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2017 Caine Prize for African Writing judging panel announced

2016 Caine Prize for African Writing judging panel announced

 

The Daily Assortment of Astonishing Things and Other StoriesLusaka Punk and Other StoriesThe Gonjon Pin and Other Stories10 Years of the Caine Prize for African WritingA Memory This Size and Other StoriesThe Caine Prize Anthology 2009: Work in Progress and Other Stories

 
Alert! The five judges for the 2017 Caine Prize for African Writing were announced in London recently.

The Caine Prize is awarded for a short story by an African writer published in English. Previous winners include Zambian author Namwali Serpell, Sudan’s Leila Aboulela, Kenyan Binyavanga Wainaina, South African Henrietta Rose-Innes and Zimbabwean NoViolet Bulawayo. This year’s winner was South African author Lidudumalingani for his story, “Memories We Lost”.

Dr Delia Jarrett-Macauley, Chair of the 2016 judging panel, said the following about Lidudumalingani’s winning story: “This is a troubling piece, depicting the great love between two young siblings in a beautifully drawn Eastern Cape. Multi-layered, and gracefully narrated, this short story leaves the reader full of sympathy and wonder at the plight of its protagonists.”

The 2017 judging panel will be chaired by award-winning author, poet and editor Nii Ayikwei Parkes. The panel will consist of the 2007 Caine Prize winner Monica Arac de Nyeko, Professor Ricardo Ortiz, author and human rights activist Ghazi Gheblawi and Dr Ranka Primorac.

Parkes said he is “ecstatic” to have been asked to chair the panel and to work with “this incredible assembly of judges”. “I have been a consumer of fiction from Africa for close to four decades, revelling in its range, its humour, its insights and dynamic linguistic palette,” he said.

Parkes added: “There is, of course, the selfish pleasure, as an editor, of getting a first look at some of the finest writing coming from the continent and its foreign branches.”

Press release:

The Caine Prize for African Writing has announced the five judges for the 2017 Prize. The panel will be chaired by Nii Ayikwei Parkes, award-winning author, poet and editor. He will be joined by the 2007 Caine Prize winner, Monica Arac de Nyeko; accomplished author and Chair of the English Department at Georgetown University, Professor Ricardo Ortiz; Libyan author and human rights campaigner, Ghazi Gheblawi; and distinguished African literary scholar, Dr Ranka Primorac.

The 2017 Chair of Judges, Nii Ayikwei Parkes, said: “I have been a consumer of fiction from Africa for close to four decades, revelling in its range, its humour, its insights and dynamic linguistic palette. So, I am ecstatic to be asked to chair the panel for this year’s Caine Prize and look forward to working with this incredible assembly of judges. There is, of course, the selfish pleasure, as an editor, of getting a first look at some of the finest writing coming from the continent and its foreign branches.”

The deadline for submissions to the 2017 Caine Prize is 31 January, 2017. Publishers are encouraged to submit qualifying stories in good time. Submissions are welcome year round and late submissions will be entered into the competition for the following year.

The judging panel will meet in May to determine which entries will make the shortlist. An announcement confirming the shortlist will be made in mid-May.

For the first time in the 18-year history of the Caine Prize, the award will be announced on Monday, 3 July, at Senate House, London, in collaboration with the School of Oriental and African Studies (SOAS), which is celebrating its centenary.

“Memories We Lost” by South African author Lidudumalingani won the 2016 Prize and is included in the Caine Prize 2016 anthology, The Daily Assortment of Astonishing Things, published by New Internationalist in the UK and supplied as a print-ready PDF to several African co-publishers.

Commenting on “Memories We Lost”, Chair of the 2016 judging panel, Dr Delia Jarrett-Macauley, said: “This is a troubling piece, depicting the great love between two young siblings in a beautifully drawn Eastern Cape. Multi-layered, and gracefully narrated, this short story leaves the reader full of sympathy and wonder at the plight of its protagonists.”

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  • The Daily Assortment of Astonishing Things and Other Stories: The Caine Prize for African Writing 2016 by Caine Prize
    EAN: 9781566560160
    Find this book with BOOK Finder!

