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"My Grandmother was so Articulate the Village Thought She was Inventing Words" - Pitika Ntuli

Pitika Ntuli: The poetryScent of Invisible FootprintsProfessor Pitika Ntuli chatted to Masechaba Lekalake on Power FM recently about his fascination with language and words.

Ntuli says his grandmother was so articulate that people in her village thought she was inventing words, and it was she who sparked his love of language.

The sculptor and poet also refers to a piece written by fellow poet Mazisi Kunene, who quotes his grandmother as saying: “The secret of ancient wisdom is in words and their forgotten meanings.”

Ntuli believes language is the highest expression of a culture, and that a culture without language, without communication ceases to become a culture. He also emphasises the richness that language can bring to life: “If you are poor, like me, we had no clothes, the only thing I had were words!”

Listen to the podcast, in which Ntuli discusses the gender and power structures that are present in South African languages:


Book details

2015 Jozi Book Fair Programme Revealed (11 - 13 September)

Jozi Book Fair

Alert! The programme for the seventh annual Jozi Book Fair has been revealed.

The Jozi Book Fair takes place between 11 to 13 September at Wits University – and entrance to all events is free.

Featured authors at the festival include National Poet Laureate Keorapetse Kgositsile, Futhi Ntshingila, Zukiswa Wanner, Ekow Duker, Gcina Mhlophe, Zakes Mda, James Matthews, Edyth Bulbring, Harry Kalmer, Qaanitah Hunter, Kurt Ellis, Mzilikazi wa Afrika, Stevel Marc, Shafinaaz Hassim, Adam Habib and Xolela Mangcu – and many, many more.

Letters from AlainHi Zoleka!Azanian Love SongThe Party Is OverIf I Could SingThe Lahnee's Pleasure
A Frog in the BogRachel’s BlueRefilweArabella, the Moon and the Magic Mongongo NutDo Not Go GentleDying in New York
Nothing Left to StealBy Any MeansDiamond BoyDogtective William and the Diamond SmugglersThe Mark’n Duisend stories oor JohannesburgBoomkasteleDiary of a Guji Girl
nullThe Rise of the SecurocratsRecovering Democracy in South AfricaThe African National Congress and the Regeneration of Political PowerThe Arrogance of PowerSouth Africa's Suspended RevolutionSoPhia

Check out the programme, as shared by the Jozi Book Fair:

* * * * *

Programme: 7th Jozi Book Fair

11-13 September, 2015

Wits University, Science Stadium, West Campus

Welcome to Jozi Book Fair!

This is a fair with many differences:

  • Jozi Book Fair creates readers and writers in all South Africa’s languages to read the word and the world!
  • Jozi Book Fair is a progressive movement from “below” linking up with different art forms to create a national culture!
  • To ensure democratic access for everyone, for people of all ages and all social classes, this fair is free!

Entrance is FREE on all days, for all events!

Partnership with Wits

This year we revived our partnership with Wits University from the 1980s to deepen the culture of reading and writing as part of deepening democracy and transformation and bring together all social classes to engage in debates, build tolerance and citizenship.

A Fair with a difference!

This year we have over 120 events and activities, with 50 percent of events hosted by the public: especially readers, writers, moderators created by the JBF and/or from the public. We have also been blessed with many writers: township children performing their poetry, students presenting their work (literature, film and theatre), book club members interviewing authors and some famous authors.

* * * * *

Highlights of JBF 2015

Guests of the Fair

This year the JBF has two special guests:

International Guest: Cuban Enrique Perez Diaz

JBF’s International Guest is Cuban writer, critic, journalist and researcher of children’s literature Enrique Perez Diaz. Currently the Director of Gente Nueva Publishing House in Havana, Enrique was the founder of the first Cuban bookshop for children, with a socio cultural approach to community, children and teenagers. His books are known in many countries including Japan, Switzerland and the USA and he has worked with IBBY Cuba since 2007. For more information click here


  • Lessons for SA: Literacy and education in Cuba
  • Panel Discussion: Cuba: The impact of 50 years of US sanctions on culture, literacy and the arts
  • Making books accessible and affordable: libraries & publishing in Cuba
  • Panel Discussion: The role of children’s literature and building a progressive national culture

South African Guest: Gcina Mhlophe

Our Guest is Gcina Mhlophe, internationally acclaimed storyteller and author. Besides being an author of children’s books, Gcina is a great performer, wooing people of all ages.


