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Archive for the ‘Drama’ Category

Programme for the ninth Jozi Book Fair announced!

In partnership with the City of Johannesburg, the ninth Jozi Book Fair takes place from 31 August – 3 September 2017 at Mary Fitzgerald Square, Newtown, Johannesburg.

The Jozi Book Fair (JBF) is an educational and cultural festival for schools, children, book clubs, women, men, academics, communities and the public. This year JBF’s jam-packed programme has more than 150 events for people of all ages, varied topics and interests, and all art forms, and 60% of events are hosted by the public. If schools want to participate, they need to register before 25 August. Entrance is FREE! See the full programme on the fair’s website: https://www.jozibookfair.org.za/

Celebrating the theme, ‘Women and Literature’, the fair brings together two literary powerhouses, Kopano Matlwa the author of the critically acclaimed novels Coconut, Spilt Milk and Period Pain, and Shailja Patel, an internationally acclaimed Kenyan poet, playwrighter, theatre artist, political activist and author of the bestseller Migritude.

The theme ‘Women and Literature’ informs the fair’s content, historicising depictions of women by both women and men, in literature and the arts globally.

Some authors at the fair: Mohale Mashigo, Marah Louw, Malebo Sephodi, Reneiloe Malatjie, Jayne Bauling, Dumisani Sibiya, Ashwin Desai, Pregs Govender, Christa Kulijan.

Legends and JBF Patrons: Zakes Mda, James Mathews, Keorapetse ‘Bra Willie’ Kgositsile, Diana Ferrus.

The highlights of this year’s fair include:

Guests & Participants
The award-winning guests of the fair, Kopano Matlwa and Shailja Patel will be in conversation about their work and on several panels.

Internationally Acclaimed Authors
Shailja Patel (Kenya)
Lindsey Collen (Mauritius)
Malin Persson Giolito (Sweden)

Conversations with authors
Media personality Penny Lebyane will be in conversation with Marah Louw on her book It’s me, Marah, Mohale Mashigo will be ‘misbehaving’ with Malebo Sephodi, author of Miss Behave, Reneilwe Malatji explores how relationships change as women gain independence with her book Love Interrupted and journalist Thandeka Gqubule will give insight into her book No Longer Whispering To Power: The Story of Thuli Madonsela.

Workshops
The fair boasts over 20 skills workshops which include writing (short stories, poetry), photography, social media, philosophy for teens, meditation for youth and dance meditation.

Book launches include the second edition of Batjha Kaofela, an anthology of ten short stories by teens from schools in townships and three books on #Feesmustfall by Leigh Ann Naidoo, Oliver Metho and Crispen Chungo, self-publishers and small publishers.

Roundtable discussions include: Women and Literature (Lindsey, Kopano, Shailja), White Monopoly Capital: What FUTURE for SA?: (Chris Malikane, D. Gqubule) and Crisis of Feminism with Nomboniso Gasa.

Panel discussions include discussions on the Mining Charter with Oxfam

Exciting exhibitions: Market Photo Workshop (women photographers), sculptor exhibition – Imbali Yo Mfazi/The Legend Of Woman by Mazwi Mdima at Workers Museum.

Music: School bands and Moses Molekwa Foundation

Theatre: Inner City Youth will be performing three iconic plays (Sizwe Bansi Is Dead, The Island and For Coloured Girls) and Botoo by Ronnie Govender.

The JBF is proud to also bring to the public the screening of the film, Whale Caller directed by Zola Maseko. The film is adapted from the book The Whale Caller by Zakes Mda.
 

Coconut

Book details

 
 

Spilt Milk

 
 

Period Pain

 
 

Migritude

 
 
 
 
It's Me, Marah

 
 
 
 
Miss Behave

 
 
 
 

Love Interrupted

 
 
 
 
No Longer Whispering to Power

 
 
 
 

The Whale Caller


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ATKV-Woordveertjies 2017 se finaliste bekendgemaak

Die name van die finaliste vir die 2017 ATKV-Woordveertjies is onlangs bekendgemaak. Dié prys vier tans sy tiende jaargang en die wenners sal op 8 September by Anura Landgoed buite Stellenbosch bekendgemaak word.

ATKV-Prosaprys

Tuisland – Karin Brynard (Penquin Random House SA)
Verlorenkop – Celesté Fritze (Queillerie)
1795 – Dan Sleigh (Tafelberg)

Prys vir Liefdesroman

Oorlewingsgids vir ’n bedonnerde diva – Sophia Kapp (LAPA Uitgewers)
Offerande – Chanette Paul (LAPA Uitgewers)
Anderkant vergeet – Santie van der Merwe (LAPA Uitgewers)

Prys vir Poësie

Hammie – Ronelda S. Kamfer (Kwela Boeke)
Fotostaatmasjien – Bibi Slippers (Tafelberg)
Die aarde is ’n eierblou ark – Susan Smith (Protea Boekhuis)

Prys vir Romanses

Moeilikheid met ’n meermin – Sophia Kapp (Romanza)
Troue in ’n towerbos – Rosita Oberholster (Romanza)
Liefde deur ’n lens – Elsa Winckler (Satyn)

