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Check out a Guide to the Best Stargazing Spots in the Southern Hemisphere (Excerpt from Offbeat SA) @PRHSouthAfrica struiktravel.bookslive.co.za/blog/2015/03/2…

Join Deborah James, Deborah Posel and Ilana van Wyk for the Launch of Money from Nothing at UCT

Money from Nothing: Indebtedness and Aspiration in South AfricaWits University Press invites you to the launch of Money from Nothing: Indebtedness and Aspiration in South Africa by Deborah James.

The author will speak to Deborah Posel and Ilana van Wyk about her book, which captures the lived experience of indebtedness of millions of South Africa and the way access to credit is linked to identity and status-making.

The presentation will take place in the HUMA Seminar Room at the University of Cape Town on Thursday, 9 April, from 1 to 2:30 PM.

Don’t miss it!

Event Details

  • Date: Thursday, 9 April 2015
  • Time: 1:00 to 2:30 PM
  • Venue: HUMA Seminar Room
    4th Floor, Humanities Building
    University Avenue
    Upper Campus
    University of Cape Town
    Rondebosch | Map
  • Interviewers: Deborah Posel and Ilana van Wyk
  • RSVP: huma@uct.ac.za, 021 650 3949

Book Details

Edgar Pieterse to Speak at the International New Town Institute Conference in the Netherlands

Africa's Urban RevolutionEdgar Pieterse, co-editor of Africa’s Urban Revolution, will be speaking at the International New Town Institute conference “Urban Africa: New strategies for the world’s fastest urbanizing continent” in Rotterdam.

The conference will draw together academics, designers and political speakers from around the world to speak about the future of urbanisation in Africa.

It will be held at Het Nieuwe Instituut at Museumpark, on Tuesday, 7 April from 9:30 AM to 5 PM. The cost, including lunch, is €25 and €15 for students.

Event Details

  • Date: Tuesday, 7 April 2015
  • Time: 9:30 AM for 5 PM
  • Venue: Het Nieuwe Instituut
    Museumpark
    Rotterdam | Map
  • Speakers: Christine de Baan (moderator), Lawrence Esho, Ton Dietz, Ronald Wall, Khalied Jacobs, Michelle Provoost, Robert van Kats, Rogier van den Berg, Maarten Hajer, Duzan Doepel, Jason Hilgefort, Jandirk Hoekstra, Harro Wieringa and Walter van Dijk
  • Refreshments: Lunch
  • Cover charge: €25, €15 for students
  • Enquiries: j.buitenkant@newtowninstitute.org
  • Bookings: Het Nieuwe Instituut
  • More information: New Town Institute

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Book Details

A Future Jozi – Three Science Fiction Authors Launch Their Books by Candlelight at Wolves

A Future Jozi

 
The setting for last Wednesday evening’s science fiction book launch in Illovo came straight from a dystopian novel, with candlelight casting dancing shadows on the walls.

Hedon

 

But the Wordsmack publishing team and the folk at Wolves would not allow loadshedding to darken their spirits, and Abi Godsell, Mico Pisanti and Jason Werbeloff introduced their books to the gathering crowd.

A Future JoziPisanti’s new book, The Folds: Krokodil, is set in 2030, and he said of it: “Think of the worst-case scenario and hope like hell it doesn’t come true. 2030 is not that far off …”

Werbeloff’s book, Hedon, is also set in the near future, but imagines a world where happiness is compulsory.

All three books are based in Johannesburg – or, in the case of Hedon, in an alternative city with problems symbolically aligned to those in South Africa. Louise Cosgrave, who runs Wordsmack with Leani le Roux, asked: “Is there still an audience for books set in Joburg?”

Werbeloff said that South Africa has an “amazing market” for books, and Pisanti agreed: “It’s a growing industry and Joburg is never dull, it tweaks the imagination. Joburg is a new city, we’re all a forward-facing bunch.”

Godsell, author of Idea War and a town planning student at the Wits University, said that Joburg’s future is everybody’s story: “As writers and readers we need to tell publishers about the stories we want to hear and the people we want to hear about. Wordsmack is poised at the brink of something very exciting.”
 