Abubakar Adam Ibrahim awarded $100,000 Nigeria Prize for Literature in glittering ceremony

Abubakar Adam Ibrahim awarded $100,000 Nigeria Literature Prize in glittering ceremony

 
Season of Crimson BlossomsAbubakar Adam Ibrahim: The man, his dreams and prize

Abubakar Adam Ibrahim, who emerged from Nigeria’s generation of “intellectual terrorists”, recently won the Nigeria Prize for Literature. The award ceremony in Abuja was nothing short of grand – Michael Jimoh was there

Soon after the Swedish Academy delighted Nigerians with news that Wole Soyinka had won the Nobel Prize in Literature in October 1986, a national tragedy followed to dampen whatever excitement there was to savour of that historic feat. Dele Giwa, a stylish journalist and one of the founding editors of Newswatch, was letter-bombed. His demise, Soyinka later mourned, turned “the euphoria of the Nobel Prize into ashes in our mouths”.

When Abubakar Adam Ibrahim, winner of the 2016 edition of the Nigeria Prize for Literature, met and spoke with the press on Friday, November 25 in a clinically-clean, modest meeting room at the Protea Hotel, Maryland, Lagos, he briefly experienced the same emotional low as his senior colleague 30 years ago. His father, the one person he would have wished to be around to share this one unique moment with him, had died eight months before. In recounting it, Ibrahim’s voice became understandably low, his mien more pensive; a few journalistic heads drooped on shoulders, an expression of collective grief shown to individuals in moments of distress.

Abubakar Adam Ibrahim awarded $100,000 Nigeria Literature Prize in glittering ceremony

 

But four days later, on Tuesday, November 29, this time in Abuja, at the NAF Conference Centre in Kado, part of the Federal Capital Territory, there was no such emotion. Instead, there was celebration, celebration and recognition of an achiever. It was a mood of unpunctuated happiness from the moment MC Richmond Osuji took up the microphone to start off the public presentation of the award to Ibrahim mid-morning. The location was ideal, a quiet and easily accessible part of Abuja, with ample parking and uniformed security on guard from start to finish. The decorated tables with real white roses could have made anyone conclude that a wedding reception was about to begin.

Abubakar Adam Ibrahim awarded $100,000 Nigeria Literature Prize in glittering ceremony

 

Indeed, there was a union – not of man and woman, but of business and literature. And the result of that joint effort was evident before all by way of large posters in the lobby and in the hall: A medium shot of Ibrahim welcomed guests, his winning novel, Season of Crimson Blossoms, published by Lagos-based Parresia Publishers, beside him with the sponsor’s logo, a stylised NLNG, in smaller letters at the top.

Abubakar Adam Ibrahim awarded $100,000 Nigeria Literature Prize in glittering ceremony

 

Season of Crimson Blossoms is Ibrahim’s first novel and won the gas company’s $100,000 prize easily, trouncing 171 other entries by Nigerian authors home and abroad. In its tradition, NLNG had come all the way from Port Harcourt to honour the laureate publicly at a venue of his own choosing.

Though he was schooled and once lived in Jos, Ibrahim has resided and worked in Abuja these past years, where he is Arts Editor of Daily Trust. Fortyish with a contemplative look reminding one of F Scott Fitzgerald’s brooding visage in one of his rare sober moments, Ibrahim has said that nothing took him to writing, “I grew into it. The only thing that came naturally to me, almost as natural as breathing, was writing.”

From that first love, the Mass Communication graduate from the University of Jos has never looked back. A collection of short stories and a novel later, Ibrahim has, in the words of an acquaintance, “consistently developed himself”.

At various times an electrician and a football wannabe, he never deviated from his avowed métier. If anything, he has lived the dream of writing, thus bringing to reality what the incomparable Frenchman of American history, Henry David Thoreau, once said of dreams. “If one advances confidently in the direction of his dreams, and endeavours to live the life which he has imagined,” Thoreau mused centuries ago, “he will meet with a success unexpected in common hours.”