Prys vir Spanningslektuur

Tuisland – Karin Brynard (Penquin Random House SA)
Die dood van ’n goeie vrou – Chris Karsten (Human & Rousseau)
Koors – Deon Meyer (Human & Rousseau)

Prys vir Dramateks

My seuns – Christo Davids
DEURnis – Jannes Erasmus, Henque Heymans & Johann Smith
Wild – Philip Rademeyer

Prys vir Niefiksie

Broedertwis – Albert Blake (Tafelberg)
Emily Hobhouse: Geliefde verraaier – Elsabé Brits (Tafelberg)
Historikus Herman Giliomee – Herman Giliomee (Tafelberg)


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Amabookabooka releases unaired episode to coincide with 109th anniversary of the birth of Bram Fischer

Amabookabooka, the quirky podcast devoted to interviewing local authors about their work, recently released a special edition episode.

This episode is from a previous podcast series produced by the Amabookabooka-duo, Jonathan Ancer and Dan Dewes, called Extraordinary Lives and has been released to coincide with the 109th anniversary of the birth of Bram Fischer – described by Ancer and Dewes as the South African prime minister we should have had.

Lord Joel Joffe, a human rights lawyer, who was on the legal team that defended the Rivonia Trialists in 1964 talks about Bram, whom he describes as his hero.

Fischer’s daughter, Ilse Wilson, also joins in the conversation revealing a different side to the Scarlet Pimpernel – that of Bram the father.

Listen to the podcast here.
 
 

Bram Fischer

Book details

 

The Bram Fischer Waltz

 
 
 
 

Fischer's Choice


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Antjie Krog bekroon met Hertzogprys


 
 
 
 
 
 
 
 
Die Raad van die Suid-Afrikaanse Akademie vir Wetenskap en Kuns het onlangs die bekronings vir hul jaarlikse toekennings aan diegene wat ‘n besonderse bydra tot die wetenskap, tegnologie en kunste in Afrikaans gelewer het aangekondig.

Dié raad is ‘n organisasie wat hom beywer vir die bevordering van wetenskap, tegnologie en die kunste, as ook om die belange van Afrikaans te dien.

Die Hertzogprys

Die stigting van die Raad van Suid-Afrikaanse Akademie word aan generaal J.B.M. Hertzog toegeskryf; ‘n voorstander vir Afrikaans-Nederlands. Die gesogte Hertzogprys vir letterkunde is na die generaal vernoem en staan vandag nog bekend as die vernaamste prestigeprys in die Afrikaanse letterkunde.

Die Hertzogprys is vanjaar toegeken aan die gerekende skrywer en digter Antjie Krog vir haar bundel Mede-wete.

Eugène Maraisprys

Die Eugène Maraisprys word toegeken vir ‘n eerste of vroeë letterkundige werk. Die skrywer wat vir sy of haar werk vereer word, kan slegs een maal dié toekenning ontvang.

Eugène Maraisprys 2015: Lien Botha is die 2015 Eugène Maraisprys toegeken vir haar roman Wonderboom. Slegs boeke wat in 2015 verskyn het, is in aanmerking geneem vir hierdie besonderse toekenning.

Eugène Maraisprys 2016: Amy Jephta is toegeken vir haar drama, Kristalvlakte wat in 2016 verskyn het en Bibi Slippers is ook vereer vir haar 2016 debuut-digbundel, Fotostaatmasjien.

Die bekroondes sal hul pryse onderskeidelik in Stellenbosch (Woensdag 21 Junie) en Pretoria (Vrydag 29 September) ontvang.

Mede-wete

Book details

 

Wonderboom

 
 

Kristalvlakte

 
 
 

Fotostaatmasjien


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Ses moet-lees Maart boeke

Protea Boekhuis het ‘n besige Maart-maand agter die rug gehad. Van verbeeldingryke kinderboeke vir die jongspan, tot geskiedkundige novelles, tot dramatekste wat menslikheid ondersoek, is onlangs geubliseer.

Lees verder oor die volgende ses boeke waarby enige kranige leser sal aanklank vind:
 
 

Die dag is bros/Sandton City GrootdoopDie dag is bros/Sandton City Grootdoop
Wessel Pretorius

AGTERGROND
Twee dramas oor familie, verhoudings, vergifnis en herinneringe. Wat bybly, is dat mense maar net mense is. Dat versoening deel van menswees is. Dat stukkende mense mekaar kan help heel word en dat familie tog familie bly – ondanks omstandighede, persoonlike keuses en uitdagings.

Sandton City grootdoop
‘n Drama oor ’n ma en haar twee dogters wat vir die eerste keer in ’n lang tyd bymekaarkom om die oudste, Danél, se verjaardag in Sandton City te vier. In die proses begin die trio mekaar se verlede, gevoelens en emosies oopkrap met eerlike, en snaakse, oomblikke.
Kara, die ma, is die aktrise wat haar man en kinders op ’n jong ouderdom verlaat het om haar groot droom om wêreldberoemd te word, na te volg. Sy erken dat sy nie bevoeg of beskore was vir moederskap nie, maar probeer tog om tot hulle deur te dring en hulle vertroueling te wees. Haar oudste dogter, Danél, is bipolêr en bly na ‘n onlangse selfmoordpoging weer by haar ma. Sy is naïef en emosioneel en val maklik vir haar ma se manipulasie.
Haar suster, Lisa, is gay en verwyt haar ma dat sy nog niks met haar lewe gedoen het nie. Sy is kwaad en kras en wil graag haar ma skok met haar uitlatings oor seks, maar ’n mens kom agter dat sy eintlik baie kwesbaar is.