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After the launch Books LIVE asked each author five questions about their books:
 
1. In a nutshell, what is Hedon about?

Jason Werbeloff: In 2051, the Bhutanese Empire rules post-apocalyptic Shangri with iron-fisted Buddhist compassion. Happiness is compulsory, but making everyone happy isn’t easy in an overpopulated world. Breeders are ghettoed, homosexuality is mandatory, and Shangrians’ happiness levels are strictly monitored by hedometers implanted in their heads. Become depressed, or feel too happy without helping others feel the same, and The Tax Man will get angry. Very angry.

The lovechild of Brave New World and The Handmaid’s Tale, Hedon is gritty satire on a dystopia drunk with bigotry and positive thinking.
 
 
2. Why did you use the specific space (Joburg) and time as a setting for your story?

Although Hedon isn’t set in Johannesburg, I use the fictional country of Shangri to illustrate many of the challenges that we face in Joburg and in South Africa. The story is full of wanton violence, and the oppression of a majority group – in Hedon the group is heterosexuals; in South Africa, it’s people of colour. These issues plague South Africa, even 20 years after the exit of the apartheid government.

3. This “compulsory happiness” factor sounds legit cool and not too far off. What made you think of it?

My experience living in South Africa today is that I’m surrounded by a ubiquitous gathering of people and media outlets that promote positive thinking. I find it nauseating, and I wanted to write about why I experience it this way. More than that though, I believe positive thinking is dangerous, and damaging. It encourages us to think that we are responsible for everything that happens to us, including the traumas some people face. This leads to victim-blaming, something that I explore in Hedon.

4. Who are your favourite authors or what are your favourite books?

While writing Hedon, I was inspired by two of my favorite novels – Brave New World by Aldous Huxley, and The Handmaid’s Tale by Margaret Atwood. I love the way Huxley is able to create an emotionally gripping dystopia, and how Atwood manages to make us despise gender inequality. In Hedon I tried to combine the ethos of these books, but in a new setting.

5. What do you think about the future of science fiction in SA? Are we going to take the world by storm?

We have superbly talented South African sci-fi writers. Unfortunately, though, we don’t have a good consumer-base. My experience is that it is much more difficult to sell a novel in South Africa than it is to sell in the United States and Europe. Johannesburg in particular offers an incredibly fast-paced lifestyle, and this isn’t conducive to giving readers time to read. South African authors may take the world by storm, but they’ll probably do so without the knowledge of the South African public.
 

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1. In a nutshell, what is Idea War about?

Abi Godsell: Idea War is a narrative exploration of different ways of looking at power, politics and national identity. It uses the journey of the the 16-year-old protagonist, Callie Baxter, to unpack some of our own prejudices and blindness through the ways she interacts and is forced to change her interaction with the Chinese Custodial Authority members who have put her city (Johannesburg) under military occupation, forcing it to secede from South Africa and become its own Sovereign City-State, and who she has dedicated her life to fighting against.

2. Why did you use the specific space (Joburg) and time as a setting for your story?

I love this city that I live in, and for me, working in spaces I know, can visit and map, helps me extrapolate and chunky and believable (I hope! I’m kinda biased in that regard) futures. I also wanted to write a book for the people who live in this city, and want to see their street/school/building/favorite park in print (albeit in a junk-punk, dystopian light).

3. How did you come up with Idea War? What inspires you?

Getting around the city and seeing the amazing places and spaces here. Talking to people here. As a writer, I feel spoiled for material just from the place I live.

4. Tell me about the artwork for your book, how did you and the artists come up with the graphics?

That was all the artists involved. Almost. So there are three main pieces of art associated with the book: Covers, prints and the future Joburg map. The covers were jointly organised by Wordsmack and Louisa Pieters from Fool Moon Design. We wanted to emphasise the setting yet keep all of the main characters off the cover, so that people could freely imagine them in the way that they chose.

The prints were commissioned from Greg Nel, a freelance graphic artist and illustrator. Basically I gave him the text to work with and he developed an image he felt was strong from it.

Finally, the map was made by me, drawing lines on Google Earth (not at random, taking some cues from my current urban and regional planning studies) and sending those through to Louisa to make look as lovely as it does.

5. What do you think about the future of science fiction in SA? Are we going to take the world by storm?

It’s very bright. We have a voice here, a rawness, a diversity, that international readers are beginning to crave. Definitely!