The gathering of literati, diplomats, company execs, politicians and common folk in Abuja that Tuesday morning confirmed Ibrahim’s “success unexpected in common hours”.

Abubakar Adam Ibrahim awarded $100,000 Nigeria Literature Prize in glittering ceremony

 

The ceremony was scheduled to begin at 10pm, but the capacious hall was packed to the rafters in no time, and late arrivals had only standing space. After a mandatory frisk by security at the entrance, guests arrived in pairs and in groups or alone, filled the chairs, most of the women in hijab setting off their well-defined faces, the men in babban riga with caps caved in on one side. Female children with beaded hair and lale-designed hands complemented the northern ambience of the event.

“This is the first time a writer from northern Nigeria is winning the prize,” a longtime resident of Abuja, and president of Association of Nigerian Authors, Denja Abdullahi told me. To Abdullahi, therefore, Ibrahim’s prize is “an affirmation of so many writers in the north who have been writing without the opportunity of promotion.”

Abdullahi’s veiled comment alludes to the fact that writers in the north get far less traction than their southern counterparts whose proximity to Lagos, culture capital of Nigeria, gives them more exposure and publicity. However, the presentation more than made up for whatever publicity mileage Ibrahim may have been denied in the press. It was the most attended and most high profile literary event in recent memory in the Federal Capital Territory.

The MD of NLNG, Tony Attah, led a retinue of senior staff, including Dr Kudo Eresia-Eke, the GM External Relations. Dr Bola Afolabi, Group General Manager of the gas company, represented the GMD of NNPC, Dr Maikanti Baru. The British High Commissioner, Peter Arkwright, sat all through the event, just as two diplomats from the US and Spain did. Minister of Information and Culture Alhaji Lai Mohammed filled in for the Federal Government, calling Ibrahim “my friend” several times even though he may only have heard of him days before. It helped no more when, in his well-delivered acceptance speech, the laureate swiped at the Federal Government, declaring that “no civilisation or people achieve anything without imagination. The dire state of the Nigerian nation is a testament to this fact. We are not only conditioned to abhor imagination and creativity but to stifle it.”

Ibrahim’s creative spirit was momentarily stifled some time in Jos where, after a sectarian clash in 2008, his house was razed – along with all his books. Despite that, his dedication to writing only got stronger. “He is particular about his craft,” Mallam Denja Abdullahi recalls of the author.

The president of the writers’ body insists he is not surprised Ibrahim won the most prestigious literary award in Africa. Equally not taken unawares is the laureate’s younger sibling, Abdulkadri Adam Ibrahim.

Anyone could easily mistake him for the writer, the same visage and height, and even build. Abdulkadri has followed his sibling’s writing career closely, right from the beginning. “I wouldn’t say this is a surprise because he has been winning other competitions before. I had my fingers crossed that he was going to win and when it came, I wasn’t surprised.”

The winning entry itself, Season of Crimson Blues, published by Parresia Books under the competent headship of Azafi Omoluabi-Ogosi and Richard Ali, is a riveting love tango between a notorious, dope-dealing, hard-eyed criminal, Hassan “Reza” Babale, and a middle-aged widow, Hajiya Binta Zubairu. Though these two dominate the story, others come alive with the realism of Flaubertian characters. Mallam Haruna, a comical figure dying of suffocating jealousy, is one.

He it was, burdened by unrequited love, who hastened to Munkaila, son of Binta, with gossip about his mother’s fornication with a loathed neighbourhood crook. From then on, nothing could avert the tragedy that wound around Binta’s family like a soiled turban.

Ibrahim has a mastery of language and he deploys it expertly. In one scene, the author describes Reza and Binta, spent after making love: “the lovers lay on the bed watching the ceiling fan turning, slicing the air like an indolent scythe”. In another passage, we read of “memories eddying in little swirls around” Binta’s mind.

Season of Crimson Blossoms comes across as one of those ancient oriental tales by moonlight, complete with djinns, fragrances, incense and perfumes, sometimes used to cover up the “objectionable stench of fornication clinging” to the long-suffering widow.

It is not for nothing that the panel of judges wowed with deserved praise for Ibrahim’s novel. By a unanimous decision, they plumped for Ibrahim’s gripping tale of romance and tragedy.