“Die minimalisme van die stuk bind jou en hou jou vasgenael tot die einde.” Leonie Bezuidenhout
“Dit is galbitter, snaaks en bitter seer in ewe maat, ’n driekuns wat Pretorius keer op keer regkry. Jy lag, maar jy weet jy moet eintlik ween.” – Leatitia Pople

Die dag is bros
Dis laatmiddag. Elsa, voorheen ’n lektor in Afrikaanse letterkunde, berei ’n driegangmaaltyd voor vir Brian se verjaarsdag. Hy was ’n jeugmisdadiger wat ’n tweede kans gegun is onder Elsa se vlerk. Sy stel hom bloot aan Sheila Cussons en hy vul ’n leemte in haar lewe. Tussendeur word daar speletjies gespeel met Tertius – die vreemde kind wat kersiebloeisels aandra uit Japan. Voor die kos koud kan word sal die dag ’n ingrypende wending neem.

Die dag is bros is benoem vir ’n Fiësta as beste nuutgeskepte Afrikaanse produksie.

OOR DIE OUTEUR
Wessel Pretorius is die wenner van die 2015 Afrikaans Onbeperk-prys vir ’n jong stem.

Voor ek my kom kryVoor ek my kom kry
Pirow Bekker

AGTERGROND
Die omslag van die bundel met sy abstrakte figure suggereer die gesprek wat in hierdie bundel gevoer word met die self, die geliefde, die lewe en die dood. Die digter ondersoek erskillende fasette van ’n lang en kreatiewe lewe. In die eerste afdeling kom die verhouding met die aarde ter sprake; in die tweede afdeling die ambivalente verhouding met die land waarin hy gekies het om te bly woon, ten spyte van die ongenaakbaarheid van klimaat, plae en sosio-politieke kwessies. In die volgende afdelings kyk die digter op ironiese wyse na die dreigende dood wat hom in verskille gedaantes voordoen. Dan volg gedigte oor die liefde: vir die taal, die woord en vir die geliefde vrou. Die fyn humor waarmee die digter na die ouderdom kyk, sorg dat die laaste gedigte nie neerdrukkend is nie, maar die lewe bly omhels, soos in “Hansie Slim herbesin”, waarin gespot word met die “mediese kernplan” waarmee voorsorg vir siekte en ouderdom getref word.

En tog,
die hele infrastruktuur ten spyt
verlaat Hans sy huis, begeef hy hom
op ’n lukraak ryloopreis
die wyer wêreld in.

Daarom kan die digter in die slotgedig terugkyk op die verrassing van ’n lewe wat sonder beplanning of padkaart, sy eie verloop geneem het.

OOR DIE OUTEUR
Pirow Bekker is ’n veelsydige skrywer van romans, kortverhale en poësie. Sy vorige twee bundels, Van roes en amarant (2008) en Atlas teen die vergeetrivier, (2013) is goed ontvang deur die literêre kritiek.

Kroniek van turfKroniek van turf
Dolf van Niekerk

AGTERGROND
Hierdie novelle sluit aan by twee vorige prosawerke van Dolf van Niekerk, naamlik die jeugverhaal Karel Kousop (1985) en Koms van die hyreën (1994). Kroniek van turf is gedeeltelik ’n prequel vir die vorige twee boeke. Dit vertel die geskiedenis van Gerrit, ’n werknemer van die VOC, wat in die 18de eeu begin boer op ’n leningsplaas in die Roggeland. Omstandighede dwing hom om na die distrik Swellendam te verskuif. Sy twee seuns, Johannes en Daniel, soek albei later ook na ’n veiliger blyplek, aanvanklik in die Kamdebo. Onrus op die Oosgrens laat hulle verder trek; Johannes na wat tans die Vrystaat is en Daniel saam met die Voortrekkers na Natal, waar hy en sy vrou slagoffers van die Bloukransmoorde word.
Waar Johannes hom op ’n plaas tussen die Riet- en die Modderrivier vestig, maak hy weer kontak met die Kousop-Boesmans wat hy vroeër naby die Gariep ontmoet het. Tussen Johannes se nageslag en die Boesmans ontwikkel ’n vae, onsekere band wat oor meer as ’n eeu sou strek. Onverwags maak een van Johannes se nasate, Johan, tydens die Bosoorlog kennis met ’n Boesmanspoorsnyer wat ook ’n Kousop-nasaat blyk te wees en wat ’n bepalende rol in ’n grondeis op Johan se plaas tussen die twee riviere sou speel.

OOR DIE OUTEUR
Dolf van Niekerk is ’n bekende en geliefde skrywer van prosawerke soos Die son struikel (1960), Skrik kom huis toe (1968) en Die haasvanger (1985). Sy mees onlangse publikasies, die digbundels Bleek planeet (2012) en Portrette in my gang (2015), is baie goed deur die kritiek ontvang. Hy is meermale vir sy werk bekroon en het onder andere die Eugène Marais-prys, die M.E.R.-prys en die Scheepersprys ontvang.

