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Top chefs reveal the food they make for the people they love in The Great South African Cookbook

The Great South African CookbookThe Great South African Cookbook: The food we love from 67 of our finest cooks, chefs, bakers, farmers, foragers and local food heroes!

Ever wondered what Reuben Riffel likes to eat when he’s at home with his family? What about the secret to Cass Abrahams’ curry or Jan Braai’s perfect steak? And how exactly does an oyster farmer prefer to eat her prize molluscs? We asked South Africa’s favourite chefs, cooks, producers and local food heroes a simple question: “What is the food you make for the people you love?”

The result is The Great South African Cookbook – 67 contributors, 150 recipes and 372 pages with personal stories from each contributor alongside stunning photography shot entirely on location around South Africa.

Culinary legends and renowned chefs including Luke Dale-Roberts, Ina Paarman, Dorah Sitole, Pete Goffe-Wood, and Siphokazi Mdlankomo star alongside local food heroes: from salt harvesters in the Limpopo to strawberry producers in KwaZulu-Natal and Kalk Bay’s catch of the day in the Western Cape; from Mpumalanga to the Northern Cape and the suburbs and townships of Durban, Cape Town and Johannesburg, these food heroes opened their homes and hearts and shared recipes they make for the people they love.

“My past has a big impact on how I cook today. I love it when I get to see my kids’ smiling faces as they tuck into bowls of hearty goodness, pretty much the same food that I used to enjoy as a child. What more can a parent ask for?” says restaurateur and MasterChef judge Reuben Riffel.

For Justine Drake it’s all about love; “The secret to preparing, cooking and serving delicious food is keep it fresh and simple, but more importantly to do it with love,” she says.

Siba Mtongana agrees: “Food is all about family and friends, and putting your heart into preparing a meal is the same as presenting them with a wonderful gift.”

The Holy Cow’s Yudhika Sujanani was inspired by her grandmother; “I grew up doing my homework at the kitchen table, cherishing the warm aromas and hearing the gentle swish of my gran’s sari as she moved about from one kitchen task to the next. The kitchen was the heart of our home, and the heartbeat was the food that came out of it. Love is always the secret ingredient that turns ordinary food into magnicent feasts.”

This uniquely South African collection of recipes, guided by editorial steering committee Cass Abrahams, Hilary Biller, Phillippa Cheifitz, David Higgs, Reuben Riffel, Dorah Sitole, Errieda du Toit and Anna Trapido, and brought to life by the distinctive art of Conrad Botes, will support the Nelson Mandela Foundation who will receive all royalties from sales of the book to develop and support community food and agricultural projects to aid in the upliftment of the impoverished through food sustainability and empowerment, in partnership with Food & Trees for Africa.

The Nelson Mandela Foundation’s Chief Executive Sello Hatang said, “The Great South African Cookbook is a showcase of what we have, rather than what we don’t have, as a country. For both me and for the Nelson Mandela Foundation, it means we’ll be able to touch and change lives with food; it’s in everyone’s hands to help make a difference.”

Inspired by Madiba’s example, Tiger Brands, who is the principal sponsor of the book, wanted to give South Africa’s future chefs an opportunity to showcase their talent. “No initiative that pays tribute to Madiba would be quite complete without weaving in his passion for our youth”, says Group Executive for Corporate Affairs and Sustainability at Tiger Brands, Bridgitte Backman. The company partnered with the Department of Higher Education to identify culinary colleges in all nine provinces, and invited students to enter a competition in which they answered the same question as all the other contributors: “What do you cook for the people you love?” The 10 winning recipes that appear in the book are testament to the fact that the inspiration to cook always comes from the heart.

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Pound of flesh: Annetjie van Wynegaard reviews The Vegetarian by Han Kang, translated by Deborah Smith

This South Korean novel addresses the plight of women everywhere, writes Annetjie van Wynegaard for the Sunday Times

The VegetarianThe Vegetarian
Han Kang, translated by Deborah Smith (Hogarth)
*****

South Korean author Han Kang’s novel The Vegetarian is about what women put up with for the sake of being perceived as normal. It’s about crossing boundaries — both mental and physical — and severing the familial ties that bind you to society.

The novel starts when Yeong-hye — up until this point a docile, unremarkable wife, according to her husband — decides to become vegetarian.

The first vignette is told through the eyes of her husband who finds her in the kitchen late one night, discarding all the meat products she can find. When he brusquely asks her what on earth she’s doing, Yeong-hye gives a simple yet startling reply — “I had a dream.”

Kang cleverly sketches the different sides of Yeong-hye’s gradual decline through the eyes of her brute of a husband, her lewd brother-in-law, and her sister, the epitome of the submissive wife and mother.