“The novel moves from its evocative and passionate first sentence,” the Professor Dan Izebvaye-led panel of adjudicators commented, “through a web of anxious moments to a tragic and painful conclusion with hardly a moment of respite”.

Abubakar Adam Ibrahim awarded $100,000 Nigeria Literature Prize in glittering ceremony

 

Ibrahim comes from a generation of writers who senior journalist and writer Uzor Maxim Uzoatu classifies as “intellectual terrorists”. All of them are graduates of the University of Jos or have association with the city of Jos – the Helon Habilas, Obi Nwakanmas, Tony Kans, Dave Njokus, Richard Alis and others. So formidable is their intellectual prowess, it is said, that a UJ grad is almost always likely to win in a literary competition in Nigeria. At one time in a national poetry competition in the same year, Habila and Kan came first and third respectively.

Now teaching at George Mason University, Fairfax, Virginia, Habila was the first Nigerian to win the Caine Prize for African Fiction, after Aboulela, a Sudanese writer and the first African to be so honoured. Ibrahim himself has been shortlisted for the Caine Prize. He has won the BBC African Performance Prize as well as the Amatu Braide Prize for Prose. And now, the Nigeria Prize for Literature.

Tony Attah put it aptly for both the winner and the sponsoring company in his speech as the number one man in the NLNG gas company. “With respect to the prize, wherever possible, it has been the tradition to celebrate the winner of the Nigeria Prize for Literature in the author’s homestead. By so doing, we believe that we bring the celebration to the people who contributed to making this author, to those who helped shape the experiences and personality of the winner, and to the place where his creativity was fueled. In addition to that, how best could we give today’s celebration its peculiar flavour other than to have it with family and friends of both the winner and Nigeria Liquefied Natural Gas.”

The highlight of the presentation came much later, when Kudo Eresia-Eke asked to recognise the mother of the author. As she stood up, wearing a brown hijab, Ibrahim strolled dramatically from the stage for a long embrace with his mother. The ovation was loudest at this time. His wife also got an ovation, the woman who stood by the author all the way through.

Abubakar Adam Ibrahim awarded $100,000 Nigeria Literature Prize in glittering ceremony

 

For every seated guest, young and old, man and woman, literate or not, there was a copy of Ibrahim’s novel gifted by the gas company as a gift, some with Ibrahim’s autograph. Giving out copies of winning entries is a long-standing tradition of NLNG. At a similar reception two years ago in Lagos, Tade Ipadeola’s poem, The Sahara Testaments, was passed out freely to guests.

The reason, according to Eresia-Eke, is for educational purposes. “For anyone serious about building people, whether ordinary individuals or communities or nations, the most important gift is education because it is what makes the individual, he becomes master of his own destiny … education is extremely important to us because a people denied education is a people denied all rights.”

Michael Jimoh is a Nigerian journalist living in Lagos. He has worked with some of the major newspapers in Nigeria but now freelances.

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Winners of the 2016 Short Story Day Africa Prize for Short Fiction announced

Winners of the 2016 Short Story Day Africa Prize for Short Fiction announced
WaterTerra IncognitaFeast, Famine and Potluck

 
Alert! “A Door Ajar” by Sibongile Fisher has won the 2016 Short Story Day Africa Prize for Short Fiction.

TJ Benson is first runner-up for his story “Tea”, and Megan Ross is second runner-up for “Farang”.

Winners of the 2016 Short Story Day Africa Prize for Short Fiction announced

 

The R10 000 Short Story Day Africa Prize – the continent’s most prestigious prize for an original piece of short fiction – is awarded annually to an African writer or African person living in the diaspora.

Previous winners of the prize are Okwiri Oduor from Kenya for “My Father’s Head” (2013), which went on to win the 2014 Caine Prize for African Writing, Diane Awerbuck for “Leatherman” (2014) and Cat Hellisen for “The Worme Bridge” (2015).

 
Read more from Short Story Day Africa:

She grabbed the wailing infant and threw it against the wall.