 

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1. In a nutshell, what is The Folds: Krokodil about?

Mico Pisanti: Krokodil is episode two in a longer series called The Folds. It follows from Episode 1: Miss Universe and precedes Episode 3: Blink. In a nutshell it’s set two years from now, and it shows how a dangerous street drug – the Russian “krokodil” (which exists) is enhanced by a shadowy character known as Guillotine. “Krokodil” becomes a world epidemic which in turn starts a world war – a chemical war.

It also deals with small beginnings which butterfly effect into huge world events – and how the word terrorist can be misused or wrongfully used to fit a darker agenda. Plus there is an intriguing lethal whisper from the future towards the end, and a hint on what The Folds could be.

Oh, and it’s seen through your eyes.

2. Why did you use the specific space (Joburg) and time as a setting for your story?

Quite simply I used Joburg because it’s the city I was born in and it’s the city I know. But added onto that Joburg is an exciting, frustrating, wonderful, energy driven, take-no-prisoners kind of city. And wouldn’t it be wonderful to see how a city like that becomes central to world events and how it copes collectively and geographically in a world war situation?

3. How did you come up with the story for The Folds series? Where do you find inspiration?

This is usually the trickiest question of all as creativity and inspiration are very difficult to quantify.

All I can say is, it started with an image of a world filled with crippled, broken, half humans confined to a venue and forced to look at beautiful beauty pageant contestants. I wondered what kind of world that is? And who are these people? Why are they in this situation? The story grew from that scenario.

4. Who are your favourite authors or what are your favourite books?

Hilary Mantel, Cormac MacCarthy, Brett Easton Ellis, Tana French, Stephen King, John Connolly, Philip K Dick, Terry Pratchett, Philip Pullman, JK Rowling, George R R Martin, Tolkien … There are so many. These are the greats that live in my heart.

5. What do you think about the future of science fiction in SA? Are we going to take the world by storm?

I think the “future” of science fiction is here now. There has been a groundswell of speculative fiction over the past 10 years or so. And I think we are very privileged to be on the crest of that wave in many respects.

Are we going to take the world by storm? Why not? South Africa has always been a fertile ground for great writers and world class authors. Perhaps the time of science fiction and speculative fiction has come. But no matter how good the stories and the writing – support and readership is key.

 

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Annetjie van Wynegaard (@Annetjievw) live tweeted from the dark using #livebooks:


 

 

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Facebook gallery
 

http://bookslive.co.za/

Posted by Books LIVE on Tuesday, 31 March 2015

 

Book details

Join Hans Beukes for the Launch of Long Road to Liberation at The Book Lounge

Book LaunchL Long Road to Liberation

 
Long Road to Liberation: An Exiled Namibian Activist's PerspectivePorcupine Press would like to invite you to the launch of Long Road to Liberation: An Exiled Namibian Activist’s Perspective by Hans Beukes.

The anti-apartheid activist will relay his tale of struggle and victory on Tuesday, 31 March, at The Book Lounge. The event will start at 5:30 for 6 PM.

Come and listen to Beukes’ tale of winning a scholarship to study at the University of Oslo in Norway and having his passport confiscated the moment he left his homeland.

Don’t miss it!

Event Details

About the book

In the late 1950s Hans Beukes, a native of the then South West Africa, was a student at the University of Cape Town when he won a ‘solidarity scholarship’ tenable for three years at the University of Oslo in Norway. ‘At your age, Mr Beukes,’ his professor in Constitutional History told him, ‘it ought to be an adventure.’

And so it turned out. As he was about to board an ore carrier bound for Oslo from Port Elizabeth, the South African government confiscated his passport. Back in Cape Town he met an American activist who would become a key figure in the US Civil Rights movement. Allard Lowenstein had no words of comfort for him, but a challenge: ‘Unless some of you are prepared to leave the comfort of your homes to go to fight the regime on the world stage, where they now monopolise opinion, you can forget about getting rid of apartheid.’

Beukes accepted the challenge. Thus was launched ‘the Beukes case’ in the annals of the international tug-of-war about the future of the Territory that would become Namibia.

The author paints a memorable picture of the protracted struggles against the apartheid government and of the ceaseless work done in mobilising international public opinion against the repressive regime.