Die prinses met die lang hareDie prinses met die lang hare
Annemarie van Haeringen

AGTERGROND
In ’n klein, arm landjie woon daar ’n prinses met ongelooflike lang hare. Sy sou dit graag wou afknip, maar haar pa sê dat ’n dame se hare haar kosbaarste sieraad is . . .

‘n Prettige boek vir meisies wat hou van prinsesse, lang hare en sterk mans.

OOR DIE OUTEUR EN ILLUSTREERDER
Annemarie van Haeringen ontvang in 2000 die Nederlandse Gouden Penseel-toekenning vir hierdie boek – ’n eer wat haar ook met Malmok (1999) en Beer is op Vlinder (2005) te beurt geval het. Ander bekroonde werke van haar is Het begin van de zee en Coco of het kleine zwarte jurkje, wat onderskeidelik met ’n Zilveren Griffel en ’n Zilveren Penseel vereer is.
 
 
 

Die storie van ontdekkingsreiseDie Storie van Ontdekkingsreise
Anna Claybourne

AGTERGROND
Vanaf die vroegste tye verken mense al die aardbol op soek na nuwe plekke om te bewoon, verleidelike skatte, asemrowende vergesigte of die roemryke voorreg om die éérste mens op ’n hoë bergpiek te wees.
Hierdie boek vertel die verhale van onverskrokke ontdekkingsreisigers wat dit tot by die ysige pole gewaag het, bloedig warm woestyne oorgesteek het, riviere vol krokodille trotseer of vir die eerste keer reg rondom die aarde geseil het.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Lafras Cuyper in VenesiëLafras Cuyper in Venesië
Karl Kielblock

AGTERGROND

Karl Kielblock het verskeie boeke geskryf, waaronder die Lafras Cuyper-reeks baie bekend is en wyd versamel word. Dit handel oor seeavonture in diens van twee oorlogvoerende moondhede vroeg in die 19de eeu. Hierdie is die sesde boek in dié reeks, propvol opwinding, spanning en avontuur!

’n Besoek aan Venesië – dit is ’n droom wat waar word vir die beroemde kaperkaptein Lafras Cuyper. Dié droom word egter ru onderbreek toe Lafras een aand in die donker stegies aangeval word. Voor hy die raaisel oor die aanval kan oplos, roep Napoleon hom terug na Parys. Lafras moet Venesië verlaat – en ook die aanvallige Justina, wat sy hart so gou verower het. Hy moet met die Turkse goewerneur gaan onderhandel oor drie Franse offisiere wat as gyselaars aangehou word. Tussendeur al die lewensgevaarlike avonture, verskyn die beeld van Justina kort-kort voor Lafras. Hy móét haar weer sien. Hy móét weer terugkeer na Venesië … en sy aanvallers.

Die verhaal van Lafras Cuyper is op feite gebaseer.

OOR DIE OUTEUR

Karl Kielblock is ʼn bekende skrywer en selfs ná sy afsterwe bly sy boeke onweerstaanbaar. In 1936 verskyn sy eerste boek Die skat van Java. Sedertdien het daar verskeie romanse, speur- en spanningsverhale asook verskeie jeugverhale die lig gesien. In 1970 ontvang Kielblock die Scheepersprys vir die boek Rebel.

Book details


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International Women’s Day: seven African woman writers you should have read by 2017

International Women’s Day (March 8) is a universal commemoration of the social, economic, political and cultural achievement of women.

The following quote by Nigerian author Chimamanda Adichie encapsulates both the necessity of celebrating a day committed to the empowerment of women, and how writing can aid the continuing empowerment of women worldwide:

“Many stories matter. Stories have been used to dispossess and to malign. But stories can also be used to empower, and to humanize. Stories can break the dignity of a people. But stories can also repair that broken dignity.”

Here follows a list of African woman writers whose stories matter:

The Translator

1. Leila Aboulela: Acclaimed – one of the most suitable adjectives to describe Sudanese author Leila Aboulela. She has published five novels in 16 years, wowing literary critics with her debut The Translator, which was nominated for the Orange Prize and chosen as a Notable Book of the Year by the New York Times. Her novel second novel, Minaret, also received a nomination for the Orange Prize and her third novel, Lyrics Alley made the longlist for the same prize in 2011. Lyrics Alley was awarded the Fiction Winner of Scottish Book Awards and was shortlisted for the Commonwealth Writers Prize. In 2000, Aboulela was awarded the coveted Caine Prize for African Writing for her short story The Museum. Aboulela’s work has been translated into 14 languages, and is predominantly influenced by the Muslim faith and her experiences of cross-culturalisation.

Nervous Conditions

2. Tsitsi Dangarembga: Zimbabwean author, poet, activist and filmmaker Tsitsi Dangarembga was born in Bulawayao and schooled in England. Her debut, the semi-autobiographical Nervous Conditions (1988), is themed around race, colonialism, and gender in post-colonial and present-day Zimbabwe. Nervous Conditions was awarded the Commonwealth Writers’ Prize in 1989, and is still regarded as a significant contribution to African feminism and post-colonialist narratives. (PS – Dangarembga will be delivering a Women’s Day lecture in Johannesburg on whether feminism is divisive, unAfrican and anti-Black this coming Friday.)