“A Door Ajar” by Sibongile Fisher has won the 2016 Short Story Day Africa Prize for Short Fiction. Fisher’s story, which centers around two sisters trying to escape a gruesome family custom, explores the conflict between tradition and modernity. The raw energy of the writing impressed the judging panel, who were unanimous in their decision. It is the fourth speculative short story written by a woman to scoop the R10 000 prize, which was first won in 2013 by Kenyan Okwiri Oduor, who went on to win the following year’s Caine Prize for African Writing.

She is Tiv and knows no English.

“Tea”, TJ Benson’s love story in the time of exploitation, is first runner-up. Benson uses the relationship between a Nigerian girl and a German boy, who are thrown together in the worst of circumstances, to investigate what makes us different, and whether it is more important than what makes us the same.

Nèung
A cross the road from my childhood home is a stretch of ordinary
veld.

“Farang” by Megan Ross is second runner-up. Ross uses her considered prose to tell a story about the end of naivety, exoticism and otherness. Set in Thailand, “Farang” is part travelogue, part coming-of-age tale, and beautifully encapsulates the awkward space one occupies in being an outsider in another country.

The judging panel, chaired by Sindiwe Magona, called the longlist of 21 stories “outstanding”, adding that all the stories deserve to be published.

The Prize, started in 2012, is worth R10 000, with second and third place cash prizes of R2 000 and R1 000 respectively. The 21 longlisted stories are collected in Migrations: New Short Fiction from Africa, edited by Efemia Chela, Bongani Kona and Helen Moffett, due for release in January 2017.

Many thanks to the judges, Sindiwe Magona, HJ Golakai and Tendai Huchu for their time and consideration; prize sponsors Generation Africa, the Miles Morland Foundation and Books LIVE; volunteer readers across the globe who helped us sort through the entries; our publishing partners and advisors, New Internationalist and Modjaji Books; Worldreader for sponsoring the editing mentorship; and all our project sponsors, a full list of whom are available on our sponsor page.

Last, but not least, many thanks to the Short Story Day Africa board and team.

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Announcing the shortlist for the 2016 Gerald Kraak Award for African writers and artists

 
The Jacana Literary Foundation and The Other Foundation have announced the African writers and artists shortlisted for the inaugural Gerald Kraak Award.

Drawn from a range of African countries, these written and photographic pieces on the topics of gender, human rights and sexuality on our continent represent a new wave of fresh storytelling.

The shortlist will comprise the resultant anthology, titled Pride and Prejudice, which will be published and distributed by Jacana Media and its project partners across Africa in May 2017.

Judges Sisonke Msimang (chair), Eusebius McKaiser and Sylvia Tamale reviewed close on 400 anonymous individual entries over the past four months in order to select the 14 pieces for the shortlist.

Msimang says:

In the current political environment, we are hopeful that expressions like the ones we have chosen – that do not shy away from pain but that are also deeply inventive – find their way into the public consciousness. We think Gerald Kraak would have smiled at a number of these entries, and above all, we have aimed to stay true to his love of fearless writing and support of courageous and grounded activism.

In alphabetical order by surname, here are the shortlisted authors and entries, and short judges’ notes:

  • Poached Eggs by Farah Ahamed (Fiction, Kenya)

A subtle, slow and careful rendering of the everyday rhythms of domestic terror that pays homage to the long history of women’s resistance; yet with wit and humour and grit, the story also sings of freedom, of resistance and the desire to be unbound.

  • A Place of Greater Safety by Beyers de Vos (Journalism, South Africa)

Covers, with empathy and real curiosity and knowledge, underground issues that are seldom discussed in the South African LGBT+ movement – homelessness, poverty, as well as attraction and violence.

  • Midnight in Lusikisiki or The Ruin of the Gentlewomen by Sindiswa Busuku-Mathese (Poetry, South Africa)

This poem hums with sadness and sings with anger. It is full of the sort of melancholy that marks the passing of something very important. It provides an opportunity to connect the themes of gender this collection takes so seriously, with issues of poverty and political corruption.