  • Storytelling festival on Saturday and Sunday
  • Live Performances: Saturday and Sunday
  • Book Launch
  • State of Theatre in SA
  • Panel Discussion: The role of children’s literature and building a progressive national culture
* * * * *

OCTO-GENUISES and a progressive national culture

No introduction necessary!


  • Live Poetry Performance: Activist Poets Don Mattera, James Matthews & Keorapetse Kgositsile
  • In Conversation on Art, Liberation and Struggle: Don Mattera, Ronnie Govender, James Matthews & Keorapetse Kgositsile
  • James Matthews: Poet in Conversation
  • Ronnie Govender Theatre veteran: The role of memoir in building a progressive culture
  • Joan Rankin: children’s author & illustrator: In conversation with Jenny Hatton; facilitating creativity workshops for children and adults
* * * * *

Introducing Jozi Book Fair Mascots Penny and Puffy, and their dads, special guests Zakes Mda and Mpapa Mokhoane


  • Launch of Penny & Puffy in English and Sesotho
  • Storytelling Festival
  • Writing in indigenous languages
  • Writing for children: the making of Penny & Puffy
  • Children’s Literature & building a national culture
* * * * *

Second book of poems for JBF Poetry Buddies

Jozi Book Fair Poetry Buddies perform their poems in English and mother tongue. The Buddies are children’s groups set up in Johannesburg and surrounding townships. This year they publish their second book of poems.

* * * * *

Students at JBF

This year a number of students from different universities will present their work at the JBF.

  • Literature seminars: Chinua Achebe’s Things Fall Apart and A Man of the People with Danai Muputsa (Wits)
  • Conversation: Zakes Mda’s Rachels Blue with Polo Moji (Wits)
  • Conversation: Reading Fanon with Kgomotso Ramushi (UP)
  • Theatre: A play – Dead Roses by Searatoa van Driel (Wits)
  • Roundtable: Rhodes must fall – transformation and democracy in education (various students)
* * * * *


  • Penny and Puffy – original paintings by Zakes Mda
  • JBF School poster competition on reading (105 posters)
  • Remember Marikana! Photographic Exhibition (by Pulitzer prize winner, Greg Marinovich and City Press)
* * * * *

Katrine Harries Award for Illustrators

This year the Katrine Harries Award will be made at this year’s Jozi Book Fair. This award is the only and most prestigious award in South Africa that evaluates children’s book illustrations as an artform. The award in 2015 comes 100 years after the birth of Katrine Harries.

The Katrine Harries Award has previously been awarded to Niki Daly, Joan Rankin, Alida Bothma, Cora Coetzee, Jeremy Grimsdell, Jude Daly and Piet Grobler. The last award was made in 2008 and the current award will be presented for the illustrations in a South African children’s book published between 2009-2010, 2011-2012 and 2013-2014. This is an attempt to open the award to broad sections of the population and encourage both illustrations and books for children.

* * * * *

Programme Overview

Friday, 11 September, 2015

1. Schools Programme

    Workshops, exhibitions, meeting authors and the guests

    7:30 AM – 2 PM – FULLY BOOKED!