Moxyland

3. Lauren Beukes: When it comes to writing about contemporary sci-fi cum fantasy cum speculative fiction, no one does it quite like Lauren Beukes. With a slew of awards behind her futuristically inclined pen, including the Arthur C. Clarke award for the perennial favourite and much-lauded Zoo City, Beukes has established herself as a South African author to be reckoned with. Her debut novel, the Cape Town-based cyberpunk Moxyland (2008) was nominated for the South African Sunday Times Fiction Prize; 2013′s time travel thriller The Shining Girls was the recipient of four prestigious South African literary awards; and – lest we forget – 2014′s Broken Monsters was commended by The Guardian for its unique adoption of the horror trope as means to explain the crazy reality we live in. And no one quite does crazy reality like Lauren Beukes…

A World of Strangers

4. Nadine Gordimer: A fearless political activist and recipient of the 1991 Nobel Prize for Literature, Nadine Gordimer garnered international recognition for her work which dealt with moral and racial issues, and a constant questioning of power relations and truth during South Africa’s apartheid regime. Gordimer’s The Late Bourgeois World, A World of Strangers, Burger’s Daughter and July’s People were either banned or placed under censorship by the apartheid government, owing to the strong anti-apartheid stance and her criticism of racial division. Gordimer is not only one of the most notable literary figures to emerge from South Africa, but also one of its most notable women.

Coconut

5. Kopano Matlwa: Addressing race, class and colonisation in modern-day Johannesburg, Kopano Matlwa had South African bibliophiles buzzing with her debut novel Coconut, published in 2007. Coconut was awarded the European Union Literary Award in 2006/07 and also won the Wole Soyinka Prize for Literature in Africa in 2010. Her second novel, Spilt Milk (2010), published to equally great acclaim, delivers an allegorical perspective on the born-free generation. Matlwa’s recent Period Pains explores social issues from the point of view of a young female protagonist, delivering an insightful and honest look at growing up in a post-1994 South Africa.

We Need New Names

6. NoViolet Bulawayo: The first black African woman and the first Zimbabwean to be shortlisted for the Man Booker Prize, NoViolet Bulawayo rose to international acclaim with her debut novel We Need New Names (2013). Born Elizabeth Thsele, Bulawayo’s literary approach towards displacement, childhood, globalisation, social class and gender delivered subtle, yet powerful commentary on the existential realities of Africa. Named a ‘five under 35′ by the National Book Foundation in 2012, the recipient of the Caine Prize Award for African Writing in 2011, and a Hemingway Foundation/PEN Award winner for We Need New Names, there’s no stopping NoViolet Bulawayo.

Americanah

7. Chimamanda Adichie: No ‘must-read-African-woman-writers-list’ will be complete without mentioning this critically acclaimed author and MacArthur Genius Grant recipient whose TEDx-talk on
feminism was appropriated in Beyoncé’s “Flawless”. Mense: take note of Chimamanda Ngozi Adichie. As a globally renowned writer, an advocate for gender equality, and vocal supporter of the representation of African culture in the international literary sphere, Adichie is one of the most influential authors – and women – of the 21st century. Viva, Chimamanda, viva.

Book details


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Mongane Wally Serote, Pieter-Dirk Uys, Penny Siopis and Albie Sachs honoured at 2016 ACT Awards

RumoursScatter the Ashes and GoRevelationsQuite Footsteps
Stukke teaterPanoramaPenny SiopisThe Soft Vengeance of a Freedom FighterMakebaMy Son's StoryMissing

 
Alert! The Arts & Culture Trust (ACT) recently announced the winners of the 2016 Awards.

The Lifetime Achievement awards went to Dr Mongane Wally Serote for Literature, Pieter-Dirk Uys for Theatre, Johnny Clegg for Music, Penny Siopis for Visual Art, Albie Sachs for Arts Advocacy and Johaar Mosaval for Dance.

ACT CEO Pieter Jacobs said: “Our list of South African icons would not be complete without entering the names of these remarkable individuals alongside the likes of Miriam Makeba, Nadine Gordimer and Dr John Kani, to mention a few.”

“Their exemplary careers have enriched the arts and culture industry significantly, leaving a legacy that inspires young artists, such as the ImpACT Award recipients, to strive to reach a high level of excellence in their chosen fields,” Jacobs continued.

ACT also celebrates the winners of the ImpACT Awards for young professionals; young artists or businesses that have reached a notable level in their career.

Read the Press release for more information on these prestigious awards and their notable recipients:
 

* * * * *

 
ACT announces 2016 Award winners

A Sophiatown theme and exceptional entertainment set the tone at Sun International’s The Maslow Hotel last night, when ACT named their Award winners.

At the core of the Awards, is the announcement of Lifetime Achievement recipients who have each had a lifelong commitment to the arts, and this year, six deserving luminaries were recognised.

The recipients are nominated by the ACT Board of Trustees and selected by current and previous ACT Trustees. Categories include: Theatre, Music, Visual Art, Literature, Arts Advocacy and Dance.

