s Man Booker Longlisted The Unlikely Pilgrimage of Harold Fry. Bradley Lutz was the first to bring us the news:

The Boeke Prize, South Africa’s tongue-in-cheek version of the prestigious Man Booker Prize, recognises the “got-to-have” fiction title of the year. Last year’s prizes went to Sarah Winman’s When God Was a Rabbit (Judges’ Choice) and Deon Meyer’s 13 Hours (Readers’ Choice).

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Xhanti Payi Reviews A Bantu in My Bathroom by Eusebius McKaiser

A Bantu in My Bathroom: Debating Race, Sexuality and Other Uncomfortable South African TopicsVerdict: carrot

Political or social debate in South Africa tends to be defensive or offensive. On race, people are largely defensive, on sexuality, offensive. This attitude or approach has tended to stifle progress, whether on a personal level or on a larger social level. Those of us who write social commentary often receive the backlash on the issues we raise. As a commentator and political analyst, Eusebius McKaiser is well accustomed with this terrain, and in his new book A Bantu in My Bathroom, tackles the issues with that familiarity.

McKaiser is no stranger to the masses – the chattering masses at least. As a go to analyst and radio talk show host, his name in bookshelves will not be unfamiliar. In his first book, A Bantu in My Bathroom, he confronts South Africa’s most thorniest and current subjects with the language and posture of a debater.

Book Details

  • A Bantu in My Bathroom: Debating Race, Sexuality and Other Uncomfortable South African Topics by Eusebius McKaiser
    EAN: 9781920434373
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