    School youth can still attend events on Saturday and Sunday

2. Theatre Festival Opens

  • Qhawe (Cape Town) at 2:30 PM
  • Thula Thula (Johannesburg) at 3:30 PM

3. Film Festival Opens

  • Please Vote for me by Wejun Chen (China) at 2 PM
  • Shake the Dust by Adam Sjoberg (global music and dance) at 3.30pm

4. Roundtable discussion

    Crisis in our Schools – 3.00pm

    Panelists: Salim Vally (UJ), Bulelwa Ndodana (Dept of Education, Eastern Cape), Mugwena Maluleke (GS, SADTU) & Moderator: Siphelo Ngcwangu (Wits)

5. Book Launch & Reception: 4 – 5 PM

    Privatisation of Schools: Selling out the right to quality public education for all

    Panelists: Salim Vally, Carol Ann Spreen and Lauren Star

6. JBF Reception – By invitation only

* * * * *

Saturday 12 and Sunday 13 September, 2015


  • Storytelling Festival on Saturday and Sunday, featuring Gcina Mhlophe, Faith Busika, Beverly Benton, Joan Rankin, Zukiswa Wanner, Hamilton Wende, Reviva Schumacher
  • Ancient storytellers, Poem Mooney from Oudtshoorn
  • Introducing JBF mascots Penny & Puffy: based on book of same name by Zakes Mda and Mpapa Mokhoane
  • JBF Poetry Buddies perform their poetry
  • Kerry Jones’ Jul’hoan dictionary activities
  • National Children’s Theatre’s NACTIES Sing their songs

Jozi Book Fair theme: Children’s literature and childhood

A number of seminars and roundtables will take place related to the theme:

  • Conditions of Children in SA: with Save the Children, Children’s Law Project (UP) and Children’s Resource Centre (CT)
  • Children: Reading and the state of libraries in SA with Busi Dlamini Gauteng Education Department and Sally Currin
  • Children learn languages: case study, (Bulelwa Ndodana, Depart of Education, Eastern Cape)
  • Children’s literature and building a national reading culture
  • Cuba: literacy and children’s literature, lessons for SA (Enrique Perez Diaz)

Black Art Black Politics

  • Don Mattera: Commemorating the life of Steven Bantu Biko
  • Keorapetse Kgositsile (Poet Laureate): Reflections on the Black Art Movement in the US and its influence
  • Ronnie Govender, James Matthews, Warona Seane (Soweto), Gita Pather (Wits) and Itumeleng wa Lehulere (director): The State of theatre in South Africa Today
  • Kgomotso Ramushi: Reading Fanon
  • Zakes Mda, Keorapetse Kgositsile, James Matthews: Growing an indigenous South African culture

South African Fiction

Jozi Book Fair Book Club members converse with authors:

Authors in Conversation

South African Politics

This section includes a wide variety of issues and debates, in seminars and Roundtable discussion.

  • Media in SA: who owns and controls it? – Jane Duncan (UJ), Lumke Mtimde and Tawana Kupe (Wits)
  • What ANC after Zuma? – Aubrey Matshiqi, Mcebisi Ndletyana, Raymond Suttner and Susan Booysen
  • State of worker and union education – Crystal Dicks (Numsa), Mojalefa Musi (Independent analyst) and Luke Sinwell (UJ)
  • Corruption in SA – David Lewis, Karabo Ranjuli and Mzilikazi wa Afrika
  • The colour of our future: do colour or ‘race’ matter? – Xolela Mangcu, Joel Netshitenze and Adam Habib
  • Transformation & democracy in Education? – Adam Habib and student panel
  • Seminar: Everything you wanted to know about nuclear power! (Earthlife)
  • Climate Change: Briefings from Southern Africa – Mary Scholes (Wits)
  • Marikana Report: Do Black Lives Matter? – Rehad Desai, Bishop Seoka (TBC) and Nomsa Zondi (SERI)
  • Is intolerance in our DNA? Violence against women/girls, LGBTI and foreigners – Lisa Vetten and Virginia Tshedi and Paul Verryn
  • 20 years of the Labour Relations Act: a balance sheet – Oupa Lehulere