Book Details

The Power of the Baseball Cap: Eusebius McKaiser "Disrupts the Dominant Culture" of the University at the Launch of Being at Home

 
Being at HomeBeing at Home: Race, Institutional Culture and Transformation at South African Higher Education Institutions was launched at the University of Johannesburg recently, with Eusebius McKaiser, Salim Vally and editors Pedro Tabensky and Samantha Vice.

McKaiser opened the discussion by saying that Being at Home is an “incredibly important book”, the timing of which coincides perfectly with the current debate around the legacy of Cecil John Rhodes, and the statue of Rhodes at the University of Cape Town.

“The reason why I love this book is that the timing is absolutely amazing,” McKaiser said. “It is not just another academic book. This is a book that deserves an audience that looks as diverse as you look, because it is written in such a manner that it is engaging, it’s lucid, you do not need a doctorate from Oxford University to understand it, and it effects all of us.

“And if you think about two hashtags that are trending currently, #RhodesMustFall and #RhodesSoWhite, it is right for us as young people to have conversations about race, institutional culture, and transformation at all higher education spaces. Guess what? That is exactly the subtitle of this collection.”

McKaiser went on to praise the book for opening up awareness about current debates that are taking place at “less cool” tertiary institutions in South Africa.

“This collection means a lot to me, and not just because one of the editors, Pedro Tabensky, is a philosopher that I love and admire from my alma mater Rhodes University. For those of you who are academically nerdish, I guess one methodological limitation is that for the most part the stories come from Rhodes – but I think they generalise across university spaces. And they speak to the issues that are frustrating students and causing protests in Cape Town, at Rhodes.

“And what I loved about this book is that as much as I advocate for Rhodes University as the best place – sorry UJ – to go and study, especially for a liberal arts degree, this book blows the lid off the rubbish that says that places like Rhodes are so much cooler than Stellenbosch or UFS in terms of racial politics, gender issues, sexual orientation. That is why it’s such a crucial book. Especially given the current timing. So if you can afford it, you definitely should buy it. It’s incredibly important.”

McKaiser also addressed the issue of exclusion. Unshaven, and dressed in a T-shirt and bright blue baseball cap, he said his choice of outfit was “deliberate” in order to “disrupt the dominant narrative”, which, he adds, is exactly what the book does.

“Interestingly, when you come into UJ, the themes here [in the book] are actually already experienced. It is easier to get into the Constitutional Court than to get into UJ. Because your security guards are worse than the police that throw out the EFF in parliament. So you already have a non-inclusive culture just in the physical make-up of this building,” he said.

“But also at the level of dress, symbolically, which is why the question of the Rhodes statue goes to the heart of this book. There’s also a lot of exclusion that all of us feel here, as young people. I love the idea of being dressed in a baseball cap, coming in here, because I hate the idea that you need to be dressed in a formal manner, be a professor, in order to have a legitimate view around the question of: ‘What is your experience like at UJ? Do you feel, to the title of this book, at home in this space? Why don’t you feel at home? What does it take for this to be a more inclusive space?’”

Watch the video:

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McKaiser then introduced Professor Pedro Tabensky, co-editor of the book, to the podium:

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Professor Salim Vally was next to speak:

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And, finally, Professor Samantha Vice:

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Question and answer session:

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Read tweets from the event:


 

Book details

Don't Miss the Durban Launch of Changing Space, Changing City: Johannesburg after Apartheid

Changing Space, Changing City: Johannesburg after ApartheidUniversity of KwaZulu-Natal Press, Wits University Press and the Urban Futures Centre at The Durban University of Technology invite you to the Durban launch of Changing Space, Changing City: Johannesburg after Apartheid edited by Philip Harrison, Graeme Gotz, Alison Todes and Chris Wray.

Urban Governance in Post-Apartheid Cities: Modes of Engagement in South Africa’s Metropoles edited by Christoph Haferburg and Marie Huchzermeyer will be launched at the same event.

Following a welcome by Ahmed Bawa, Vice-Chancellor of the Durban University of Technology, Bill Freund, Professor Emeritus UKZN Development Studies, will deliver a speech.

The launch will be on Tuesday, 7 April at 6:30 for 7 PM at Ike’s Books & Collectables.

Don’t miss out!

Event Details

Book Details