This year, ACT honoured Pieter-Dirk Uys for Theatre, Johnny Clegg for Music, Penny Siopis for Visual Art, Dr Mongane Wally Serote for Literature, Albie Sachs for Arts Advocacy and Johaar Mosaval for Dance.

“Our list of South African icons would not be complete without entering the names of these remarkable individuals alongside the likes of Miriam Makeba, Nadine Gordimer and Dr John Kani, to mention a few,” ACT CEO, Pieter Jacobs, said. “Their exemplary careers have enriched the arts and culture industry significantly, leaving a legacy that inspires young artists, such as the ImpACT Award recipients, to strive to reach a high level of excellence in their chosen fields.”

The ImpACT Awards for young professionals are given annually to honour young artists or businesses that have reached a notable level in their career. Giving the masses a voice through the public nomination process, ACT proudly boasts a first-rate selection of these individuals in the categories of Theatre, Visual Art, Music, Dance and Design.

Visual artist, Chepape Makgato; singer, Thandi Ntuli; actor Mkhululi Z Mabija; designer, Jody Paulsen; and dancer, Sunnyboy Motau were named the 2016 ImpACT Award winners. Each boasting a burgeoning creative career, this year’s winners collectively represent determination, dedication and ineffable talent.

The 2016 Awards saw ACT partner with the Distell Foundation, The National Lotteries Commission (NLC) and Sun International to see this group of young professionals being lauded for the remarkable impression they have made in the first five years of their careers. Each winner will receive R10 000 and additional PR opportunities that will be generated through the ACT Awards. ImpACT Award recipients will also get on-going backing from ACT in the form promotional support in their professional careers.

The 19th annual ACT Awards was hosted by Sun International in association with the National Lotteries Commission (NLC), and supported by Business and Arts South Africa (BASA). The Southern African Music Rights Organisation (SAMRO) sponsors the Lifetime Award for Music, the Dramatic, Artistic and Literary Rights Organisation (DALRO) for Theatre, Media24 Books for Literature, the Nedbank Arts Affinity for Visual Art, JTI for Dance and Creative Feel for Arts Advocacy, which will see recipients each receiving R45 000.

For more information about the Arts & Culture Trust (ACT) please visit www.act.org.za and use the hashtag #ACTAwards across all social media channels.

2016 ImpACT Awards Finalists

Chepape Makgato

Khehla Chepape Makgato was born in Johannesburg and raised in Makotopong village, outside Polokwane in Limpopo. Makgato has the diploma equivalence for Fine Arts majoring in Printmaking from Artist Proof Studio and a Diploma in Media Practice majoring in Journalism through Boston Media House. Makgato was one of two South African delegates and one of three SADC regional youth delegates to the 2012 Africa Utopia Youth Arts, Cultural and Olympia Festivals of the World at the Southbank Centre in London, UK. He has participated in numerous art exhibitions and fairs both locally and internationally. Makgato collaborated with William Kentridge on a project in January 2015 and continues to work on some small projects for Kentridge. He has had solo shows in 2013 (MARIKANA; Truth, Probability & Paradox), 2014 (VOICES FROM THE KOPPIE ñ Towards Speculative Realism), 2015 (MARIKANA; The Rituals) and 2016 (Manuscripts Found From The Koppie) to be exhibited in Cape Town. In 2014 he won a studio art bursary from the African Arts Trust to be a resident artist at Assemblage Studios. He is also an inaugural recipient of 2016 Art Across Oceans Residency at Kohl Children’s Museum in Chicago, USA in partnership with Play Africa. Makgato now works full-time as an artist at Assemblage Studios and freelance arts writer for ArtAfrica, The Journalist, Ampers and various online publications.

Thandi Ntuli

Ntuli was born in 1987 in one of South Africa’s largest townships, Soshanguve (Pretoria). She comes from a lineage of rich musical heritage, being the niece of guitarist, pianist and lead vocalist of 70′s pop fusion band Harari (The Beaters), Selby Ntuli. At the age of four, she started taking classical piano lessons under the tutelage of Ada Levkowitz. However, her keen interest for jazz was only kindled later in life, leading her to enrol and complete a Bachelor of Music in Jazz Performance at The University of Cape Town. Since the release of her debut jazz album, The Offering, which she released independently, Ntuli is fast making an imprint in the local jazz scene with her unique voice. The Offering has received critical acclaim as well as numerous awards and recognition since its release in 2014, including a Metro FM Award nomination for Best Urban Jazz in 2015.

Mkhululi Z Mabija

Mabija graduated from Tshwane University of Technology with a BA in Musical Theatre Performance (2006) and from New York University’s Tisch School of the Arts with an MFA in Musical Theatre Writing (2010). At the age of 24, he became the youngest adjunct professor at New York University teaching a subject called South African Culture through History, Art and Media. Mkhululi has written many operas and musicals with various composers. Mkhululi has adapted Athol Fugard’s novel, Tsotsi for the musical theatre stage with composer and singer, Zwai Bala. Tsotsi will premiere in November 2017.