  • Politics of sexuality in everyday life – Shafinaaz Hassim
  • Diary of a Guji Girl – Qaanitah Hunter
  • Young women writers and their challenges – Futhi Ntshingila and Zukiswa Wanner
  • Feminism Today – Jackie Cock and panel

Workshops and Seminars

For different age groups: children, youth & adults on

  • Playback Theatre (Wits Drama for Life)
  • Importance of Reading for Children (Jenny Hatton)
  • Reading and Writing and Common Grammar Errors (L Pavlou, Wits Language School)
  • Philosophy for Teens (Theresa Giorgza, Education Dept, Wits)
  • History and Origins of Poetry (Brian Mabaso)
  • The Art of Radio (Voice of Wits)
  • Making Illustrations (Wesley Pepper, artist)
  • Unleash your Creativity (Joan Rankin)
  • Survivors of Stroke (Stroke society)

Book Launches

  • Refined Player: Sex, Lies and Dates by Stevel Marc [Jacana]
  • Freedom Charter: no cause to celebrate [Workers World Media Project]
  • Workplace Forums: 20 YEARS of the Labour Relations Act: A balance sheet, republished, by Oupa Lehulere
  • Seven Tried & Tested Triangles by Pearl Segel
  • Back to Africa by Beatrice Acheleke
  • Privatisation of Schools by Salim Vally, Carol Anne Spreen, Lauren Star

Theatre Stage

A selection of plays, some of which were at the National Arts Festival in Grahamstown earlier this year, will be show-cased. This includes:

  • Qhawe (CT)
  • Thula Thula (Jhb)
  • Dead Roses (Wits)
  • Kafka’s Ape (Wits)
  • Merethetho ‘the rhythm, dance and poetry’ (Freedom Park)
  • Games we teach our children (Khanya College & HBC)
  • Metropolitan High School Play (JHB)
  • Music and Dance (Michael Williams) Itliziyo ‘the heart’ (CT)

These will include a brief Q&As afterwards

Live Jazz

Special Live Jazz will take place on Saturday, 12 September, from 4-8pm;and on Sunday, 13 September from 1-5pm.

This includes:

  • Soni Jazz Band
  • Dimpie Tshabalala
  • Feya Faku, Jazz poets
  • Baba Ndamase Band

Film Festival

Mini Film Festival ‘Youth in Adversity’ will be held in collaboration with our fraternal Steps (Cape Town) and select Q&As with Laurence Dworkin.

This will include:

Shake the Dust by Adam Sjoberg (Global) 83 min
From executive producer and rapper Nasir “Nas” Jones and journalist- turned-filmmaker Adam Sjöberg, Shake the Dust chronicles the influence of breakdancing, exploring how it strikes a resonant chord in the slums, favelas and ghettos of the world and far beyond. Showcasing some of the most jaw-dropping breakdancing moves ever committed to film, Shake the Dust is an inspiring tribute to the uplifting power of music and movement.

Coming of Age by Teboho Edkins (Lesotho) 63 min
Coming Of Age is a film that follows four teenagers over the course of two years as they grow up deep in the southern African mountain kingdom of Lesotho. Very little happens in the village of Ha Sekake, but from their perspective, a lot is at stake.

Please Vote for Me by Weijun Chen (China) 52 min
Wuhan is a city in middle China about the size of London, and it is here that director Weijun Chen has conducted an experiment in democracy. A grade-3 class at Evergreen Primary School has their first encounter with this idea, by holding an election to select a Class Monitor. Eight-year olds compete against each other for the coveted position, abetted and egged on by teachers and doting parents.


Pumla, Dumisani Phakathi (South Africa) 18:18
Pumla is a bright, young girl, who was branded a rebel before anybody gave her a chance. She drinks, she smokes and likes to hang out with the guys in alleyways and on street corners. She also had a child at a very young age. Her behavior often gets her into trouble with the authorities and causes much pain and stress to her mother. Unable to deal with her demons and the perceptions of others. Pumla’s lifestyle leads her down a dark and dangerous road.