The reader catches brief glimpses of Yeong-hye’s thoughts and feelings through her disturbing dreams, but this insight dissolves as she locks herself inside her body, away from the world. The first part culminates in a family lunch that takes a violent turn when Yeong-hye’s family try to force-feed her morsels of meat.

The second part of the novel takes place two years after the events of the first and is told from the perspective of the brother-in-law. He becomes obsessed with Yeong-hye’s birthmark and what follows is his feverish obsession to make her body the canvas for his erotic fantasies.

In the final chapter — through the eyes of perhaps the person closest to Yeong-hye, her sister In-hye — we see the total disintegration of Yeong-hye’s body and mind. As she watches her sister waste away, In-hye remembers a moment when she too attempted to escape. She realised how easy it is to lose yourself: “Perhaps, at some point, Yeong-hye had simply let fall the slender thread that had kept her connected with everyday life.”

Deborah Smith’s translation captures the poetic simplicity of this short novel, which was published in 2007 and recently received the 2016 Man Booker International Prize.

The Vegetarian is foremost a story of abuse, rebellion and taboo. A simple act of swearing off meat causes Yeong-hye’s family to react violently; each person in turn asserting their right to control her body. No one knows how to handle her “disobedience”; going against the wishes of your husband and father is not something that you do in Korean culture. Yet, it’s her “otherness” that inspires her brother-in-law to pursue his innermost desires.

It’s quite fitting then, that Yeong-hye never speaks for herself in the novel but rather speaks through the metamorphosis of her body, from docile to defiant, a site of struggle and protest. The Vegetarian shook the ground I walked on. It was a necessary awakening.

Follow @Annetjievw

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All the 2016 Sunday Times Alan Paton Award shortlistees

2016 Alan Paton Award shortlist
Alan Paton Award

 

The winners of the Sunday Times Literary Awards will be announced on Saturday, 25 June, 2016.

The Alan Paton Award will be bestowed upon a book that presents an “illumination of truthfulness, especially those forms of it that are new, delicate, unfashionable and fly in the face of power”, and that demonstrates “compassion, elegance of writing, and intellectual and moral integrity”.

Who do you want to take the award? Share your thoughts with us on Facebook, Twitter or in the comments below!

The 2016 Alan Paton Award shortlist finalists are:

JM Coetzee and the Life of WritingPapwaTo Quote MyselfRapeShowdown at the Red Lion

 
Click here for the Barry Ronge Fiction Prize shortlist
 

Read interviews with all the shortlistees:

Brazilian edition of Futhi Ntshingila's Do Not Go Gentle published

Sem GentilezaThis week sees the publication of Futhi Ntshingila’s second novel, Do Not Go Gentle, into Portuguese. Brazilian publishers, Dublinense have translated the novel into Portuguese and now it is out.

Both Gustavo Faraon and I were participants in the 2012 Frankfurt Invitation Programme, which is where we met and when we met to look at each other’s catalogues the following year, the seeds of this translation project were sown. Here is the English translation from google translate of the press release put out by Dublinense on June 22nd, 2016.

“This is not just any book.
Without kindness (Direct Translation of Sem Gentileza – the Portuguese title) was written by Futhi Ntshingila. She’s a South African. She’s Zulu.

Although so rich in features – and here counted with the paints only a culture that is not our own, from an imaginary one so different and in a way so own -, stories very similar to this sprout for all corners of the world. Are stories of women who have not been given a choice not to be resist and try, like her, preserve her own integrity.
Women that need to be strong – only because they are women.

The journey that led to the publication of this book began, in fact, to meet the publisher modjaji books, from Cape Town, and his incredible publisher militant Colleen Higgs. The Publisher, baptized in tribute to the goddess of the rain, there is to give space to the South African women, whose voices vibrant remained relegated to the sidelines and in the shade since forever.

This editorial project was really inspiring to us. And it seemed clear that it was necessary to bring the books that Colleen edited for an even bigger audience, to Brazil, for you. We were reading and analyzing various titles, and it was clear that the stories could be unique, but together they reflected an issue that is not limited to a specific region or culture. And so we come to this novel which we believe to be very representative.

Our Brazilian edition in Portuguese of without kindness is the first in a foreign language. The own author now is dedicated to translate it to isizulu.
That is why, for us, this is not just any book. It points to something that we want to pursue.

That this book find many readers and readers in Brazil, and that this will allow us to continue bringing many other stories that help to give a voice to those who do not have.”

Gustavo Faraon of Dublinense at the Frankfurt Book Fair in 2015

Gustavo Faraon of Dublinense at the Frankfurt Book Fair in 2015

We hope that Futhi will be invited to a literary festival and will be able to go to Brazil later this year to meet her new audience.