Jody Paulsen

Jody Paulsen was born in 1987 in Cape Town, where he continues to live and work. He specialised in Print Media at the University of Cape Town’s Michaelis School of Fine Arts. On graduating, in 2009, Paulsen was awarded the Kathrine Harris Print Cabinet Award. In 2012, Paulsen won the Jules Kramer Departmental Scholarship Award and went on to complete his Masters Degree, also at UCT’s Michaelis School of Fine Art, with his solo exhibition What You Want, Whenever You Want It in 2013. Notable group exhibitions include: 2015′s Young, Gifted and Black, curated by Hank Willis Thomas, in Cape Town; Making Africa at the Guggenheim Museum in Bilbao, Spain (2015); Poppositions at Canal Warf in Brussels, Belgium (2015); MiArt 2014 in Milan, Italy and START Art Fair 2014 in London, United Kingdom. Paulsen has also collaborated with fashion designer Adriaan Kuiters, as Creative Director of Adriaan Kuiters + Jody Paulsen (AKJP) to present multiple collections at Mercedes-Benz Cape Town Fashion Week (2013-2016), and notably, at New York Fashion Week in 2015. AKJP has most recently, in 2016, participated in the Generation Africa fashion show at Pitti Uomo in Florence, Italy.

Sunnyboy Motau

Named among Mail & Guardian’s Top 200 Young South Africans, a 2015 Naledi Theatre Award nominee, and an acclaimed choreographer and dancer, the dynamic powerhouse of Sunnyboy Motau is set on a road called success. Beginning in community arts groups in Alexandra, he trained at Moving into Dance where he continues to work. His collaborative commission by the Dance Umbrella 2015 was among the top three of the National Arts Festival. His co-choreography with Jessica Nupen toured Germany 2015, opened the Dance Umbrella in 2016 and tours Italy in September. Currently, Motau is choreographing for the Playhouse Company in Durban after a successful production for The Market Theatre in February and the HIFA Pop-Up Festival in Harare in May.

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How to fill the Harry Potter hole

By Jennifer Platt for the Sunday Times

nullHarry Potter And The Cursed ChildHaving read the eighth story – Harry Potter and the Cursed Child – for the third time, I seem to have an insatiable need for more Potter. It’s my comfort reading: surrounding myself in a familiar story that gives me hope as an adult that things will be okay; that even if I’m now old and world weary, there is hope that, dammit, we will live in a better place.

I’m thankfully not alone in my love of all things Harry. The Cursed Child sold more than 22 000 copies in print in its first week in SA. Worldwide it had sold – at the beginning of August – two million copies. The world, it seems, wants more and more and JK Rowling gives and gives. She has announced that all the bits and bobs of her short stories and other features will be collected into Pottermore Presents: three bite-sized ebooks which will feature some new stories – yay! They will be released on September 6 and for sale on the Pottermore website and on Amazon.

Power, Politics and Pesky Poltergeists is said to give a “glimpse of the darker roots of the wizarding world”. Heroism, Hardship And Dangerous Hobbies tells a bit of the backstory of Professor Lupin, and Hogwarts: An Incomplete and Unreliable Guide tells the history of the school.

If you want an immersive experience and are in London in May 2017, the Royal Philharmonic Orchestra will be playing John William’s iconic score from The Philosopher’s Stone while the movie is shown on a big screen. And at the end of November this year, the movie Fantastic Beasts and Where To Find Them will be released worldwide.

If that’s too far down the line, there are other options that show promise.

SmokePoison CityNeverwhere

 

Smoke by Dan Vyleta is, according to Stylist on the back cover, “filling that gaping hole left by both Harry Potter and Philip Pullman’s Northern Lights”. It features three teenagers fighting the establishment. It’s very Dickensian and is more slanted towards Pullman’s series about dust. Smoke is as complicated as dust to understand.

Paul Crilley’s Poison City is a new crime series set in Durban. Gideon Tau, its main character, fights demons and has a wand. But no one should call him Harry Potter. He also has a talking dog. I’m not a fan of anthropomorphism but Crilley’s story is irreverent, paints a dark and fantastical KZN and is an easy read.

A new edition of Neil Gaiman’s Neverwhere has been released with illustrations by Chris Riddell. It’s a beautiful hardback copy to add to your collection, and Gaiman’s story about an underworld in London has word-play elements that have made Rowling’s books such a pleasure. There’s the dangerous Night Bridge (get it? Knightsbridge); Earl’s Court that is actually the court of an Earl, and The Old Bailey, all feathered and elderly, who sits on top of the old buildings, watching everything.

And if Gaiman can’t fill that Harry hole, there’s always chocolate. Its mood-enhancing qualities are said to help if there are Dementors around sucking out your happiness. Best to stock up.

Follow Jennifer Platt on Twitter @Jenniferdplatt

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Harry the difficult dad: Jennifer Platt reviews Harry Potter and the Cursed Child

Our favourite wizard has grown up, but he still knows how to cast a spell, writes Jennifer Platt for the Sunday Times

 
Harry Potter And The Cursed ChildHarry Potter and the Cursed Child
JK Rowling, John Tiffany & Jack Thorne (Little, Brown)
*****

If you are afraid that the eighth book will mess with your love of Harry Potter, don’t worry. JK Rowling has done it again. It thrillingly and effortlessly transports you back to the magical world filled with those much-loved characters and surprising storylines. Best of all, it’s fun!