Love and Rubbish by Hanna Polak (Russia) 7:54
Set in a rubbish dump outside Moscow, this is the story of a young girl, Yula and her friends, told over years.

Girlhood, Participatory Film (South Africa) 3:48
We meet 5 teenagers sitting in a café in Cape Town, chatting, laughing, enjoying themselves as teenagers do. But these seemingly carefree young women have been through a lot. As each girl tells us her individual story we find out about broken families, teenage pregnancy, loss and abuse.

Miseducation by Nadine Cloete (South Africa) 4:15
An 11 year old girl is getting ready for school. Her walk takes her through gangland, across territories that have seen much blood, drugs and pain.

Coal Boy by Chandrasekhar Reddy Thumati (India) 4:40
In North East India ,near Jaintia, a young boy tunnels into the hills to find coal. The work is hard and dangerous. But this boy has a dream and this is only the first of many steps that he says will lead to London.

Marafiki, Participatory Film (Zanzibar) 12:41
Shot in Zanzibar, Marafiki (meaning friends) is a story about two girls dealing with their HIV+ status and the discrimination they face. With the help of friends, family and a support group, these two strong characters learn not to lose hope as they tell us their plans for the future.

Sea Gypsies by Elena Zervopoulou (Malaysia) 5:37
Struggling to survive with increasing fishing restrictions on a paradisiacal coral island of Eastern Malaysia, Indanina, a determined Sea Gypsy girl, sees her colorful, innocent world endangered. The cruel reality she discovers when she is forced to move to town with her family, marks her brutal transition to an uncaring modern world.

In addition:

  • Bheki Peterson’s Rights of Passage
  • Special Screening and Reception of Life in Progress by Irene Loebel during the Fair

There will be Q&As after selected film screenings

* * * * *

Book details

Isobel Dixon, Lyndall Gordon, Henrietta Rose-Innes, Denis Hirson, Kelwyn Sole and Others Impress at Writing South Africa Now at Cambridge

Henrietta Rose-Innes
Invisible EarthquakeAbsent TonguesGreen LionDivided LivesIn the Heat of ShadowsOne Eye'd LeighThe Tempest Prognosticator

Writing South Africa Now 2015: in Conjunction with the Southern African Poetry Project was a two-day colloquium held at the University of Cambridge on 26-27 June 2015.

Started in 2013, Writing South Africa Now is an annual UK-based colloquium on South African literature that seeks to encourage international dialogue by connecting graduates, early-career researchers and academics working in this field. The Southern African Poetry Project was also launched in 2013. It was based on a collaboration between the Centre for Commonwealth Education at Cambridge and the Wits University, aiming to develop research on Southern African poetry and to support its teaching in secondary schools in the UK and South Africa.

The panels centred on the themes of “Testimony and Truth”, “Politics and Aesthetics”, “The Global and Transcultural”, and “Identity and Representation”. The delegates – literary scholars, poets, performers and writers – created a critically-engaged and supportive atmosphere in which ideas could be tested and new ways of thinking about South African literature could emerge. Between panels on the first day of the conference, biographer and memoirist Lyndall Gordon read from her work, along with novelist and short-story writer Henrietta Rose-Innes. Rita Barnard Skyped in her stimulating talk on emerging trends in South African temporality. The day ended with a reading and performance by poets Denis Hirson, Toni Stuart and Malika Ndlovu. (A recording of this night’s readings will be available soon.)

The second day of the conference began with the final panel, and then moved on to a thought-provoking address by Kelwyn Sole on poetry and literary criticism in South Africa. The round table in the afternoon featured Denis Hirson, Kate Kilalea, Toni Stuart and panel chair Isobel Dixon in discussion on anthologising poetry. The conference closed with a selection of readings by poets Sole, Kilalea and Dixon.

The warm environment of Writing South Africa Now 2015: in Conjunction with the Southern African Poetry Project is a testament to the enthusiasm of its participants and the value of bringing together writers, poets and academics to explore the South African literary landscape.