As the press release says, Modjaji is looking to bring out an isiZulu edition of Do Not Go Gentle in 2017. Futhi is doing the translation herself. Watch this space!

Do Not Go Gentle

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Jacket Notes: Brett Archibald tells the story behind his book Alone - lost at sea and forced to swim for over 28 hours

nullAloneAlone: The Search For Brett Archibald
Brett Archibald (Jacana Media)

On the day of my rescue, where I spent close to seven hours with the Aussie blokes aboard the Barrenjoey, I scribbled down everything I could remember of being lost at sea and forced to swim for over 28 hours in the Indian Ocean. I was then re-united with my friends on the Naga Laut, and over the next 10 days we spent hours sharing the stories and recounting our feelings, emotions and thoughts of my time being lost in the ocean.

I soon realised that there were a number of uncanny comparisons between our trip and those of the lads on the Barrenjoey. We were nine mates on a surf trip to celebrate a 50th birthday; they were too. Our trip had been dogged by a number of mishaps; theirs had too. It seemed to be a tale that was meant to be told. My main objective was always to document the details for my young children, as I knew that the enormity of what had happened to all of us was beyond their comprehension at the time. I wanted the full story to be available for them to read as they grew up.

Fortuitously, I had found a wonderful author with whom I felt an immediate connection, and who agreed to write the story. Over a year I spent almost every morning at her house exploring the nuances and depths of my memories and arranging for her to conduct interviews with the people involved.

The process itself was a form of extended therapy for me. Reliving my experiences in the finest detail was a deeply moving process, though at the time mostly subjective. It was only on reading the full manuscript some 12 months later that the fuller picture unfolded for me and I came to grasp the magnitude of what had transpired during my time in the ocean.

The inexplicable unity of people from around the world who had prayed for me or sent wishes via the “Searching for Brett Archibald” Facebook page blew me away. Over the past three years, I have gone on to learn these amazing stories from people all over the world, many of whom I had never previously met, who played some role in this crazy drama.

They all affect me and contribute to my comprehension of my experience. There is simply no way that a person can spend 28-and-a-half hours thinking he is going to die, and then surviving by the slimmest of margins, without gaining a completely new perspective on life. I get to contemplate this thought every day.

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PE Book Launch: I'm the Girl Who Was Raped by Michelle Hattingh

I'm the Girl Who Was RapedMichelle HattinghFogarty’s and Modjaji Books invite you to the Port Elizabeth launch of I’m the Girl Who Was Raped, a memoir by Michelle Hattingh. The author comes from Port Elizabeth, so she is back in her home town talking about her incredibly courageous book.

“Compelling, clear and beautiful writing on such a necessary topic. She shatters rape myths on every page.” Jen Thorpe, gender activist and author of The Peculiars.

“Many people think middle class women are magically immune to rape or that if they are raped their easy access to the resources they need will be everything they need to recover completely. A book that discusses the cross cutting nature of the pain all women must feel when a man rapes them can only be welcomed in a time when communities across South Africa struggle with high rape rates.” Kathleen Dey of Rape Crisis

More about the book:
That morning, Michelle presented her Psychology honours thesis on men’s perceptions of rape. She started her presentation like this, “A woman born in South Africa has a greater chance of being raped than learning how to read …” On that same evening, she goes to a party to celebrate attaining her degree. She and a friend go to the beach; the friend has something she wants to discuss. They are both robbed, assaulted and raped. Within minutes of getting help, Michelle realises she’ll never be herself again. She’s now “the girl who was raped.”

This book is Michelle’s fight to be herself again. Of the taint she feels, despite the support and resources at her disposal as the loved child of a successful middle-class family. Of the fall-out to friendships, job, identity. It’s Michelle’s brave way of standing up for the women in South Africa who are raped every day.

About the author:

Michelle Hattingh was born in South Africa in 1988. She attended school in Port Elizabeth and studied Politics, Philosophy and Economics at Stellenbosch University. She went on to do her Honours in Psychology at Cape Town University and now lives in Cape Town. Michelle works as senior online content producer at Marie Claire SA. Her work has been published in Elle SA, Marie Claire SA and Mail & Guardian. I’m the Girl Who Was Raped is her first book.

Event Details

  • Date: Thursday, 12 May 2016
  • Time: 5:30 PM for 6:00 PM
  • Venue: GFI Gallery, 30 Park Drive, Central, Port Elizabeth
  • Guest Speaker: Emily Buchanan
  • Refreshments: Come and join us for a glass of wine and snacks
  • RSVP: Fogarty’s, fogartys@global.co.za, 041 368 1425
    www.modjajibooks.co.za

I'm the Girl Who Was Raped
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