  • Two Weddings for Amoit by Dilman Dila (Fiction, Uganda)

A fresh piece of sci-fi, written in a clear and bright way, that surprisingly draws on covert and subversive love.

  • Albus by Justin Dingwall (Photography, South Africa)

The choice of exquisitely beautiful high-fashion models to represent people with albinism – who are so often depicted as unattractive, as others – is just breath-taking. It makes its point and leaves you wanting more.

  • For Men Who Care by Amatesiro Dore (Fiction, Nigeria)

A complex and thoughtful insight into a part of elite Nigerian life, as well as the ways in which buying into certain brands of patriarchy can be so deeply damaging – and have direct and unavoidable consequences.

  • Resurrection by Tania Haberland (Poetry, Mauritius)

An erotic poem that is powerful in its simple celebration of the clit.

  • Intertwined Odyssey by Julia Hango (Photography, South Africa)

A solid and thought-provoking collection. The range of poses force questions about power. The photos make the lovers (or are they fighters?) equal in their nakedness and in their embodiment of discomfort.

  • Dean’s Bed by Dean Hutton (Photography, South Africa)

An important contribution to conversations about bisexuality, attraction, age and race.

  • On Coming Out by Lee Mokobe (Poetry, South Africa)

Literal and lyrical, this powerful poem draws one in through its style and accessibility.

  • You Sing of a Longing by Otosirieze Obi-Young (Fiction, Nigeria)

A thoroughly modern epic but with bones as old as time. This is a story of love and betrayal and madness and music that is all the more beautiful for its plainspoken poignancy. Yet there is prose in here that steals your breath away.

  • The Conversation by Olakunle Ologunro (Fiction, Nigeria)

Provides valuable insight into issues of intimate partner violence, family acceptance and the complexity of gender roles in many modern African contexts.

  • One More Nation Bound in Freedom by Ayodele Sogunro (Academic, Nigeria)

An informative piece that gives a crisp and “objective” voice to the many themes that cut across this anthology.

  • Stranger in a Familiar Land by Sarah Waiswa (Photography, Kenya)

This collection of photos showcases the best of African storytelling. The images take risks, and speak to danger and subversion. At the same time they are deeply rooted in places that are familiar to urban Africans. The woman in this collection is a stand-in for all of us.

The winner, who receives a cash prize, will be announced at an award ceremony in May 2017, hosted by The Other Foundation and attended by the authors of the top three submissions as well as the judging panel and project partners.

For more information visit www.jacana.co.za or email awards@jacana.co.za.

This project is made possible in partnership with The Other Foundation: www.theotherfoundation.org.

 

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2016 Morland Writing Scholarship shortlist announced

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The Gonjon Pin and Other StoriesFeast, Famine and PotluckIncredible JourneyStationsThe Myth of This Is That We're All in This TogetherThe Daily Assortment of Astonishing Things and Other Stories
Mr. and Mrs. DoctorSeason of Crimson BlossomsSaturday's ShadowsReading the Ceiling

 

Alert! The Miles Morland Foundation has announced the shortlist for the 2016 Morland Writing Scholarships.

There are four South Africans on the shortlist this year: Amy Heydenrych, Lidudumalingani Mqombothi, Nick Mulgrew and Bryony Rheam.

Of the 22 names, 11 are from Nigeria, four from South Africa, two each from Somalia and Kenya, and one each from Gambia, Ghana, and Zimbabwe.

There are two Caine Prize winners on the list, 2016 winner Lidudumalingani and 2014 winner Okwiri Oduor.

Lidudumalingani was also awarded the 2015 Short.Sharp.Stories Judges’ Choice Runner-Up Award.

Mulgrew is deputy chair of Short Story Day Africa and the man behind uHlanga Press, and has had a productive 2016, publishing both a collection of short stories and a poetry collection.

Bryony Rheam had a short story featured in Where to Now? Short Stories from Zimbabwe in 2011, and her debut novel This September Sun was published in 2012.