Even though it is the script of a two-part play, with the story by Rowling but written by theatre greats John Tiffany and Jack Thorne, it has the heart of her novels. It’s also 330 pages long.

The story starts 19 years after Harry has battled Voldemort. It takes off exactly from the epilogue of the last book, The Deathly Hallows, with grownups Harry, Hermione, Ron and their families at King’s Cross Station on Platform 9 3/4.

Harry is now 37, world weary, and married to Ginny Weasley. They have three children, and the middle one, Albus Severus (named after Dumbledore and Snape), is off to his first year at Hogwarts. Worried that he will be sorted into the house of Slytherin, he gets iffy advice from his dad: “The Sorting Hat will take your feelings into account … it did for me.”

(Here come some spoilers …)

It doesn’t. Albus is immediately sorted into Slytherin, and this is the beginning of the deterioration of his relationship with his father.

One of the main themes of the Potter books was lasting friendship. Harry met Hermione and Ron on the Hogwarts Express on their first trip to the school. This time the theme is built around Albus’s friendship with Draco Malfoy’s son Scorpius. Like Harry and Ron, Albus meets him on the train and they share sweets – “Schock-o-Choc, Pepper Imps and Jelly Slugs”. They become firm friends who have much in common – they both have to deal with who their fathers are, their reputations and legacies.

Albus struggles to live up to what he thinks his father wants him to be. He has difficulty flying, is lousy at potions and spells and hates being at Hogwarts.

Scorpius has to deal with being a maleficent Malfoy – or even worse, Voldemort’s child, according to rumours. Despite his parentage or rumoured parentage, Scorpius is lovable, charming, clever and kind – and foolhardy Albus is lucky to have him as a friend.

To prove to his father that he is worthy of being a Potter, Albus decides on a harebrained scheme of saving someone in his father’s past. Together with Scorpius they use a time-turner – a device that allows them to travel quite far back in time. (This is unlike the one in The Prisoner of Azkaban, which allowed Hermione and Harry to travel only hours back in time).

We are then placed firmly in the past in the Goblet of Fire book, where the Triwizard Tournament takes place. This is a good device for settling readersin and allowing fans to go back to their favourite place and time to meet characters long gone.

By their actions, Albus and Scorpius set off a butterfly effect. Their world now has been changed by the events of the past. And – like their parents – instead of consulting with the adults they try to fix the problems themselves.

The writers show that things do change, but Harry Potter and his universe are still as enthralling and magical as ever.

Follow Jennifer Platt on Twitter @Jenniferdplatt

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Hagen Engler shares the books that built him

Published in the Sunday Times

 
In the Maid's RoomIn The Maid’s Room
Hagen Engler (Jacana)

I’m most satisfied with my writing when I’m nervous about it. When I’m not sure how it will be received. It might be an experiment with form, topic or style, or just pushing the boat out further than usual. I take solace in the fact that these people did it before me, and better …
 
 
 
Trainspotting Screenplay
Trainspotting adaptation by John Hodge: I read this as a screenplay when it came free with a copy of Loaded magazine in the ’90s. I was stoked that a story so visceral, surreal and uncompromising could be nominated for an Academy award. The swearing, the drugs, the bodily fluids and the raw Scots dialect from Irvine Welsh’s original novel made me realise there are no limits to writing and that dialogue in local dialect can be amazing.
 
 
 
Thirteen Cents
Thirteen Cents by K Sello Duiker: The later Quiet Violence Of Dreams was more literary, and maybe better, but I read this first. This tiny book, with its magic realism, showed me Cape Town in such a fresh way … It became a place of dreams, monsters and people who fly. “I take out my money. Thirteen cents. I must have lost one cent on the mountain.” So powerful.
 
 
 
 
'Master Harold' ... and the Boys
‘Master Harold’ … And the Boys by Athol Fugard: Another great book that was not a novel. It gave me a broader understanding of what a book is. Of course it also taught me that as a white person, much of whatever I had was built on the exploitation of other people. It’s an intensely human story told in 60 pages. The play opens, “The St George’s Park tearoom on a wet and windy Port Elizabeth afternoon.” I grew up 500m from there, so it couldn’t be closer to home.
 
 
 
House Of Leaves
House Of Leaves by Mark Z Danielewski: Hundreds of pages, parallel and intersecting nightmare stories. Footnotes that grow and take over the main text, drawings, photos, poems, indexes, appendices, scripts … The creepiest, most ominous, disturbing book ever. Taught me to be episodic and unfettered by form and typography. And that if you’re going to write evil, do it properly.
 
 
 
null
City Of Nine Gates by Zebulon Dread: I bought this from the author himself, hand-to-hand in Melville. I’ve always believed in self-published authors and am one myself. This book of three stories is just so unfiltered. He drops two F-bombs on the copyright page and goes hard from there. Dread was an independent voice who would not be edited or constrained. With dreadlocks, a gown and a pair of underpants, he was living his aesthetic. Confirmed to me that you can write what you like. You will be called to account for it, though, so you must be brave.
 
•Engler’s novel In The Maid’s Room (Jacana, R220) is about “the surfer, stoner culture of PE, but also the slow death of white entitlement”.

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