The links between southwest France and the Cape inspired Kate Mosse’s latest novel, writes Kate Sidley
Published in the Sunday Times
Kate Mosse has a house in Carcassonne, again the setting of a novel. Picture: Supplied
The Burning Chambers
Kate Mosse, Mantle, R285
Bestselling author Kate Mosse visited the graveyard in Franschhoek several years ago and felt such a strong sense of the links between the southwest of France and the Cape, the landscape and Huguenot history that, she says, a shiver ran down her spine. It inspired The Burning Chambers.
Readers are plunged into 16th-century France, to a time of bloody strife between Protestants and Catholics, persecution of the Huguenots and the massacre of Toulouse. Like her Languedoc trilogy (Labyrinth, Sepulchre and Citadel), this novel is set predominantly in Carcassonne.
“All my fiction is inspired by place, by landscape,” she says. Mosse knows the place – she goes there every month to write. When she’s there the history of this fortified medieval city is palpable to her. She’s walked the ancient streets and climbed the towers and seen the sun on the citadel, and this intimate knowledge she bring to The Burning Chambers.
It’s a lot of complex history to wrangle, and Mosse handles it deftly, bringing the setting and its events vividly to life while interweaving the familial and romantic stories. At its heart is a love story, between young Minou Joubert, the daughter of a Catholic bookshop owner, and Piet Reydon, a Dutch-born Protestant convert and supporter of the Protestant army.
Minou receives a mysterious anonymous letter: SHE KNOWS THAT YOU LIVE. Piet has secrets and a dangerous mission. The characters’ converging storylines are interspersed with extracts from a mysterious diary. The book proceeds with plenty of threads, twists and turns to keep the reader engaged. A priceless religious relic, treachery, torture and murder add to the intrigue.
Mosse’s characters – Minou’s family, the political and religious plotters and planners, and a mysterious and nasty villain – keep us emotionally connected.
“I have an idea of the sort of people I need, and it’s as if I build a set, and the characters start to show themselves. I’m intrigued. ‘Ah, so that’s who you are. I see. And you have red hair.’ It’s like a developing photograph. Sometimes, someone who I thought was a chorus member will say no, she’s a supporting lead. Other times it turns out a character just isn’t up to the job.”
Women’s stories are often at the heart of Mosse’s books. “I like to write about older women,” she says. “They hear more and see more than people realise.”
Mosse points out that certain themes and experiences – prejudice and persecution, family, exile, political power, tolerance, love – are timeless and universal. It’s these that drive the novel.
This novel is the first in a quartet tracing Huguenot history through three centuries. Fans of Mosse’s big, engrossing historical novels will be delight to have three more to look forward to, following the descendants of some of the characters in The Burning Chambers. @KateSidley
- The Burning Chambers by Kate Mosse
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