Other published authors on the list include Julie Iromuanya, whose debut Mr. and Mrs. Doctor has just been longlisted for the Etisalat Prize for Literature; Abubakar Adam Ibrahim, who recently won the $100,000 Nigeria Prize for Literature for his debut, Season of Crimson Blossoms; Ayesha Harruna Attah, author of Saturday’s Shadows, who was also shortlisted last year; and Dayo Forster, whose debut Reading the Ceiling was published in 2008.

Miles Morland says: “The standard of the shortlist is always high but this year we had an even greater depth of talent than before, making the choosing of a shortlist particularly difficult.

“We had over 500 entries, up from 385 last year and they came from 37 countries, compared with 27 last year. We have two Caine Prize winners on it, and a number of writers who have received global recognition. We are pleased also to have writers early in their career who show terrific promise.

“We have been blown away by the talent, imagination, energy, and humour that characterises African writing. Our only disappointment is that, although we had a number of non-fiction submissions, only one made it to the short list. We are actively trying to encourage non-fiction, Africans telling Africa’s story.”

This year’s judging panel is Ellah Wakatama Allfrey (Zimbabwe, chair), Femi Terry (Sierra Leone) and Muthoni Garland (Kenya). The judges will meet on 12 December to select the five 2016 scholars. The winners’ names will be announced shortly afterwards.

The scholars each receive £18,000 (about R310,000), paid over the course of a year, to allow them to take time off to write the book they have proposed.

2016 Morland Writing Scholarships shortlist

Abdul Adan – Somalia
Jekwu Anyaegbuna – Nigeria
Ayesha Harruna Attah – Ghana
Rotimi Babatunde – Nigeria
Dayo Forster – Gambia
Amy Heydenrych – South Africa
Abubakar Ibrahim – Nigeria
Nneoma Ike-Njoku – Nigeria
Julie Iromuanya – Nigeria
Hamse Ismail – Somalia
William Ifeanyi Moore – Nigeria
Lidudumalingani Mqombothi – South Africa
Nick Mulgrew – South Africa
Otosirieze Obi-Young – Nigeria
Okwiri Oduor – Kenya
Adeola Oeyemi – Nigeria
Olawale Olayemi – Nigeria
Troy Onyango – Kenya
Mary Ononokpono – Nigeria
Koye Oyedeji – Nigeria
Bryony Rheam – South Africa
Sandisile Tshuma – Zimbabwe

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Call for entries: University of Johannesburg Prize for South African Writing in English

The Dream HouseSigns for an ExhibitionHunger Eats a ManRachel’s BlueThe Story of Anna P, as Told by Herself

 
The University of Johannesburg Prize for South African Writing in English is now open for the submission of works published in 2016.

The prize is open to works in any genre, in two categories: “main” and “debut”.

Entries close on 30 November, 2016.

See the press release for more details:

Please send your submissions (5 copies of each) to us by 30 November 2016. Second (and last date) for submission: 30 January 2017.

Works may be submitted in either or both of these categories:

  • UJ prize for South African Writing in English; and
  • UJ debut prize for South African Writing in English.

 
The value of the prizes is:

  • UJ Prize: R75 000
  • UJ Debut Prize: R30 000

 
The selection panel

The selection panel comprises the following five members:

  • Three members of the Department of English, UJ
  • Two academics from other universities; or one academic from another university and one member from the media industry or publishing

 
Genre

We do not link the prizes to a specific genre. This may make the evaluation more difficult in the sense that, for example, a volume of poetry, a novel and a biographical work must be measured against one another, but our intention is to open the prize to as many forms of writing as possible.
 
Please send all submissions to Mrs Nicole Moore at the address listed below:

  • By courier:

Nicole Moore
University of Johannesburg
English Dept
B-Ring 721
Kingsway Road
Auckland Park
Johannesburg

  • By mail:

Nicole Moore
University of Johannesburg
English Dept
PO Box 526
Auckland Park 2006
Johannesburg

Phone: 011-559-2063
Enquiries: Nicole Moore (nicolem@uj.ac.za)

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By mail:

Nicole Moore
University of Johannesburg
English Dept
PO Box 526
Auckland Park 2006
Johannesburg

Phone: 011-559-2063
Enquiries: Nicole Moore (nicolem@uj.ac.za)

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