Acclaimed author, academic – he holds a doctorate in English literature from Wits – and specialist in the post-religious apocalyptic fiction of Douglas Copeland, Louis Greenberg, has a new novel in the making.
Greenberg recently blogged that he’s putting the finishing touches on his post-cyber noir novel, Green Valley. Exploring themes of truth and falseness, questioning who we can and can’t trust, and asking what we’re willing to risk for those we love, Green Valley is being marketed as “True Detective meets Black Mirror”.
As intrigued as we are? Read the first two paragraphs of the synopsis here:
The world has turned against digital technology in a neo-Luddite revolution. At its height, over eighty per cent of people in Stanton wore The I – to bank, to work, to shop, to ride. But for eight years, what’s left of Zeroth Corporation, The I’s developer, has been holed up in Green Valley, an enclave sealed in a concrete bunker from the rest of the world.
When Lucie Sterling gets a call from her ex-husband David in Green Valley, her complacent lifestyle in Stanton is shattered. She hasn’t told her partner Fabian Tadic, a high-power anti-technology campaigner, that she has a nine-year-old daughter – she let David take Kira into Green Valley and close themselves behind the wall and they faded into her past – but now David’s telling her that Kira is missing. Over the years there’s been a trickle of invisible kids through the Stanton morgue, Green Valley children who occasionally turn up dead outside the enclave, and who officially don’t exist to Stanton law enforcement. For Lucie, the invisible kids have suddenly become personal.