The full programme, speaker biographies, and conference gallery can be found the Writing South Africa Now website.

Here, some delegates offer their reflections on the conference:

Anique Kruger: This year’s Writing South Africa Now conference afforded me the opportunity to present a paper on contemporary South African spoken word poetry. The heartening experience of presenting this work for a group of South Africanists with a shared interest in South African poetry was made all the more pleasurable and rewarding by the diversity of the conference delegates. Indeed, academics, poets, publishers, and educators alike were all present for this celebration of South African literature in all its forms. Having spent a good deal of time grappling with the supposed antagonism between the academy and practitioners of the spoken word, it became clear as the conference progressed that the boundary between poets and academics is highly permeable, if not non-existent. The insights offered by the creative artists in attendance were mirrored by the passion with which the academics present engaged with the various literary texts they brought to the table. The depth of the discussions which took place over the course of the conference is testament to the necessity of bringing thinkers from all spheres of South African literary life together in conversation about this writing that enriches all our lives. The profound gratification which I took from sharing my own love for South African verse with many of my personal academic and poetic idols is beyond words.

Megan Jones: … the warmth and vitality of the intellectual space created by the organisers was palpable. Listening to my fellow speakers, what struck me was the density inhering in the “Now” towards which the colloqium gestured. Rather than describing a contemporary moment, to speak of the “Now” evokes a layering of temporality and experientiality. Texts extend rhizomatically across the horizons of past, present and future; they pull us back into South African literary histories (Kelwyn Sole and Malika Ndlovu) and push us relentlessly towards the emergent (Toni Stuart and Anique Kruger). Whatever our modes of critical reading as we hover in this textual continuum, we find – to steal a tiny quote from the astonishing poet Kate Kilalea – the possibilities of South African writing’s “Wow”.

See a gallery of pictures from the event:

Writing South Africa Now 2015

This report was shared with Books LIVE by Writing South Africa Now, and is reposted with permission.

Book details

Wat is swak poësie? Danie Marais vertel, en lees sy gedig "Wat swak gedigte weet" (Video)

“Swak gedigte is, om dit baie eenvoudig uit te druk, gewoonlik clichés wat lamgelê word deur onnodige paarrym – jy sien dadelik jy’t hier te doen met iemand wat nie weet wat hy doen nie, of iemand wat nie weet wat al voorheen alles reeds geskryf en gesê is en op watter manier nie.”

Só sê Danie Marais, bekroonde digter en en bestuurshoof van PEN Afrikaans, oor die fyn kuns van swak poësie.

Pruimtwak en skaduboksersSolank verlange die sweep swaaiIn die buitenste ruimteNuwe Stemme 4Al is die maan 'n misverstandAs almal ver is

Dinsdag, 18 Augustus was Internasionale Swak Poësiedag en Marais het op kykNET se Flits-program gesels oor die verskil tussen goeie en slegte digkuns. In die video lees Marais eerstens ‘n gedig voor uit sy bundel, Solank verlange die sweep swaai, getiteld “Wat swak gedigte weet”:

Hoekom depress vrot poësie my dan so mateloos?

Vroeër het ek gehoop
dis oor slegte gedigte leuens is
wat soos goue sandale
verlange obseen maak.

Ek het gedink dis die voorspelbare vertwyfeling
die Highveld Stereo-hartstog
die emosionele pornografie
die infantiele woordspel
die kreupel rymdwang en die paraplegiese paarrym

Marais besin verder oor die aard van poësie: “‘n Gedig is ‘n manier om die wêreld te sien … dit gee jou êrens ‘n nuwe blik op iets, of dit maak iets wat jy gedink het jy reeds ken vreemd of weer interessant.”

“Van die heel slegste gedigte rym gewoonlik,” sê Marais, en deel die slotkoeplet wat hom altyd bygebly het van sy tyd as poësieredakteur vir LitNet: “My prins sonder perd, hoe lank vreet jy al aan daai tert?”

Kyk na die video:

YouTube Preview Image

Lees ook:



Tom Gouws en Philip John resenseer Bladspieël deur Marlise Joubert

BladspieëlUitspraak: wortels

Dit is suiwer, onpretensieuse poësie wat die leser meesleur, dikwels mesmeraais, jou die fynskrif van die katalogus van die skeppende verbeelding wíl laat lees.

Hierdie is nie net blote digterlike herinneringsreise nie, maar die sensuele gestaltegewing van geheue as ’n poëtiese denkinstrument, gebrandskilderde lugspieëlings in woorde.

Dit is veral in die langer gedigte, soos “hoogsomer: waylands”, “stormsriviermond” en, by uitstek, “dagskrif vir die wegland”, dat Joubert toon waartoe haar benadering in staat is: ‘n stemming word nie net opgeroep nie, maar ook oor ‘n langer tydsduur gemoduleer.

bladspieël bevat uiters toeganklike, maar tog treffende poësie waarvan die trefkrag net toeneem met elke herlees.


’n Legende onthou: Andries Visagie en Marius Crous bring hulde aan Hennie Aucamp

SkulpDie jongste uitgawe van die Universiteit van Pretoria se Tydskrif vir Letterkende bevat twee huldeblyke aan die ontslape skrywer Hennie Aucamp en sy laaste digbundel, Skulp.

Rus in vrede, Hennie Aucamp (1934-2014)

Andries Visagie, professor in Afrikaanse letterkunde by Tuks, skryf in sy huldeblyk dat Aucamp veral as kortverhaalskrywer onthou sal word en bied ‘n kort oorsig van sy bydrae tot die Afrikaanse letterkunde. Hy maak ook melding van die baanbrekerswerk wat Aucamp gedoen het in terme van die “openhartige manier waarop Afrikaanse skrywers vandag oor gay en queer seksualiteite kan skryf”.

Vol draadwerk-digter en NMMU-akademikus Marius Crous het Skulp geresenseer en is vol lof vir die dinge wat Aucamp in hierdie versameling kwatryne vermag het. Hy stem saam met Johann de Lange op die agterblad en sê “in die geheel gesien, is dit ’n welkome bydrae tot laatwerk in Afrikaans”.

Lees die artikel en resensie:

In die laaste jare van sy lewe het Hennie Aucamp met ’n soort gedrewenheid die een publikasie ná die ander die lig laat sien asof hy duidelik daarvan bewus was dat sy dae min geword het vir die afhandeling van sy laaste paar skryfprojekte. Die digbundel Skulp, voorlopig laaste boek uit sy pen, word juis elders in hierdie uitgawe van Tydskrif vir letterkunde geresenseer, maar dit is goed moontlik dat daar in sy nalatenskap nog talle manuskripte is wat mettertyd die lig kan sien. Hoewel Aucamp enkele van sy dagboeke waaronder Gekaapte tyd (1996) vir publikasie beskikbaar gestel het, is dit bekend dat hy sedert sy jeug getrou dagboek gehou het. Aucamp het sy dokumente noukeurig laat bewaar in die J. S. Gerickebiblioteek van die Universiteit van Stellenbosch en daar is ongetwyfeld nog baie stof wat wag op die ondernemende redakteur en navorser.

Dat Hennie Aucamp een van die produktiefste en veelsydigste skrywers in Afrikaans was, is
nie te betwyfel nie. Benewens kortverhale is hy ook bekend as skrywer van kabarettekste, liedtekste, dagboeke, kritiese opstelle en gedigte. Reeds in 1984 publiseer hy Die blou uur: 50 cocktail-kwatryne en vestig hom as beoefenaar van dié vormvaste digvorm. In Pluk die dag (1994) en Koerier (1999) word Aucamp se voorkeur vir die kwatryn voortgesit en nou in 2014 sluit hy sy omvangryke oeuvre af met
Skulp, weer eens vol verse in kwatrynvorm.